Ilford Pan F

Appreciating the Challenges of Photography in 1932 (5 Frames with a Leica II & Elmar 5cm f/3.5 Lens) – By Reed George

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Leica rangefinder cameras have defined small format photography from its beginning and persist to the current day. Maybe you know about the digital rangefinders, including the M11 and the M10 Monochrom, which shoot only black and white but with oh so much capability? Or maybe you’re familiar with the Leica film rangefinders that are still made today, and are even expanding, with the recent announcement of a reissued M6 that is closely based on the original M camera design of the M3 introduced way back in 1954 (Morgan, p.90).

Exakta Varex IIa

5 Frames with the Exakta Varex IIa – By Glenn Bech

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My analog photography obsession snowballed quickly from a Pentax K1000 flea market impulse buy. Before I knew it, I had a budding camera collection and was part of a darkroom community. The gear aspect of photography can undoubtedly take a life of its own. And I am no stranger to GAS, gear acquisition syndrome. 

As of late, I mostly shoot medium format with my Hasselblad 500CM (I’ll sell body parts before that camera!). And I’m calmer when it comes to gear. I’ve sold many of my 35mm cameras but have kept one rangefinder, one SLR, and one point-and-shoot. The Pentax K1000, Olympus 35SP, and the Olympus mju-II were gifted to me by my inlaws. I then told myself that this would be all my 35mm cameras. 

Straight from the thrift store: the Click II!

5 Frames with a “Dreamy” Agfa Click II – By Gabriele Bozzi

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My first contribution to 35mmc is more a consequence of shoddiness than anything else. On a lazy Saturday, I picked a shiny Agfa Click II in the local thrift store, for the sensible price of 3,5 euros. The Agfa Click, and her sibling, the Clack, are often dismissed as toy cameras, some even compare them to the Holga. That’s quite unfair because, despite their simplicity, these shooters are quite capable.

5 Frames with Ilford Pan F on the Olympus XA – by Tiffany Perez

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Some people are color shooters, others are black and white shooters. Then you have that part of the Venn diagram that has both color and black and white shooters. Most people favor one or the other. I am personally a color shooter. The only way I can describe it is that I “see” in color. And I don’t mean that I am not color blind. Rather that I am attracted to color and that is what I usually shoot. Others can “see” in black and white. They are attracted to light or the lack of light in certain scenes. It is hard for me to see in this way but I know that there should be a balance in my shooting.

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