Voigtländer Vito B camera

5 Frames with a Voigtländer Vito B and Ferrania orto 50

By Martin Siegel

When you prepare for shooting in the darkest time of the year, in a place that’s further north than Quebec City people would most likely say ISO 400 minimum and a fast lens. So, I loaded my Voigtländer Vito B, Color-Skopar 50/3.5 with Ferrania orto 50. The Vito B is a humble viewfinder camera from the 1950ies the only oddities are the shutter cocking and the frame counter. The shutter cocking is done by the film moving a cogwheel and the frame counter is above the lens with its numbers upside down so that is easier to read when shooting. With ISO 50 film loaded I set the shutter to 1/50 hoped for the best with the apertures. Sunny f16 is really sunny f11 most of the year and in late December sunny f8 at least here at 48.3 degrees North and that did not leave me much choice when I set out to shoot. Of course, not all frames on the roll were shot on one day and the ones I chose were shot on two different occasions. All was shot in about 1km from my place of living.

The first pictures shows the Ars Electronica Center here in Linz/Austria. A location well known for its architecture, its glass façade is lit in various colours by night and makes it an impressive view. One day I’ll shoot it in colour and by night.

Glass facade of Ars Electronica Center Linz
Ars Electronica Center

The museum is situated by the banks of the river Danube and walking on I took a shot from the oldest bridge spanning the Danube here in my town. From Nibelungenbrücke (Nibelungen’s Bridge) I took the second picture which shows the north bank of the river Danube here in Linz/Austria with quite a few ships moored to the quai (I apologize for the possible misuse of nautical terms). Some were river cruise ships some are there for the winter some are restaurant/bar ships. The steam paddler Schönbrunn was built in 1912 and still does charter runs. It uses its original steam engine which was converted from coal to oil burners for the steam fabrication in 1976.

View downstream from Nibelungen bridge, river bank of River Danuve with a steam paddler mored to the quai
View downstream from Nibelungen bridge

Walking on a few hundred meters found us at the Christmas market held in the yard of Klosterhof, which is a famous restaurant with beer garden, very popular with students. There I made the third picture, a portrait of two wooden Krampus statues on display between the decorative globes and fir trees. That one could have benefitted from one stop more light but I didn’t dare 1/25th at the time. The drama lies in the shadows anyway. Later I did try but the photo is private all I can share is that I still can hand hold 1/25th even at my age. That concluded the session for the day and I warmed my fingers on a mug of mulled wine as it custom on Christmas markets here.

wooden Krampus statues on Christmas market
Krampus statues on Christmas market

Weather between Christmas and New Year was mostly dull and foggy and not helping with winter depression. On a nice day, cold but “sunny” I went out again and did not forget my camera. Close to home I made the 4th picture. It shows the front of Bruckner Tower, until very recently the highest secular building (99m) in our city. The picture was taken from the other side of the road so the branches of the trees could not have been avoided but they add a nice layer to the picture.

High building photographed upwards throu tree branches
Bruckner Tower (If you want to build high towers you have to spend a lot of time with the foundations, A. Bruckner)

A 10 minutes’ walk took me to the New Railroad Bridge (the only railroad bridge without rails) and I made the fifth picture showing the elegant arcs of the bridge against some office buildings by the river bank and a background of hills north-east to the city. The bridge was opened 2021 and replaced the old steel railroad bridge from 1900 which was beyond saving due to corrosion.

arcs os new railroad bridge with office buildings in the background
New Railroad Bridge

All in all, I liked this odd combination of slow film and a slow (by today’s standards) camera. I half knew what to expect from Ferrania orto 50 because I shot it about a year previous in a Yashica Lynx 5000E but that has 1.8 lens and slower shutter speeds as well which are easy enough to use with some support. Film Ferrania stocks are amongst my favourite emulsions. I like using P30 both in 135 and 120 but also orto 50 and I also like how Foto Leutner in Vienna/Austria develops it so it keeps its full contrast. I have not yet shot P33 but Ferrania has the perfect emulsions for me. I like fine grain films better which probably means I am old.

If you followed until now – thanks a ton.

You can find me on Flickr, Instagram, Lomography and BlueSky or you can simply try my Linktr.ee.

Share this post:

About The Author

By Martin Siegel
I bought my first SLR in my late 20ies for financial reasons it was a Zenit 12XP which I still have and use. Before that I borrowed cameras occasionally. Being a snob I stayed with film much longer than many (I got my first digital camera around 2008). Today I am still mainlya film shooter but digital has its advantages I have to admit (trying to set a vintage camera without glasses became a challenge a while back). Even if I love shooting film I rarely develop my own films, I rather have them sent out for developing and scanning. And yes, I have everything for DSLR scanning including a pixl-latr film holder.
Read More Articles From Martin Siegel

Find more similar content on 35mmc

Use the tags below to search for more posts on related topics:

Donate to the upkeep, or contribute to 35mmc for an ad-free experience.

There are two ways to contribute to 35mmc and experience it without the adverts:

Paid Subscription – £3.99 per month and you’ll never see an advert again! (Free 3-day trial).

Subscribe here.

Content contributor – become a part of the world’s biggest film and alternative photography community blog. All our Contributors have an ad-free experience for life.

Sign up here.

Make a donation – If you would simply like to support Hamish Gill and 35mmc financially, you can also do so via ko-fi

Donate to 35mmc here.

Comments

Chuck on 5 Frames with a Voigtländer Vito B and Ferrania orto 50

Comment posted: 05/03/2026

Beautiful results with a classic camera. Keep up the good work!
Reply

Leave a Reply

Your email address will not be published. Required fields are marked *


Martin Siegel replied:

Comment posted: 05/03/2026

Thanks Chuck, I will try!

Reply

Leave a Reply

Your email address will not be published. Required fields are marked *


Leave a Comment

Leave a Reply

Your email address will not be published. Required fields are marked *