Close-up photo of a Rolleiflex T

5 frames with Rolleiflex T

By Cem Eren

Recently I have got lucky to acquire a Rolleiflex T from a friend of mine. He is an acclaimed portrait photographer and instructor with 40 years of experience in photography. New to me Rolleiflex is a published camera as it was one the three cameras my friend had used during his one of portrait projects, called “40 Stations”. As much as this sentimental value, it is a joy for me to start medium format with an iconic camera.

I read many enthusiastic reviews about Rolleiflex TLRs, and I truly understand the feelings behind it now. Some may say it is just another gadget to the job, and it is true, but it is impossible not to admire the mechanical marvel boxed in a compact and carefully designed form factor. When I look thru its view finder, I have a different feeling about the image I am about to produce. It is immediately carved into my visual memory. I don’t know if anyone else had ever felt the same or been under the same phycological inspiration.

I could not produce sharp images with first two rolls though few of them are just acceptable. With the third roll, I was able to see that I start to get along well with the camera. I have picked 5 photographs, 4 from the third roll (Ilford hp5 400) and 1 from the second roll (Kentmere 400) to share in this post. All the negatives have been home processed by me with Ilfosol 3 and scanned with Epson V700.

For me the story has just began.

Thanks for reading and wish all of you a happy new year.

Three Rolleiflex Cameras on a book page
Rolleiflex T on the left from my friend’s book (Kentmere 400)
Parked caravan A garden view with light fixture Creek surrounded by trees Trees under the cloudy sky

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About The Author

By Cem Eren
I mostly photograph spaces without people. However, these images are not about absence, but about the traces left behind. There is no body in the frame, yet there are signs of contact, intervention, or abandonment. Many of the photographs feel like they belong to the moment just before or just after something happened. A person was there — now they are gone. For me, photography is not a direct representation of the human figure, but a way of tracing the human condition itself. I am interested in how my species relates to the world — its fragility, impermanence, and quiet presence. Spaces, objects, and landscapes become carriers of this inquiry.
Read More Articles From Cem Eren

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Comments

Juna on 5 frames with Rolleiflex T

Comment posted: 29/01/2026

I have no idea, if I have the same feeling, when looking through a Rolleiflex (or other wastelevel viewfinder medium format camera), but I can assure you, it's something different. It makes you see different, watch different, feel different. I wish, I'd just them more on a daily basis - but then they are too large. Maybe I should roll some fresh film for my Baby Rolleiflex and have that one with me.

Anyway, welcome to the club and enjoy your trip with this beauty!
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Gary Smith on 5 frames with Rolleiflex T

Comment posted: 29/01/2026

I feel like a Rolli is the one camera that I still might need to shoot. Thanks for your article Cem, I also shoot scenes without people (mostly because I'm anti-social, I guess).
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