Latest Posts
18 September, 2021
5 Frames with a Gifted Nikon F and Ilford Delta 400 – By Dan Smouse
I was contacted a short while back by a friend who told me she had recently purchased a home in the area. The former owners had left her with basically all their possessions, in...
17 September, 2021
Lomography Purple and Metropolis Films: Goin’ Weird – by Christian Schroeder
Lomography Purple and Metropolis are two special films made to spice up our film photographer’s lives. The first one, Purple, can offer bizarre false color representations, some...
16 September, 2021
5 Frames of Canal Life with a Zeiss 35mm f/2.8 C Biogon T* ZM, Leica M6 and Fuji PRO400H – by Phil Harrison
I bought the Zeiss 35mm f/2.8 C Biogon T* ZM over a year ago and had only put two rolls through the M6 in the last year. I went Yashicamat happy most of 2020. So it was a great ...
16 September, 2021
A Tale of Two Compacts – Emotion and Camera Choice – By Octavia Vans
This article originally began its life as separate reviews of two different not-so-compact cameras. However at some point they merged into a comparison, and then evolved, like a...
The Voigtländer Vitomatic I is a 35mm viewfinder camera that was produced between 1957 and 1960. The lens is a 50mm Colors-Skopar 1:2.8. F-stops are 2.8 to 22. Shutter is a Pro...
14 September, 2021
Aperture Zero 10. The Champ
As was often the case, the Pipes Man had spent most of the morning smoking and creeping around places he probably shouldn’t be. However, it was rare he would be so well rewarded.
Once in a while, someone asks me what my favourite lens is. For a long time now the answer has remained the same - it’s the Zeiss 50mm ZM Sonnar. This is a lens that has loads o...
12 September, 2021
Aperture Zero 09. Proper Etiquette
‘Can I take your picture?’ He had been thinking, recently, to try to be a better person. To approach and engage, rather than sneak and snatch at his shots. This was Proper Etiqu...
