Cyanotype Music Video “Wounded Angel” – By Paulina Blažytė

By Vaida andrijauskaite

Sometimes we spin so fast, that all that is left of us is a motion that can not be caught.

We, as part of an efficient society, do so much and naturally it has to be productive, effective, useful – both in our jobs and sometimes even in our private lifes. In these big cities of ours, where others are also spinning as successfully as we are, leaving after them nothing but a vortex made out of blurry colours and shapes. That is why it is so refreshing to see something done not for the sake of a time-efficient, comfortable and profitable result, but because it is done out of inspiration and creative thirst, when the process is approached as a slow and full immersion. This kind of an example we see in the second-in-the-world cyanotype music video “Wounded Angel” for the creation of which three artists united – musician godo yorke, french photographer Dan Hermouet and filmmaker Kotryna Daraškevičiūtė. Inspired, in fact, by the first Cyanotype music video by Edd Carr, which was also featured here on 35mmc.

Dan Hermouet, Kotryna Daraškevičiūtė and godo yorke
Project authors: Dan Hermouet, Kotryna Daraškevičiūtė and godo yorke (pinhole photo).

Even though at first artists were planning to create the video in two weeks, the whole process took them about three months. As they say themselves in the documentary by Egidijus Kriščiūnas, in the period when the video was being made, it was mostly what their life revolved around. And knowing how many steps there were in each stage of the creative process, it is not at all surprising. After shooting an actual video, the artists made their own negatives and photo-sensitive paper, printed images with Dan Hermouet’s self-made UV lights box made from drawers. The prints then were washed in water, snow and immersed them in river Nevėžis water. Finally the prints were cut and fitted between 2 pieces of glass as if they were negatives captured with a photo camera. Playing with the light placement, diffusion and hues allowed for different tones and mood in the final image captured with an old analog lens.

Cyanotype development process

After this, the shots were uploaded onto the computer again, synced and edited into the video. Therefore the water of Nevėžis that rinsed the pictures was not only directly involved in the making of the work, but also acted as an invisible and silent extra character, whose existence nevertheless could be very much felt. It seems only natural as the video in a way works as an ode to the city of Panevėžys.

Cyanotype video process

If the computer graphics were used, none of this labour or time would have been necessary, but it is not only the result that matters – it is also the creative process that has been meditated, unhurried as well as the knowing that you created it yourself, using your own hands. After all, in this day and age, analog photography altogether could be eliminated and instead give place to way more practical and effective digital photography. Despite all that, it is still very much alive and in a way, attractive. It tempts the creator with the possibility of unexpectedness, adventure, slowness and a freedom to experiment, to touch, to discover and to do it by yourself.

The artists did not expect for their artwork to be too surprising and that makes it even more unique, authentic and honest. Perfection is also not one of their aims – the visuals here are not too sharp or too polished. The shots that have been separated from one another are fluttering and dancing when they are finally merged again for the new life. Colours overlap and the shots glimmer kind of like they used to in silent movies or the programmes that we watched as children on old TVs. At the same time the imagery could be seen as drawings or hazy memories from forgotten places in forgotten times or the dreams and visions that lay somewhere deep in the subconscious. They are full of texture and roughness which is almost palpable and has a possibility to provoke not only the sense of eyesight but also the touch. Cold bluish tones complement the winter imagery that consists of the flowing ice circles or tree branches covered in snow. In front of our eyes they have a possibilty to become water lilies or palms with fingers spread open.

Still from the video “Wounded Angel”

Everything here breathes melancholy. Like that Sunday atmosphere when you feel sad for unknown reasons, as if something in you was ending, even though it is not – there are many more days and weeks that are yet to come. That melancholy seems so lithuanian to me – I see it myself in the faces of strangers, my friends‘ words, poetry, rain that washes the fields and the streets, the tone of the voices, our nature. Even the appartment building that godo yorke grew up in and that stands firmly behind her back in the music video seems filled with this mood. At the same time, a lot of light and hope is present – both literally and figuratively. The musician is singing „there must be something out there / waiting for me“ and in the video we can see how sunlight just keeps on shining between the tree trunks.

Still from the video “Wounded Angel”

The “Wounded angel” music video talks about fluctuation, constant change and cyclicality – in nature, in city, in people. It is inevitable, natural, necessary, sometimes joyous and sometimes sad. How a human changes, grows up and grows old, so does the river always go. Water moves from one place to another and each time washes new stones laying beneath it. Seasons change, earth, trees and buildings get covered by snow and ice, but then it ends and here comes the spring again. The face of the city also does not stay the same forever – some buildings are being replaced by others and all that is left of their existence are writings, photographs and stories. In the video we see how the cinema “Garsas” is being demolished – it will be replaced by other, new buildings. The all-destroying jaws of the big machine eat up the concrete and licks its fingers. All that is left is the flickering sky behind it.

Still from the video “Wounded Angel”

Artists trio remind us that perfection, a lot of the time, is overrated and that the most interesting, intriguing things are often discovered by searching, by trying and by processes that are not always too easy or comfortable. And that analog photography by no means ends with the static image – the field of opportunities it offers is so much broader! The artists take us to a space surrounded by bluish light that is full of both ever-changing movement and steady melancholy. Here we listen to music, remember the cities of our past, wonder around, look inwards and dream without any rush.

Watch “Wounded Angel” music video here

Text by Paulina Blažytė

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John Fontana on Cyanotype Music Video “Wounded Angel” – By Paulina Blažytė

Comment posted: 06/07/2022

What a labour of love!
Beautiful, atmospheric, sad with colours perfectly harmonising with the sound track.
The only downside is that we as listeners and viewers were not able to be part of the process of realisation!

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