The Battle for Minneapolis

By Thomas Broening

I arrived in Minneapolis on January 9, 2026, two days after Renee Good was killed by US ICE agents. What I saw shocked me. It was not the city’s reaction that stood out, but the sheer, industrial scale of the federal paramilitary occupation.

A constant, aggressive kinetic energy defined the deployment. I photographed hundreds of vehicles moving in synchronized groups through residential blocks and downtown corridors. These convoys ran red lights and drove the wrong way down one-way streets with a frantic urgency more characteristic of a combat zone than an American town.

In one instance, I watched a line of federal vehicles circle an elementary school while parents stood on the sidewalk. The vehicles moved in a slow, intentional rotation–a mechanized presence that asserted absolute federal authority over the street.


These were not police as most Americans would recognize them. They wore full tactical gear–ballistic helmets, gas masks, body armor–and carried automatic weapons. They had been assembled from across the federal system and deployed together into American neighborhoods. The Whipple Federal Building became a staging area, its surrounding streets and parking lots filled with agents gathering before moving out again.


I worked to develop a visual language that was direct and restrained to match this environment. In these images, federal authority is stripped of individual humanity. The agents’ faces were entirely concealed behind balaclavas and tinted goggles, and the absence of name tapes or badge numbers was a recurring detail in every interaction. This lack of identifying markers extended to the vehicles, which frequently operated with blacked-out windows; some had no license plates, while others had plates that were frequently swapped between vehicles. These omissions transformed them into anonymous enforcers of a federal siege. The individual is replaced by the apparatus.

I chose to shoot exclusively on film, using two Leica M3 cameras–one fitted with a 50mm Summicron, the other with a 28mm Elmarit–and Kodak Portra 400. The rangefinder format forced a different kind of attention. There is no motor drive, no burst mode; each frame is a deliberate act. The days I spent waiting for the film to come back from the lab provided a necessary buffer from the instant feedback of digital shooting. Without a screen to check, I was forced to work intuitively, focusing entirely on the physical details of the deployment. This delay prevents the work from becoming a simple reaction to the daily news cycle, allowing the images to function as a long-form study–a way to step back and look at the systemic patterns that emerge once the immediate rush of
events fades.

I am not yet sure what the final use of these images will be. In the past, I have shown projects as outdoor installations, in magazines, and in newspapers. For now, they remain a private archive of a public event.

I see Minneapolis as the beginning of a larger project tracing the expansion of federal power across American cities. I returned twice more that month. I have since been working in Oakland, along the U.S. border, and in Los Angeles, and intend to continue as that presence grows.

My final visit followed the death of Alex Pretti, a VA nurse who was killed by federal agents on January 24. By then, the patterns I had been documenting–the synchronized movements, the anonymity of the agents, the militarization of residential streets–had solidified into a permanent condition. The presence was no longer an emergency response; it was a fixture.

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About The Author

By Thomas Broening
Thomas Broening is a California based photographer. His work has been featured in Global advertising campaigns and national magazines including Time, National Geographic and Fortune. The project has been show in the Communications Arts Photography annual 2022 and 2023 and the American Photography Annual 39.
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Comments

Dean Robinson on The Battle for Minneapolis

Comment posted: 15/04/2026

Propaganda is not appropriate for a site supposedly dedicated to the art and practice of photography. Let the images speak for themselves, and spare us the divisive rhetoric.
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Manu replied:

Comment posted: 15/04/2026

What d'ya mean by propaganda?!

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Thomas Broening replied:

Comment posted: 15/04/2026

Dean. Thank you for taking a minute and looking at the work. I can understand not wanting this forum to deviolve into a political debate . For me art is the most effective when it has something to say. I think a lot about the work of my heroes. Robert Frank, Dianne Arbus and Richard Avedon’d photographs stay with me. And are without a doubt political.

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Kodachomeguy replied:

Comment posted: 15/04/2026

What propaganda? These are remarkable pictures in classic photojournalism style.

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Bob Janes replied:

Comment posted: 15/04/2026

Personally I found the reporting to be remarkably factual...

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Hamish Gill replied:

Comment posted: 15/04/2026

If this "propaganda" bothers you, you must really feel genuine pain at what the US administration and press churns out...?

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Ibraar Hussain replied:

Comment posted: 15/04/2026

It's called reportage/Photojournalism. The Fascist thugs are there for all to see, no propaganda required.

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Tim Bradshaw replied:

Comment posted: 15/04/2026

If this is propaganda, then a vast amount photojournalism is propaganda. But it isn't, and neither is this: these are pictures documenting things that happened. The words accompanying them do not express a political position: they also describe things that happened. Sometimes looking at pictures of things that happened can be uncomfortable, either because what happened was distressing (some of Lee Miller's famous pictures, a fair amount of Don McCullin's work), or because it's easier to believe that the things they show did not happen. So be uncomfortable: it is the business of art to make you uncomfortable.

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Nathan replied:

Comment posted: 15/04/2026

Thomas was brave enough to shoot these photos while cowardly ICE was hiding their faces and shooting bystanders. If you find the truth "divisive," the problem isn't these images, it's you.

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Art Meripol replied:

Comment posted: 15/04/2026

Too true Hamish. This is superb work. And the idea of shooting rangefinder cameras, not digital but film and being in and of the moment means so much. One of the great strengths of photography has always been its unique ability to widely share a moment in time. It is often used in a political way by both sides. This however is both artful and storytelling without judgement. Also it's nice to see this after a little time has passed when the images were fed to us daily. There is something to be said for taking a breath between the moment and reviewing. I bow to Thomas and the strength and nerve it takes to observe while in those very difficult situations.

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Manu replied:

Comment posted: 15/04/2026

I forgot to say thank you for the writing and the great photos.

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Cdlinz replied:

Comment posted: 15/04/2026

Yes these are powerful images and yes it took courage to get in the mix and capture them. That is all that needs to be said. But the commentary here predictably goes to 'fascism' 'thuggery' etc. You have Ibraar H spewing about US thuggery abroad and now domestic, getting his licks in there. So if commentary is going to go beyond the artistic, power and courageous aspect of this reporting I would like to point out that you have federal agents attempting to enforce federal law. You have a community that did not want that law enforced and physically engaging to obstruct (see images of protesters geared up for battle). I guess it was thuggery and fascism when the federal government intervened forcefully in the US South to enforce civil rights laws? Oh but wait I guess not - only because those are laws yall agree with. Oh and as a lifelong Southerner I'm glad the federal government went to war with the southern racial obstructionists my life here has been significantly enriched by the Black folks I’ve lived alongside.

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cdlinz replied:

Comment posted: 15/04/2026

To which US press do you refer? MS Now? NYT? Fox news? All of them?

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Gary Smith replied:

Comment posted: 15/04/2026

There was interpreted "law" being selectively enforced by the current incarnation of the Brwon Shirts.

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Alexandre Kreisman replied:

Comment posted: 15/04/2026

I wouldn't qualify these photos as artistic, however this is pure without filter real photo-journalism. What I see on the images are part real Police officer and part para-military/mercenary/I do not know what (I haven't seen in Europe or the US a law officer not in uniform. What I see here are non Law Enforcement militia (seriously which Law agent would mask his face with a flag?) in some kind of combat garment with a patch saying Police). That was for the Pictures. Now to your main point : How the F**** dare you make a comparaison to 60's civil rights (much overdue by the way) with what is going on in your country right know (an sadly extending to the world). As this comment and the following one's you. have made are all on the same note, please let me you educate you a bit, as clearly you have absolutely no idea of the history of the 20th century, nor of your own country. People on these picture (not talking about the real Police officers) are pure Fascist/Xenophobe/a step away from the SS of WWII. This administration is far worts than the inexisting previous one. I thnk the last "correct" administration you had was in the 80's with Reagan and before that Eisenhower. Now, for the history of your country, since Korea, where the Us (mainly) really helped a country against fascism in the form of the north-communist, the Us only made war to make profit on some level: - Vietnam : used to be a French colony (as for the Belgian [I am FROM Belgium], the colonialist were awful with the indigenous people of the country) since the 1850's +/- and lost their colony to the germans in WWII. After the war, the French tried to regain it's colony, Ho Chi Minh, then in exile and wanted only to unify his country directly asked to the US president (I think Eisenhower at the time) for help to kick the French out and unify his country DEMOCRATICALLY. The US refused for various bs reason, then Ho Chi Minh asked the USSR (The communist Russians and their countries if you don't know the meaning) agreed to help the North Vietnamese and that is how Vietnam became a communist country. You (the US), fucked up this country and it's habitant, leaving to prison/reeducation camps or dead the people of the South Vietnam who helped you, often at the peril of their lives. You left a good portion for dead when abandoning Vietnam after 10+ years of war for nothing. The Us managed to send their youth and brainwashed them to believe it was for a good cause, where in fact they could have helped the Vietnamese earlier, not have a war, not have 50k + dead for NOTHING. Then you had some small wars, not really interesting until 1991 when Bush sr woke up and said to himself, shit if we loose the oil of Kuwait my program and re election are in trouble. He didn't have the balls then to destroy a Dictator because he was constantly in war with Iran, thus the Us already in deep financially with all the wars made in the 20th century, did nothing to Iran and let Saddam in place when US knew he was a person not fit to rule the country. (to be polite) Fast forward to 9/11, big wake up from junior who gave the world 20 years of war and so many dead, messed up, injured people whilst also having them believe they were doing the right thing. Again politics dictated most of the conflict, and after 20 years you abandoned again a lot of people, but this time straight to death. Also, the way you treat you vet is horrible. (you always have) Now, you are fucking with Iran and THE REST OF THE WORLD SUFFER because of a demented Us president. To sum up, since 1900, you NEVER had the balls to do the right thing, you entered WW1 after 3 years of war, you entered WWII in January 42 when the war started in September 39, you saved South Korea by mistake and never really recognised the poor souls who lost their lives or suffer there, you miserably failed to save Cuba from communism, you fucked up an entire generation of courageous men/young men who fought in Vietnam, then you did it again in Kuwait, Iraq and Afghanistan (entering Afghanistan knowing you couldn't win, just look throughout history how many tribes/countries have tried and failed before you). So please, keep your comments for Art, and do not talk about what you do not know. Thank you A history buff!

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Gary Smith replied:

Comment posted: 15/04/2026

Brown shirts...

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Ibraar Hussain replied:

Comment posted: 15/04/2026

Well said Gary. People used to take the Mickey out of Stasi ‘papers pleaze’ commie/ fascists, “we’ll Never get that over here…” oh wait!

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BG on The Battle for Minneapolis

Comment posted: 15/04/2026

Superb coverage, classical photojournalism! Thisese pictures document the tyranny when an armed secret police has free reign to rampage through urban areas with impunity. Think back in history to the Blackshirts, SS, Stasi, Cheka, or Savak.
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Manu on The Battle for Minneapolis

Comment posted: 15/04/2026

What do you mean by propaganda?
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David Dutchison on The Battle for Minneapolis

Comment posted: 15/04/2026

Every picture made me want to know more about what was happening - even though the general story is already well known. Excellent documentary photography
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Charles Young on The Battle for Minneapolis

Comment posted: 15/04/2026

Thomas: Thank you for documenting the American Gestapo! You are telling it like it is!
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Omar Tibi on The Battle for Minneapolis

Comment posted: 15/04/2026

Thomas, for a split second, I thought your featured image was a scene from the Russian invasion of Ukraine, before reading the title. I think that says a lot. Keep telling it like it is and be careful.
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Tony Warren on The Battle for Minneapolis

Comment posted: 15/04/2026

I am lost for words. I have seen news reports but nothing has been as impactful as your article and images here. It is truly alarming and saddening what is going on in a country that has always stood for freedom and brotherhood.
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Ibraar Hussain replied:

Comment posted: 15/04/2026

Been a long time since then I think, for all of my life all I've reda and seen is the US bombing and invading abroad, it was only a matter of time before they turned on their own.

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cdlinz replied:

Comment posted: 15/04/2026

Oh Mr H. Just curious, do you disapprove of every US military intervention? Or just the ones since you've had consciousness? Or is there an official I. Hussain list of approval/disapproval? Please enlighten us.

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Michael Jardine on The Battle for Minneapolis

Comment posted: 15/04/2026

These are amazing. I've got a weird sense of optimism, maybe even faith, in the qualities of photojournalism on film. Simon King speaks very well (and his photos speak even more clearly) about these things. Thanks for posting and I'm glad/ I hope that you didn't put yourself in too much peril taking them. More power to your shutter button.
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David Pauley on The Battle for Minneapolis

Comment posted: 15/04/2026

Thomas,

I'm so grateful for your article, your photos and for your witnessing of all that's been transpiring at this terrifying moment in Minneapolis and elsewhere in the US, "Propaganda" implies a conspiracy by powerful interests with the intent to deceive, and is the polar opposite of what you've done here. You are courageous citizen—one individual with a film camera—shining a light on appalling abuses. Kudos to you for doing this and to Hamish for allowing your story and gut-churning photos to be seen here on 35mmc. The most significant post here this year for me for certain...

David
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Ibraar Hussain on The Battle for Minneapolis

Comment posted: 15/04/2026

Wow! Who have thunk that Fascist "papers pleaze" Goons would be rampaging across the streets of the US. No surprise, Fascist goons at home and Fascist genocidal Goons bombing distant lands.
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Ibraar Hussain replied:

Comment posted: 15/04/2026

Powerful images by the way! Great stuff!

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cdlinz replied:

Comment posted: 15/04/2026

You throw around very ugly accusations very easily. Can you be more specific? Otherwise you sound like a hysterical ideologue.

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Andrea Monti on The Battle for Minneapolis

Comment posted: 16/04/2026

I agree with the other comments: it's textbook photojournalism where the images speak for themselves.
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Gil Aegerter on The Battle for Minneapolis

Comment posted: 16/04/2026

Incredible images. Thank you for bearing witness to the ICE atrocity that has put a deep stain on American history.
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Kodachromeguy replied:

Comment posted: 16/04/2026

This may linger as a stain similar to placing American citizens of Japanese origin in concentration camps in 1941 and the abuse and murder of black Americans during the Reconstruction era. Shameful.

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Michael Flory on The Battle for Minneapolis

Comment posted: 16/04/2026

There is no propaganda here, only documentation. Sixty years ago photojournalism woke Americans up to what was happening in Vietnam and helped stop it. Perhaps courageous photojournalism like this will do the same domestically now.
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Simon Foale on The Battle for Minneapolis

Comment posted: 16/04/2026

Gutsy work. The partisan belligerence and sheer thuggery of the subjects of this project are communicated very compellingly. It's a very valuable contribution.
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Manu on The Battle for Minneapolis

Comment posted: 16/04/2026

I forgot to say thank you for the writing and the great fotos.
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Tim Bradshaw on The Battle for Minneapolis

Comment posted: 16/04/2026

This is some of the best photography I have seen on 35mmc. I would buy a book of these pictures in a heartbeat: I really hope you make some physical version of them.

Hamish: thanks for having the courage to post this: ignore the haters.
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Scott Ferguson on The Battle for Minneapolis

Comment posted: 16/04/2026

Thomas,

These photos and this post are terrific and the content is powerful and important and a direct counter to the propaganda spewing from our government that these militarized attacks on a US city were in the interest of public safety and surgically targeting dangerous criminals.

Further, I don't see any conflict between your photographs and one of the pillars of the art and practice of photography -- documentary photojournalism, going all the way back to Matthew Brady in the US Civil War, and including such giants as Robert Capa, Lee Miller, Donald McCullin and countless others. I'm very happy to see work of this nature on 35mmc and salute your bravery and commitment in documenting Minneapolis right on the 'front lines' of the conflict. I think 35mmc has not shied away from posts that express a photographer's political views -- I've posted photos from a number of pro democracy protests and a Pussy Riot concert, and appreciate Hamish's curation of the forum to allow this. I don't think I've seen any pro MAGA content on the forum, but I would not be in favor of suppressing it, even if I disagree.

Free Speech is foundational to a free society, whether you agree with what someone is saying or not.

Thanks Thomas!
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Alexandre Kreisman replied:

Comment posted: 16/04/2026

Amen! Don’t forget James Nachtwey too

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Ben Mackey on The Battle for Minneapolis

Comment posted: 16/04/2026

Thomas - thank you for bearing witness as well as sharing your work with the world. Is the last photo (Tia Poflubnyy's) one of you at work?

Hamish - thank you for bringing Thomas' images to a broader audience.
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Richard Angeloni on The Battle for Minneapolis

Comment posted: 17/04/2026

These are incredible photos. Thank you for documenting what happened in Minneapolis. Your continued work, and the work of other photojournalists, will become increasingly important as the current administration continues to clamp down on press freedoms and exercises control over content coming from print (whatever is left of it) and broadcast media.
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cdlinz replied:

Comment posted: 17/04/2026

Yep. New administration, same as the last administration.

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Gary Smith replied:

Comment posted: 17/04/2026

The current administration is EXACTLY like the one that took over Germany in the 1930's.

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Jeffery Luhn on The Battle for Minneapolis

Comment posted: 17/04/2026

Propaganda? We call that good photojournalism where I come from!
What will you do with those photos? You already did something important with them.
Historic. A week that will live in infamy.
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Simon Foale on The Battle for Minneapolis

Comment posted: 18/04/2026

Hard not to be reminded of Junior Murvin's 'Police and Thieves' masterpiece: https://www.youtube.com/watch?v=4dZky936vtU
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John F. on The Battle for Minneapolis

Comment posted: 18/04/2026

Thanks for sharing, I appreciate the bravery that it must have taken to capture these incredible images, these are things that the western world needs to bear witness to.

Thank you!

cdlinz,

Can you just shut up? Being dumb isn't a crime, but your willful ignorance stinks to high heaven, and contributes nothing to this website, not even the basis for an interesting discussion. You're dragging the site down by your decision to speak.

Perhaps you can find a more right wing/fascist supporting website for you to engage in the "Trump is good" circle jerk?

You clearly have nothing of interest to contribute, and if you're not willing to let the images challenge you, instead of a reflexive bristling against them, perhaps go somewhere else where your fragile worldviews and ego can be supported?
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Gary Smith replied:

Comment posted: 18/04/2026

Amen John!

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