Fixing my Second Konica Auto S2

By Michael Zwicky-Ross

I first purchased a Konica Auto S2 when I was around 15 years old, probably near to the time they were released in 1965. It was my first ‘proper’ camera following on from a Kodak Instamatic 50. For several years, in fact until I bought a Pentax Spotmatic F it was my everyday camera. In those days I only shot Kodachrome, first the 25 and then the 64 and I was very happy with the results. I always used the full auto mode, not having an exposure meter and cannot remember a dud exposure (technically, not aesthetically, that is).

Some years later I lent it to my parents who were going on holiday to Japan and a Japanese chemist’s assistant broke it. That was the story, anyway. Last year I came across this article by Kevin Ortner where he uses an S2 in manual mode and I though ‘I wonder if I can find one for a non-silly price?’. £44.94 later and I’m once again the proud owner of a ‘near-mint, fully working’ example. Except, of course, it’s not fully working as the meter is dead. I powered it with a PX625 battery from Analogue Speciality Battery, a Made-in-Britain zinc-air replacement for the unobtainable mercury original.

Wind forward eight months and I decided it was time to try to fix my S2. This time I had to buy a lens dismantling tool to remove the front threaded ring to access the light sensor module. Unfortunately I didn’t take as many pictures as I thought I did but here is one of the original sensor:

This is called the TO5 encapsulation. They seem to be hard to find now. Google suggested a GL5528 light-dependent-resistor which looks like this:

The red disk I printed (4mm x 1mm) to retain the LDR in the hole in the front unit as here:

Again, according to Google, it is necessary to calibrate the LDR with a small internal potentiometer. Which does not live under the bottom plate, as AI asserted but underneath the top cover. This is easier said than done but I eventually found it:

You can just see the black conducting ring of the pot and the three brass terminals. I had to fashion a cocktail stick into a minute screwdriver and gradually push the wiper around until the meter, which you can see at the top of the above picture, seemed to agree with a phone app (I still haven’t got a light meter).

Reassembled and loaded with UltraMax 400, which I haven’t used before, I was just in time to take it to the annual car show at Grange-over-Sands. The pictures below were all taken in automatic mode, mostly at 1/250sec. Processed and scanned by filmprocessing.co.uk. Unadjusted.

The Hexanon lens (f/1.8 f=45mm 6 elements in 4 groups) is as sharp as I remember and the rangefinder is still spot-on. In fact I’m really pleased with the end result. I like UltraMax’s colours too so will be using it again.

My next project is a Petri 7 Half with a dead selenium cell. Wish me luck.

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About The Author

By Michael Zwicky-Ross
Enthusiastic amateur and collector of all things Kodak
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Comments

David Brancaleone on Fixing my Second Konica Auto S2

Comment posted: 21/10/2026

Colours look amazing! Very sharp images, Michael. What skill! Wonderful 35mmc includes all this sort of technical writing and research that is way beyond me, in terms of practice, but fascinating to read. Thanks so much. The personal note is the icing on the cake!
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Bob Janes on Fixing my Second Konica Auto S2

Comment posted: 21/10/2026

When I saw 'TOS Encapsulation' I spent some moments trying to work out the Star Trek connection - and then reloised I'd misread a 5 for an S... Bravo for this repair - wonderful to know that there are equivalent photodiodes. Exposure looks good, does it keep true in low light and bright sunlight?
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