NINM Lab brings us their 4th generation single-use camera, AURA, which is preloaded with C-41 color 400 ISO film. The company’s philosophy is ‘if you are romantic en...
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30 July, 2022
Zen and the Art of Camera Scanning or The Brief History of Vlads Test Target – by Vlad Serebryany
No love lost. You see, my return to film photography was not because of my love of the media. Quite the opposite: I hate film. It has always handicapped me: I could not shoot in...
29 July, 2022
Hanalogital Releases New Pre-exposed Color Film HALO
HANALOGITAL is releasing a new film called HALO! The new pre-exposed film will join the online store’s line-up of experimental films from the end of July onwards. The exp...
29 July, 2022
5 Frames of Close-up and Macro with an Olympus OM20, a Tokina 80-200 zoom and a Raynox DCR150 – By Richard Patterson
The background to this story is that I bought an Olympus OM20 when they came out back in 1983, together with the 50mm kit lens. Over the next few years I added a Tokina 28mm and...
28 July, 2022
Shooting the “Callahan” Way – By Dave Powell
My wife Kate and I discovered the American photographer Harry Callahan in 2010, when we visited this exhibit at the Fondation Henri Cartier-Bresson in Paris. Callahan’s often ex...
Human vision is sensitive only to a small part of the entire colour spectrum. Infrared photography allows us to visualise reflected light that is otherwise invisible to us and o...
26 July, 2022
Konica EE-Matic 260 & Ilford Sportsman C – Reviving two Instamatic Cameras – by Tobias Eriksson
The Instamatic cameras are anachronisms. The bloated cameras are detested plastic garbage these days. The film format they were designed for is not manufactured any more. Did co...
The London Stereoscopic Company (LSC) features a different stereo photographer every month on their website. Sometime back, they invited me to contribute to the gallery for July...
