12 April, 2022
The Joy of Small Prints – by Sroyon
Big photographs are impressive. From 1950 to 1990, New York's Grand Central Terminal had a changing display of 60×18 feet (18×5.5 m) backlit transparencies. This display was a K...
25 March, 2022
No Word for Light Blue – By Ailbíona McLochlainn
The English language lacks a dedicated word to describe the colour light-blue. In the same manner, for instance, that 'light-red' is called pink, and 'light-purple' is lilac, t...
17 March, 2022
What the Heck is “Chimping?” – By Cire Llissat
Back in the day, when taking photographs, we gave little thought to viewing our photos on the spot. For those “thrill seekers,” who needed such immediate gratification, Polaroid...
1 March, 2022
Reflecting on a Year of Photography – By Wes Hall
Photos are wonderful right? Particularly what we feel are our best photos. I would encourage everyone to attempt reflecting on their art, maybe in a fashion similar to how I've ...
22 February, 2022
The Leica for a Year Project – By Patrick Medd
The Venn diagram describing the readership of 35mmc and of Mike Johnston’s blog ‘The Online Photographer’, may not have a huge amount of overlap—on the other hand it may, I don’...
17 February, 2022
Learning To Lean Into Life’s Unknowns – by Brian Cox
This project started as a way to get back to basics and mend my sometimes volatile relationship with photography.
I love photography and camera’s equally. They are like childre...
16 February, 2022
All Analogue: a Digital-Free Experience of Film Photography – By Ailbíona McLochlainn
Last week I received a message from someone who happened upon my website. They had read that I shoot both digital and film, but could only find examples of digital photos. Where...
9 February, 2022
You Don’t Have to Be a Good Photographer to Be a Good Photographer – By Ailbíona McLochlainn
I know, I know. The title makes no sense, and no doubt comes across as silly. But let me assure you, it is genuine. I simply did not know how to phrase the thing I hope to expre...