Fomapan is one of those films that I tried early on when I first started shooting film - a gateway option which allowed me to explore the process of a mechanical camera without ...
T-Max 400 has an odd place in my film workflow, as although I rate what it offers aesthetically very highly, I find myself choosing not to shoot it that often, opting instead fo...
One of my favourite environments to photograph is a protest. Over the last few years I've had plenty of opportunities to document all kinds of demonstrations and protests; peace...
I recently returned to London from a week in New York, which I spent exploring the city with the sole purpose of photography. Usually my travel setup involves two bodies which c...
Now that I'm very comfortable with my film workflow I've been looking for a way to switch things up for the probable majority of my images in London, whilst still maintaining co...
My first exposure to Neopan 400 (Professional/Presto) was in the work of one of my favourite film photographers; Walter Rothwell. When I first discovered his work I wasn't too i...
I recently covered a series of protests in London, shooting film only aside from two days where I decided to give my beater M240 a chance. During the day I was lucky to have sup...
Anyone who's been following my writing for any amount of time probably knows that 35mm is among my least favourite focal lengths to work with for any kind of meaningful photogra...
