5 frames with...

5 Frames With FPP Retrochrome 400 – by Simon King

November 23, 2019

Slide film is a very difficult concept for me, as my experience of it so far has been the options currently in production – quite a bit more expensive than negative film, and featuring prohibitive ISO speeds, which make them difficult to justify in London unless I know for sure the weather will be accommodating. With much lower latitude I need to nail the metering dead on, which means adjusting my settings much more frequently than when shooting something like Delta 400, where I simply fix for the shadows and expect to lose the highlights.

The only slides I’ve ever been really happy with were the handful of keepers from a trip to Morocco at the start of this year; the Ektachrome gave me lovely National Geographic reminiscent tones. As much as I want to try and incorporate shooting slides alongside my regular workflow without a more reasonable speed I simply can’t justify it.

When I heard about Retrochrome 400, I knew I had to put the effort in and see whether this was the answer for me. I bought two rolls from Analogue Wonderland, and shot the first over the course of three days: one very sunny, and the other two quite overcast.

Retrochrome 400 is supposedly Ektachrome 2253, long expired but cold stored well enough for useable results – government surplus from a US Government testing site. It is described by FPP, the group who are responsible for rebranding, rerolling, and testing this film, as having “subdued colours, warm tone, increased grain and [an] overall pleasing vintage aesthetic.”

Having the option to shoot a higher speed slide film was alluring – 400 is my favourite “do everything” speed, as I have to make the fewest exposure compromises in the fewest situations. I knew that the results from Retrochrome would not match my use of Ektachrome, and that there could be some “character” (defects) – possible light leak, weird grain, colour cast; all down to the age of the film, and not really predictable until you’ve tried it.

I metered as dead on for my subject as possible, and only had two rolls I think failed due to bad exposure. This meant constantly adjusting my settings as I moved through variable light, as I could have spotted something in light or shadow at any moment. This was quite distracting, and reaffirmed my preference for shooting on overcast days. I didn’t adjust the EI of the meter, and read for 400 at all times.

I was actually really happy with the results of this roll – I think you can tell that the ilm is expired, but it has an aesthetic quite unlike any expired film I’ve shot previously. It has as consistent a look as you could want, although some frames definitely worked better than others. I think the midtoned scenes definitely worked better than anything with high dynamic range.

Grain was much less noticeable than I was expecting, and there weren’t any of the other flaws I had been expecting.

I was particularly happy with this shot, as it contains all of the colours that I think work best on this film – blue, green, red, and gold.

I made an effort to shoot as many colourful scenes as possible, which was a lovely exercise considering the amount of black and white I’ve been shooting recently. I’m saving the second roll of Retrochrome; now that I understand how the film looks and operates I think I’ll wait for a cloudy but rain free day and take it to Brighton. Hopefully the moody grey skies and dark blue of the ocean offer some interesting scenes!

Thanks for reading my thoughts on Retrochrome 400! If you enjoyed this piece you might enjoy some of the other articles I’ve produced for 35mmc. You might also consider following my feed on Instagram!

Support 35mmc

For as little as $1 a month, you can help support the upkeep of 35mmc and get access to exclusive content over on Patreon. Alternatively, please feel free to chuck a few pennies in the tip jar via Ko-fi:

Become a Patron!

Learn about where your money goes here.
Would like to write for 35mmc? Find out how here.

10 Comments

  • Reply
    Roger B.
    November 23, 2019 at 2:14 pm

    Simon, I found Retrochrome to be very effective with images of autumn leaves. Thanks to the vagaries of mountain weather, fall lasted less than two weeks here this year, but Retrochrome captured the color palette very nicely.

    • Reply
      Simon
      November 23, 2019 at 2:16 pm

      Thanks, I’ll have to try it in Autumn!

  • Reply
    Trevor NC
    November 23, 2019 at 3:50 pm

    Does anyone else remember Agfa 1000? A beautifully atmospheric, grittily grained slide film, especially beautiful in/for low light – hmmmm. Unfortunately went defunct just after I’d discovered it and I couldn’t afford to buy a big stock.

  • Reply
    Rock
    November 23, 2019 at 10:34 pm

    Very nice images Simon.

    • Reply
      Simon
      November 24, 2019 at 1:29 am

      Thank you!

  • Reply
    Lee Wai Leong
    November 24, 2019 at 3:23 am

    Slide film isn’t difficult to shoot. People did it a long time alongside negatives. Either get s good matrix meter camera like nikon, or use an incident meter for the highlights. It’s the opposite of negatives. You shoot to preserve the highlights, and be prepared to lose the shadows if the dynamic range of a scene is too great. That’s all.

  • Reply
    Antonio
    November 24, 2019 at 2:07 pm

    In my experience, you get better exposures if you metre expired 400 slide film at 200 and have it processed at 400, essentially consistently overexposing the roll by a stop.

  • Reply
    luis
    November 25, 2019 at 6:46 am

    I just always underexpose my chromes at 1/3 of a stop but the processing is a lot more expensive now

  • Reply
    Isolation Photo Project, Day 47 by Khürt Williams
    May 9, 2020 at 2:29 pm

    […] The weather changed again, and now we have rain in addition to the cold that was expected. I just hope it doesn't snow. Driving home from my appointment with the endocrinologist1 I stopped at the Kingston Lock on the D&R Canal State Park. I saw one car in each of the three parking areas which left me all alone in the third parking area. I set about taking photos on my Asahi Optical Co. Spotmatic II which has a roll of Film Photography Project's RetroChrome 400 Color Slide Film. I purchased the film after reading a review by Simon King on 35mmc. […]

  • Reply
    39 Slides / A Whole Roll of Fujichrome Sensia 100 (expired 2006) – #FullRollFriday - by Simon King - 35mmc
    August 14, 2020 at 4:01 pm

    […] alone experimentation with expired options. So far I’ve enjoyed the results offered by “Retrochrome” but this was sourced from a reliable seller, and there is plenty of existing documentation […]

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.