Latest Posts
22 January, 2022
Canon EF – Shooting in a Castle – By Jordi Fradera
On this occasion it was my friend Josep who lent me his camera that had already been abandoned in a closet for more than twenty years. The first surprise in my hands was to disc...
21 January, 2022
28mm Point & Shoot Showdown – The plot widens… – By Daniel Rider
After shooting for a while with 50mm and 40mm fixed lens cameras, I stumbled onto a Ricoh SLR and the old guy at the shop offered me a Pentax 28mm lens for cheap to go with the ...
20 January, 2022
A Year in Slide Film Part 2 – Developing – By Holly Gilman
Welcome to part two of my exploration of slide film. You can read part one here. I was really pleased with the number of slide enthusiasts who commented and the general consensu...
19 January, 2022
5 Frames with an Olympus MJU-I – By Kushal Karki
Hackney Wick has become a haven for creatives over the last 5 years, the once wasteland of London has been converted into acres and acres of space for artists of all formats, so...
My interest in tableaux photography now spans nearly two decades. And one type of scene I like to enact can perhaps be described as stills from a fictitious 1960s Soviet film se...
17 January, 2022
Reveni Labs Spot Meter Review
The Reveni Labs spot meter is a little bit different from anything else I’m aware of that offers true spot metering. It’s smaller, lighter and has a fairly impressive range of f...
The Rolleicord VA is a medium format (6x6) camera using 120 film. It is a twin lens reflex (TLR) camera. It has Xenar 1:3.5 75mm as a taking lens and 1:3.2 75mm as a viewing len...
15 January, 2022
5 Frames with a Nikkormat EL – By Stephen Curzon
About a year ago I was contacted, via my wife, by a friend of hers whose friend (hope you’re keeping up here!) had an old camera she was looking to sell. Somehow, I have the rep...
