Travelling from Pittsburgh to West Hollywood : Canonet 28 roll #5

You can read about the Travelling Canonet project here. We have over 50 photographers on 4 continents waiting to take part. Two Canonets are involved, each travelling in a different direction. Participants take 5 or more shots and send the camera on to the next person on the list. Previous pictures from the first, second, third  and fourth rolls from this camera and the first  and second rolls from the Original Canonet are also available on 35mmc.

This article covers the fifth roll taken with the Canonet 28 as it makes its way back across the United States from east to west.

Scott

Scott writes:

It was a joy to get a week with the Canonet.  It’s a surprisingly heavy little camera and feels very sturdy.  As Bob noted in his review, it has some battery issues.  The light meter needle in the viewfinder also wasn’t giving me much confidence when I used the camera, so I’m happy to see the roll looks reasonably exposed.

These 5 frames were shot in a cemetery in Pittsburgh on a very overcast day.

Frames 1-5 by Scott

Sonny

Sonny writes:

I’m a semi-retired Ceramics teacher living in Reno Nevada with my wife and three cats. I publish a little photography blog called the Daily Lumenbox and occasionally write articles for 35mmc, which is ‘I think’ where I first heard about the Traveling Canonet. I thought it seemed like a brilliant idea and was thrilled when the Canonet arrived on my doorstep.

For these few shots, I thought I should include some locales that were somewhat iconic or representative of Reno. The downtown area of Reno is just a short walk away from my house, so most of these shots are taken there. In retrospect I wish I’d shot some of the beautiful art deco buildings that still remain downtown.

Frames 6-11 by Sonny

The Canonet was fun and easy to use although I wasn’t particularly confident of its metering. I suppose I should have been though, as the exposures seem fine. I didn’t really use it long enough to have a strong opinion of it, but I would probably recommend one to someone looking for a compact, easy to use camera. Oh also, I did put a new battery in.

Cindy

Cindy writes:

I took these on a walk around my neighborhood of Glendale, CA, USA, which is a suburb of LA. The street is full of auto mechanics, some with the same cars being worked on for months.

Frames 12-18 by Cindy

The Canonet was a joy to use, so much so that I went past my allotment of shots – oops! The camera had clearly been taken care of and well documented on its journey before me, leaving a literal paper trail of fixes and quirks noted by the previous users. This camera must now be better traveled than most people.

Andres

Andres wites:

I prefer black and white to colour. Film to digital. Rangefinders [Leica CL] to SLRs. Built-form  to landscapes. The banal to the grand.

TLRs have a special place [Rolleiflex 3,5f with Zeiss Planar, Minolta Autocord, Ricohflex]. Folders do as well [Zeiss Super Ikonta BX 533/16].

Recently taken with scale focus cameras: Minox 35EL and Agfa Optima Sensor 1035. Easy to carry together in a small crossbody.

Frames 19-25½ by Andres

Previously a Staples Building 5405 Wilshire Blvd

Enjoyed using the camera. Not as simple as a scale-focus camera, or as light. But I liked letting the camera determine the shutter speed and aperture, just like the Agfa Optima Sensor 1035, aka the mini Plaubel Makina.

Still rather like Fomapan, a budget Czech film. Fortunately it’s at Freestyle Photo, which happens to be at 5401 Sunset.Blvd. ¿Coincidence?

Summing up

This post takes the number of people who have shot with this particular Canonet 28 up to 20. Far more than I’d anticipated either camera was likely to last, which is a great tribute to both the postal system and the community who have managed to keep the little ’28’ safe and working.

…and it is still going.

Thanks to all contributors for a fascinating glimpse into their lives and communities – and for showing what can be done with a relatively basic analogue point-and-shoot camera.

Particular thanks to Andres for getting the film developed and to Ivan in Florida for his part in arranging the scans of the negatives.

Share this post: