5 Frames with Agfa APX 400 in the Midwinter

By Julian Tanase

I spent a few days in a quiet rural area, before actually reopening the business for 2024. You know, that time space between the end of year and beginning of the new daily strife of the year that starts. I am no procrastinator, but I wish to give me a few days of rest and holiday before the demanding maelstrom of emails, calls, files and cases are piling up again on my desk. Or may be I am procrastinating? I wonder…

I had a couple of cameras with me, and more film than I actually needed (then again, I always carry some extra film in my bag, one never knows). After a good long blizzard, the world looked definitely changed, as it would of course: snow covered everything, of a eye-watering white, sort of a Swarowski blanket on every inch of the land. Crisp air, so crisp that in fact every breath intake was felt deeply in my throat. Good warm clothing and a thermos of mulled wine comes as a bless, and goes a long way towards warming oneself.

Took a Leica IIIf with me, film inside Agfa APX 400, freshly purchased. You know, I have no idea why I keep doing this: buying film already rolled, when I have at least a couple of that film in my fridge in 30 metres bulk roll. Lazy, I guess. Anyways, this is the camera and film I took with me on that day. Btw, the temp outside was a cruel – 19*C.

The camera apparently had no problem with this Siberian temperature; that said, I had it on my chest, under the jacket, and took it out only for shooting. I have this strange belief that if I leave this camera in open air at that temp, the curtain will become brittle. No idea if this is true, but I have a good reason to suspect this.

The garden appears to be a land of fiction, or some sort of a Sci-Fi movie: things are appearing from under the snow, looking angry, trying to escape through a multi-dimensional portal into our unprotected world.

I have seen many moons and winters, and I can tell you that I am always amazed at the resilience with which the nature meets some of the most ravaging conditions nature is throwing at her. And no matter what, the nature always looks like winning, come the spring.

The open air museum was closed, of course. At those temps, even birds avoided any movement, and I could see none flying. The museum court yard is quiet, white, cold, but welcoming; I felt that, and I was glad no one was present, so I was left to myself and my thoughts of “why the heck is this mulled wine goes out so fast”.

A day really well spent in (more than) fresh air and silence, which is not be sneered off in this time of hustle and bustle of the city and business / office occupation. Glad I have chosen this APX 400, as it behaved really well, I suppose. The grain is not exactly boulder-size, which I expected to be honest. Highlights were not troublesome, and it scanned well enough for me to be satisfied with the results.

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About The Author

By Julian Tanase
I am a traveller, entrepreneur, author and amateur photographer. A long time user of classic cameras and film, attracted mostly to photojournalism. I try to instigate people to see rather than look.
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Comments

Gary Smith on 5 Frames with Agfa APX 400 in the Midwinter

Comment posted: 07/03/2024

Thoughtful article Julian. It seems the hot wine always run out at the worst possible time... :-)

Great shots. I may need to lood up some Agfa after I finish the three rolls of Tri-X that I just bought (one is in the IIIc).
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Julian Tanase replied:

Comment posted: 07/03/2024

Gary, thank you. Indeed, the mulled (hot) wine flask gets dry by the 4th of 5th shot, which is not a joy :) . Looking forward to see your Leica IIIC shots with the Tri-X, a film that I fell in love in the very early 90s.

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Gary Smith replied:

Comment posted: 07/03/2024

I started shooting Tri-X in 1971. I'll be curious to see how it compares to the roll of HP5+ that I shot recently. I also have a roll of 120 HP5+ to put through the Mamiya when I get it back from being serviced.

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Julian Tanase replied:

Comment posted: 07/03/2024

From my own experience, the HP5+ looks different, compared with Tri-X; the latter shows blacks in a more "velvety" rendition. The HP5+ seems to be a tad more harsh (?!) and kind of more realistic, if this makes any sense. Hard to put into words, but I do see a distinction between the two. Then again, this is how they appear to me.

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Geoff Chaplin on 5 Frames with Agfa APX 400 in the Midwinter

Comment posted: 08/03/2024

Ah Julian, you are another incurable snow romantic! I hate the stuff; I live with it for four months of the year (but I managed to escape this winter - hooray!) and temperatures sometimes below -30C. But you are forgiven: you used a decent camera, took some nice shots (when I could bring myself to look at them), and drank mulled wine. That reminds me, I'm thirsty ....
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Julian Tanase replied:

Comment posted: 08/03/2024

Well, I do confess to be a snow lover, I can't help it being a man of the mountains. And yes, mulled wine plays a major role in this entire winter affair :)

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Ibraar Hussain on 5 Frames with Agfa APX 400 in the Midwinter

Comment posted: 08/03/2024

Nice delicate photos ! Thanks man
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Julian Tanase replied:

Comment posted: 08/03/2024

Glad you like these, Ibraar, and thank you !

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Paul Quellin on 5 Frames with Agfa APX 400 in the Midwinter

Comment posted: 08/03/2024

Nice exposures of an often tricky subject Julian. Really like the image of the 4 wheeled cart and the spiky plant is great fun.
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Julian Tanase replied:

Comment posted: 08/03/2024

Paul, thank you; indeed photography of snow is something I approach with half dread of an attitude. Sometimes I just get lucky, I guess.

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Alexander Seidler on 5 Frames with Agfa APX 400 in the Midwinter

Comment posted: 09/03/2024

beautiful !
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Julian Tanase replied:

Comment posted: 09/03/2024

Thank you, Alexander, appreciated !

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