This is a tale of my experiences with a Leica M10-D, but my journey with a digital M without a screen didn't start with this camera. I used a Leica M-D for a while in addition t...
21 August, 2020
FujiFilm E-900 Review – a Sublime Paradox – By Adam Kendall
The FujiFilm 'E' series of cameras offer the user a classic, straight-forward experience. This is especially true of the FujiFilm E-900 - the designers took what worked from the...
Having used the Fuji X-Pro3 now for six months, it’s time for the final of this three-part series. To call this a review would be a bit strong. It began last year with Hamish su...
In photographic terms, digital is still very new. So perhaps it seems a little odd to talk about digital cameras as being either 'vintage' or a 'classic'. But then, digital phot...
You remember that time we were able to go and do what we wanted? Yeah, I know it was only a few weeks ago... well, just before things got really weird, we had some really signif...
I shoot about 50% film and 50% digital these days. For digital I shoot with the Fujifilm X series cameras and lenses. Fujifilm cameras appealed to me several years ago because o...
I suspect a large percentage of us film photographers will have heard of Kodak Aerochrome. It’s that film that renders foliage red/purple, costs an absolute fortune and is rare ...
3 March, 2020
Fujifilm X-Pro3 Round Two: The X Files and a Meditation on Film and Digital – By David Hume
The X-Pro3 came at a good time for me. I’d returned from a six-week trip to Italy where the last two weeks were spent in Venice trying to make work for exhibitions. So I’d been ...