Latest Posts
30 January, 2022
The Benefits of (B&W) Polyester Film – By Emanuel Hentes
It has (much) better archival qualities. That’s it. That’s why it's so great. The rest of the article just expands on that idea.
Assumptions
I am implicitly assuming you agree ...
29 January, 2022
Ilford XP1 – Explorations with 28 Year Old Film – By Bob St-Cyr
I recently got back into bulk loading 135 format film and as usual, fell short on reloadable cassettes. Since I don’t get into Vancouver too often, I decided to look online and ...
28 January, 2022
“I am Lonely” Said Vinnie the Voigtländer Vito BL – by Andrew Morang
Vinnie, the little Voigtländer Vito BL camera, shares shelf space with his friend, Spottie, the Honeywell Spotmatic.
Both feel a bit neglected. After all, one can only use so m...
I acquired the Beauty Super II F2 after it caught my attention at a local online auction. Before bidding I did a little research about this camera. Manufactured in Japan in 1958...
26 January, 2022
Building a Darkroom From the Ground Up – By Katie Cooper
Lockdown 2020 was a blessing in (a very big) disguise, as it gave me the opportunity to research, build and begin work on creating a darkroom.
My passion for analogue photograp...
25 January, 2022
3D Printing For My Photography Projects – By Andrea Bevacqua
A few months ago, after a bit of thinking, I bought a 3d printer. I say, "after a bit of thinking" because I did not want to spend my free time still in front of a monitor to de...
24 January, 2022
Latent Postmodernism and The Act of Photography: Deconstructing the Yashica Y35 – By Michael Kaplan
I have been involved in some aspect of photography for forty-five years. I was 15 when I took my first precarious steps attempting to understand the complex simplicity of a pinh...
23 January, 2022
LomoChrome Metropolis in the Philippines – by Yameen
Lomography’s LomoChrome Metropolis has admittedly been a wildcard among the options in my film drawer. Introduced in 2019 with a successful Kickstarter campaign, it was heralded...
