Pro Mist Filters

Tiffen Black Pro Mist Filter (1/8), on Digital & MF film – by Pierre-Alix Favillier

July 22, 2020

I always look forward to seeing 35mmc articles popping into my inbox on a daily basis and read most of them avidly. I also listen to podcasts, read about lenses, watch YouTube videos, and love experimenting with photography. Why do I do that? I guess because a little bit like Hamish, I enjoy the process of photography almost as much as I enjoy the results. That way when I get a keeper, it’s an even better feeling, because I’ve also enjoyed sourcing and choosing the camera, a focal length, the emulsion and finally thought about how I would expose my shot before I released that shutter.

About 6 months ago I discovered Pro Mist Filters, which are made by a company called Tiffen in the US and decided to experiment… These filters are primarily used in TV programs, films and motion pictures, and once you visit their website and read up about them you will realise how widespread they have been in pretty much every form of visual media for the last 30 years ; and funnily enough they are starting to become very popular with still photographers as well. (I now notice them straight away every time I go and watch a movie.)

Now when I first received mine, I was shocked to see that they almost look like UV filters out of the box, even if they retail for around £70 or more, depending on the filter size you use. As you look closer, you soon realise that the glass features really tiny, opaque shapes which look like nothing, up until the moment that you screw your new very expensive filter to your lens and point it towards a Lightsource.

The trick is obviously to order one for the largest lens you intend to use it on and use cheap step down rings for all the other smaller lenses you have. Personally I’ve only ever used it on my medium format Bronica RF 645 and on a digital format camera. I feel like it lends itself well to these 2 formats and I’ve never really had the urge to try it on 35mm film yet.

Now how are these filters actually made?

To quote their website:

Tiffen Pro Mist Filters are made using ColorCore technology, a process that involves laminating the filter substrate between 2 pieces of optical glass, grinding flat to a tolerance of 1/10,000th of an inch, and then mounting to precision metal rings.”

And what do they actually do?

Essentially Black Pro Mist Filters soften the highlights, bring up the shadows and diffuse light in a very pleasing, soft and sometimes dreamy way. They also soften the skin and greatly add to any picture shot at night with bright lights, and produce a visual effect that simply isn’t achievable in any other way. Now I fully acknowledge that you do lose a tiny bit of sharpness and contrast in your image straight out of the box when using one, but frankly, who cares?

In terms of strength, I initially ordered the 1/8 and 1/4 filter (1/2 , 1 are also available) and very quickly settled for the 1/8. Anything stronger is too obvious for my taste and almost unpleasant in my mind, but that’s totally subjective. My recommendation would be for the softer option if you are hesitating between 2.

In any case, I really like these Pro Mist Filters. They really add something very pleasant and cinematic and completely different to any photographer’s arsenal which can’t be achieved in post, and although you could say they are expensive, the “bang for your buck” you get is really impressive when you consider that many photographers buy a lens simply for its wide open “look”, whilst most lenses look exactly the same from f/8 onwards.

The first 3 pictures are shot on a Ricoh GRIII with the 1/8 Tiffen Black Pro Mist Filters, whilst the latter 2 are shot with the same filter but with a Bronica RF 645, on Fuji pro 400h pushed 2 stops.

Pro Mist Filters

Ricoh GR III, 3s exposure on a tripod, I love this shot.

Pro Mist Filters

Ricoh GRIII handheld @ ISO 2000, the imagine stabilisation is impressive.

Ricoh GRIII handheld.

Bronica RF645, Fuji pro 400h @ ISO 100. I really like the softness of the skin there.

Bronica RF645, Fuji pro 400h @ ISO 100, shot straight into the sun to see what would happen. wouldnt say its a keeper but good for experimentation purposes.

You can see more of my work on Instagram (@cloud_surfer14)

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  • Reply
    July 22, 2020 at 1:44 pm

    Thanks for the article Pierre-Alix. The first shot there with the Ricoh is lovely, it really emphasizes what the filter can do. I bought a 1/8 not so long ago in an attempt to make my digital images more film-like, and I really love it’s effect at night – a little like cinestill 800 in some ways perhaps?

    • Reply
      July 22, 2020 at 3:12 pm

      Thanks, it’s a great addition to the toolkit!

      Try it during the day at dusk, it’s really nice. Night stuff is great as well, in a funfair or similar can be great fun.

      Any drama or film you watch, you will be able to notice it straight away. Film makers use it all the time.

      Glad you enjoyed the article


      • Reply
        October 6, 2020 at 2:44 pm

        Hi, ma I ask how you are mounting the filter to the GR III. I did not think it accepted filters? Thank you!

  • Reply
    Holly Gilman
    July 22, 2020 at 9:10 pm

    Really enjoyed this article. Great to see a review of something a little different!

    • Reply
      July 22, 2020 at 9:33 pm

      Cheers! Glad you enjoyed it.

  • Reply
    July 22, 2020 at 10:53 pm

    I saw that Hoya was selling black mist filters for 15 dollars US! Are these the same thing?

    • Reply
      July 23, 2020 at 12:02 am

      Good question, get one and let me know!

      If anything I would imagine Hoya are trying to jump on the bandwagon but they do decent filters so I’m sure they will do the job.

  • Reply
    July 23, 2020 at 7:53 am

    Great article and photos. The 3 second night shot really pops out, well done!

    • Reply
      July 23, 2020 at 7:58 am


  • Reply
    July 24, 2020 at 10:41 pm

    thanks, this article was exactly what i was looking for.

    there are so many youtube bits about these filters for video, but few written reviews about their performance with still cameras, and almost none for film.

    • Reply
      July 24, 2020 at 11:36 pm


      Glad it helps. I actually think a lot of film photographers use them, but those who do keep it quiet as a USP…

      I really recommend them for medium format film in particular. Not sure it’s worth the investment on 35mm but I’m sure others will disagree.

  • Reply
    July 28, 2020 at 6:50 pm

    Is there any way to post the same subject – one taken with the filter and one without?


    • Reply
      Pierre-Alix Favillier
      August 2, 2020 at 11:24 pm

      I suggest you check out the tiffen website foe that. plenty of examples on there.


  • Reply
    January 13, 2021 at 6:26 am

    Thank you for the post. Your pics are beautiful especially the night with the red neon sign. For normal exposure , do you adjust your exposure for light compensation purpose? (filter factor, not for overexposing color negative films). I have read some articles claiming that Tiffen black Pro Mist filter has 1.7 stop filter factor, while Tiffen, the actual manufacturer does not specify any filter factor on their website.

    • Reply
      January 13, 2021 at 8:01 am

      Thank you!

      No compensation required, same as a clear filter


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