Latest Posts
13 June, 2020
Documenting the #BlackLivesMatter Protests – Some Thoughts and Images – By Dan Shapiro
I’ll preface this article by stating that street/documentary photography is neither a preferred genre of photography for me, nor is it one that I consider myself particula...
“I can’t breathe!”, “I can’t breathe!”, “I can’t breathe!"
As a black Latino American living in London, a member of a historically oppressed group, I still have some access, pr...
12 June, 2020
23 frames / A Whole Roll of Fujifilm Superia 400 in a Vivitar Ultra Wide & Slim – #FullRollFriday – by Charles Higham
No doubt like many, I've taken the enforced opportunity to tidy up photographic equipment and general detritus. There's an embarrassing number of old film compacts, SLRs and len...
Big sensor compact cameras are a special breed. In most cases, they are riddled with compromises which the end user ends up hating, or embracing. It is a love-hate relationship....
11 June, 2020
Discovering Bromide Drag and New Developers – My First Steps into Analogue – Part 6 – By Andrea Bevacqua
After a while I was using the Cinestill mono bath, I noticed some stripes on my negatives and I did not know what it was. I asked Hamish and he came back with the answer "bromid...
Not unlike that all too prolific tale of Captain Ahab chasing down the elusive white-whale, I found myself chasing down the Konica Auto S3, and boy did it end up being an intere...
10 June, 2020
5 frames with a Leica M6 and an Elmarit 28mm on Kodak 400TX (at EI800) – By Michael Palmer
I've been shooting film since I was a kid, starting with my fisher price 110 camera. I learned to develop my own black and white in 2001 and have on and off kept shooting film e...
I have frequently seen little box cameras in vintage stores in the past and brushed them off as more ornamental dust collectors than cameras. Their unique shape, size and overal...
