Previously, I’ve waxed lyrical about the Zeiss Super Ikonta 532/16 – a top of the line, pre-war German camera. As well as the super-sophisticated, super-heavy Super ...
This is a review of the Minolta 9000, the first professional autofocus camera. Back in the 60s and 70s the pro camera market was dominated by Nikon with their ‘bullet-proo...
Following on from a recent posting by Tim Wainwright, we met up at Southwark’s Borough Market, along with another 35mmc contributor, Peter Roberts. The idea was to get to know e...
I’ve written before about the British camera industry. I've done a review of a medium format SLR from a company called 'Aeronautical General Instruments' (AGI). AGI were based i...
In clearing out my late father’s stuff, I came across quite a few cameras. Dad was an instrument maker and specialized in optics. He used to buy up cameras out of ‘bargain bins’...
Konica produced Sakura film (later simply rebranded to ‘Konica’). They were the second-largest film producer in Japan after Fujifilm. As well as their own films, they produced f...
Back in the 1970s competition in the SLR camera market was fierce. Most companies needed to innovate regularly to maintain their profile and market share. Konica had been buildi...
I've had a thing about panoramas for some time and have experimented with rotation points and stitching software quite a bit over the years. Analogue panoramas are something els...