This is a review of the Minolta Dynax 9xi (aka Minolta Maxxum/Alpha 9xi, hereafter referred to as the Dynax 9xi). It was Minolta’s second ‘professional’ Autofo...
My last ‘5 frames’ was a thinly veiled opportunity to complain about the ergonomics and reliability of the Minox 35EL. Even then I remained entranced by its tiny (and excellent)...
For those unfamiliar with the Travelling Canonet project, you can read about it here. We have over 50 photographers on 4 continents taking/waiting to take part. Two Canonets are...
Borders slow things down. For this film, the original Canonet had to cross a customs border. That delay is a good part of why this is only the third roll from this camera. The c...
Previously, I’ve waxed lyrical about the Zeiss Super Ikonta 532/16 – a top of the line, pre-war German camera. As well as the super-sophisticated, super-heavy Super ...
This is a review of the Minolta 9000, the first professional autofocus camera. Back in the 60s and 70s the pro camera market was dominated by Nikon with their ‘bullet-proo...
Following on from a recent posting by Tim Wainwright, we met up at Southwark’s Borough Market, along with another 35mmc contributor, Peter Roberts. The idea was to get to know e...
I’ve written before about the British camera industry. I've done a review of a medium format SLR from a company called 'Aeronautical General Instruments' (AGI). AGI were based i...