Kodak P3200

M3 and Summitar 50/2

5 Frames in a Reclamation Yard with a Leica M3 and Summitar 50/2 – By Nik Stanbridge

I can’t really remember the exact sequence of events and thoughts that led to my decision to buy a Leica. However, I think it was around the time that I posted more articles here and spent pleasurable time reading other people’s articles. This latter activity I seem to remember drew me to reading some of the many articles by Hamish on why he bought this or that Leica, his trials and tribulations with those cameras, and his decisions to sell/swap them and so on.

At the time, the only thing I really knew about Leicas were the many stories around HCB’s, Garry Winogrand’s famous one, and the fact that Leicalisti are, to put it mildly, evangelistic about their tools.

7 Frames from Inside the Salt Palace on Tmax 3200 (at 1600) – by Sonny Rosenberg

For a while now, I’ve been fascinated by the interior architecture of the Salt Palace in Salt Lake City Utah. It’s really just a large convention hall built in 1995, but there’s something about the interior framework and glass along with the play of light they bring that really speaks to me. Before Covid hit …

7 Frames from Inside the Salt Palace on Tmax 3200 (at 1600) – by Sonny Rosenberg Read More

Up Close and Personal with the Ricoh GR1s and Kodak T-Max P3200 at EI12,800 – By Steven Bleistein

The Ricoh GR cameras have had a kind of cult following as a street photographer’s tool of choice going back to the days when Daido Moriyama was roaming the streets of Kabukicho and Ikebukuro in Tokyo during the 1990s, creating what are now his iconic works of art with one of the early film versions of the Ricoh GR series. 

Kodak P3200 at EI400 Pull-Processed in XTOL

If you feel like you’ve seen some of these photos before, it’s because I shared them in a recent post about me most committing to shooting a Pentax MX for a little while. I was going to talk about the quality of the results I’ve had from shooting Kodak P3200 at EI400 in that post, but since I’m so happy with the results, I figured it deserved a post of its own.

Kodak P3200 – A Lackadaisical Experiment Shooting for Fowey Shellfish

A couple of weeks ago I went down to Cornwall for the day to shoot some video for Fowey Shellfish. The job for the day was to capture some content of their new boat, the Mytelus, and MAP packing machine in action. I was to shoot a few digital stills for them too, but mostly the day was to be about shooting video. Of course, with jobs like this, it’s hard not to be tempted into taking a camera for a bit of film photography – it’s not every day I get to go out to sea on a Cornish fishing boat.

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