5 Frames With FPP Retrochrome 400 – by Simon King

Slide film is a very difficult concept for me, as my experience of it so far has been the options currently in production – quite a bit more expensive than negative film, and featuring prohibitive ISO speeds, which make them difficult to justify in London unless I know for sure the weather will be accommodating. With much lower latitude I need to nail the metering dead on, which means adjusting my settings much more frequently than when shooting something like Delta 400, where I simply fix for the shadows and expect to lose the highlights.