Reassembled from Rubble: Impressions from Temple Hopping in Indonesia

By Derek Zhao

I’ve been confused about the genre of the photo essay for some time, unable to figure out if it is:

  1. A collection of photos with no prose
  2. A collection of photos with prose about the photos
  3. A collection of photos with prose adjacent to but independent of the photos

The third is the style that I default to when adding captions on Instagram, which perhaps foolishly, I treat as a vehicle for writing just as much as photography.

Something that I think much about in both photography and writing, and indeed the arts and life in general, is composition. Things are composed of other things. A sentence is a journey composed of words, a paragraph a journey composed of sentences, and an essay a journey composed of paragraphs.

It’s occasioned me to wonder if documentation from recent travels in Indonesia and the stray thoughts they’ve induced compose into something coherent.

Below are five posts from that trip, each a carousel (a sequence of photos under a single caption) transferred over with minimal rewrites. The only major formal choice was in deciding which carousels and captions to choose and in what order to arrange them. Is it a photo essay? Is it a poem composed of paragraphs instead of stanzas?

I don’t know, but here goes.

Nirvana

Imagine the Bible. But with pictures instead of words, stone instead of paper, a building instead of a book, and Buddhism instead of Christianity. That is Borobudur Temple, the largest Buddhist temple in the world.

Because it is a pyramidal skin covering a hill, it requires no mortar or beams to hold its stones together. As you circle and ascend this stone-covered hilltop, you are greeted with reliefs illustrating a pilgrim’s search for wisdom. They invite you to meditate, reflect, and search yourself during your own pilgrimage towards the summit, where you will find no more walls or carvings. The summit is supposed to represent the emptiness from all things that obscure clarity, otherwise known as Nirvana.

I did not achieve Nirvana.

A pyramid encasing a hilltop
In search of wisdom
Potentially enlightened individuals
The Gate of Nirvana
On the summit
Nirvana achieved
Nirvana deferred

Maintenance

The stones at Borobudur are made of a volcanic rock called Andesite, named after the volcanic Andes mountains. Andesite is highly erosion resistant. I am glad for it.

 

Facts

An impressionistic assortment of facts:

  • The Dutch pronounce the letter “J” with a “Y” sound.
  • Dutch colonizers and other Europeans plundered Borobudur, chiseling and sawing off Buddha heads from more than half of the 500 statues there.
  • Dutch archeologists then painted the dark, unreflective walls of the temple a yellow ochre in order to photograph and document the reliefs carved into them. This paint has permanently stained the walls.
  • Borobudur tour guides are very fond of pointing these things out.
  • Borobudur is located next to the city of Yogyakarta. It was originally spelled Jogjakarta, but pronounced with the “Y” sound. Non-Dutch people did not know this, so pronounced it with a hard “J” sound.
  • When naively sounding out “Yogyakarta” at the airport, somebody corrected me that it is pronounced “Jogjakarta.”
  • “Y’s are pronounced with a hard J sound,” they said.
  • They were neither Dutch nor Indonesian.
 

Rubble

The Hindu Prambanan Temple is a 90-minute drive from Borobudur. Despite all the expense and toil it took to construct, it was abandoned less than a century after it was completed. Historians think a volcanic eruption blanketed it with ash and triggered a mass migration that left Prambanan to the mercy of the jungle. When it was rediscovered in the 1800s, the temples had collapsed into piles of stone.

They’ve since been painstakingly reconstructed, but with a catch: Indonesian archaeological rules inherited from Dutch colonizers dictate that a structure may only be reconstructed if more than 75% of the original masonry can be found.

This is why the central shrines stand tall while, tragically or photogenically, surrounded by the rubble of smaller irrecoverable ones.


Islands

At Prambanan Temple Park, 9th century Hindu and Buddhist temples stand side by side. The Buddhist Sewu Temple is only a 15-minute walk from Prambanan Temple. You can tell the two apart by their silhouettes. Prambanan looks fractal in its spikiness, sort of like a flame. Sewu is composed of stupas that look like little bells a deity could pick up and ring.

It is a marvel that two major religions in such close proximity could coexist in harmony so long ago. And a marvel still that a predominantly Muslim country preserves these Buddhist and Hindu monuments with diligence.

Not pictured: the independent, overlapping calls to prayer echoing from nearby mosques and their loudspeakers: a cacophonous yet coherent soundtrack for the setting sun as it casts millennia-old silhouettes.

It brings to mind Indonesia’s national motto: “Unity in diversity.”

Fitting for a nation of 17,000 islands.

That’s all folks!

Thank you for indulging me this little experiment. As to whether it resonated, I’d love to hear from you here or on Instagram (@asymmetricmeter) where I indulge in even more stray photos and stray thoughts.

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About The Author

By Derek Zhao
Derek Zhao is random. He is currently a machine learning engineer at Disney after retiring from a past life composing music for film and television. He has since worked in data and ML roles at NASA, Electronic Arts, and Discord. In his spare time, he pretends to be a photographer on Instagram, which leads him to constantly ask... "But is it art?"
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Comments

Danilo Leonardi on Reassembled from Rubble: Impressions from Temple Hopping in Indonesia

Comment posted: 19/08/2026

I really enjoyed this, particularly the way the piece becomes a composition assembled from fragments: photographs, facts, travel impressions and reflections. Your story of the Dutch archaeologists painting the walls of Borobudur to make the reliefs more photographable is shocking: the arrogance of changing the object so it could be seen through their system of documentation. It made me think of Edward Said and *Orientalism*, and the question of representation. If colonialism has left visible marks (you list the missing heads, stained walls and even reconstruction rules), what marks, if any, does the contemporary traveller leave through selecting, framing and composing? Your opening idea about composition seems to invite that question. We compose photographs, but perhaps we also compose places into meaning. Is it possible to document a place without imposing some of our own order upon it? And separately, Indonesia's history adds another layer: Indonesia occupied East Timor from 1975, after the Portuguese withdrawal, until the independence process in the early 2000s. The terrible irony is that a country having experienced European colonialism subsequently became an occupying power itself. I enjoyed your article, Derek; it is one of those essays that sends you off thinking.
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Derek Zhao replied:

Comment posted: 19/08/2026

You pose great questions especially about tourism and travel photography. Sontag looked quite dimly upon it, and it's very possible my interventions in selection and framing could have romanticized a complex history and current state of affairs. I don't think it possible to document fully objectively, much as many movements may aspire towards it. It's out of reach and only approachable asymptotically, but some practices can certainly be more or less objective than others. On the irony, I hear you. Much as I agree with the sentiment of "unity in diversity," it is double-sided, and I'd imagine many of the remaining separatist movements see such a motto as a weapon.

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Gary Smith on Reassembled from Rubble: Impressions from Temple Hopping in Indonesia

Comment posted: 19/08/2026

Great set of photographs of a great set of stonework. All wrapped up with an interesting set of musings!
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Derek Zhao replied:

Comment posted: 19/08/2026

Very much appreciate the encouragement Gary! Thank you for spending time with these.

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Jeffery Luhn on Reassembled from Rubble: Impressions from Temple Hopping in Indonesia

Comment posted: 19/08/2026

Derek,
I really enjoyed your photos and observations. It has been 40+. years since my visit to Borobudur and I'm glad to see it well preserved and not overrun by tourists climbing all over it. On my visit there was a play/ballet staged in front of the temple as the full moon rose behind the buildings. Do they still stage that, I wonder. Thanks for the great shots! Jeffery
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Derek Zhao replied:

Comment posted: 19/08/2026

Thank you! I'm glad you got to visit this magnificent place, and I hope back then it was not as crowded a nightmare. In order to preserve Borobudur, visits are actually now restricted to being accompanied by a tour guide. Even though I still found it quite crowded, I have heard that even as far back as a few years ago, it had been considerably worse. About the nighttime performances, I am not sure since I did not end up attending, but I had heard about these, so I suspect they may still be doing those.

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Michael Kaplan on Reassembled from Rubble: Impressions from Temple Hopping in Indonesia

Comment posted: 20/08/2026

Derek,
This “experiment” brings up some interesting ideas about perception and the “travelogue.” Your photography articulates the imagery and space in a very specific way, with your prose defining a very deliberate counter-point. Jean Vigo’s 1930 documentary, “a propos de nice” functions in a similar way albeit cinematically. I am fascinated by your offering. Thanks for sharing.
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Derek Zhao replied:

Comment posted: 20/08/2026

Thank you so much for offering your thoughts Michael! It's interesting that you mention travelogue because I think a lot about it. I don't have a particular practice or project, so I probably do just shoot travelogues and try to arrange them against the musings I have in a (hopefully) complementary way. I read up on the documentary you mentioned, and it sounds fascinating, perhaps something I might try in photographic form one day. I see it's on Youtube, so I'll check it out!

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Dann in Indonesia on Reassembled from Rubble: Impressions from Temple Hopping in Indonesia

Comment posted: 20/08/2026

Many many thanks (and no end of Buddhist and Hindu blessings unto you!) for this interesting, well-research, and perceptive mini essay on the temples of Java.

Indonesia has so many such holy edifices and places great and small, to be found all over the countryside in Java. It would take most of a lifetime to see and photograph most of them, as I've done.

My favorite is a lesser-known (and cconsequently less visited by foreign tourists) Hindu temple complex near Blitar in East Java. Candi Prambanan dates to a later period than Borobudur or Prambanan, founded and erected in the 1250s when the then king of the Majapahit empire had it constructed on a site long known for its 'sacredness from its place near the holy Mt Kelud, which can sometimes be seen on a clear day from the top platform of the main temple.

While not as impressive as the duo of temples in Central Java, Penataran has two distinct advantages over that pair. Little known to mass tourism, it's often visited by school groups studying the history of the ancient kingdoms of East Java. A foreign tourist is a curiosity and often when I've been there (I try to visit Blitar at least two times every year as I have fiends there) the visitor can expect to be a photo model and pose with mobs of friendly school kids. The region is photographically most impressive with many scenes recalling for me the Java I knew when I first began exploring that country in the 1970s. The local area remains very much as it was in 1974 when I first saw it - small villages, rice fields and market gardens bordered by rows of coconut palms and banana groves, also the local people nowadays more into surfing the 'net on their phones than having after the 'buleh' as they did a half century ago...

The Hindus statues and reliefs of Penataran are original (and all beautifully restored)and well worth exploring for an hour or two. The top of the main temple lacks is flat but bare of statues or any other religious decoration, but it can be climbed (with a little care) for lovely views of the surrounding area. Nearby is a holy bathing pool dating to several centuries before the temple complex went up. When I was last there (mid-2025) a very old Dutch lady was lovingly scattering the ashes of her cat in the holy waters. I photographed this and she asked me for a copy of that image (I sent it to her) as a 'memory' of her visit, she then went on to say she was born in Blitar in the 1930s and it was her first return visit since she and her family had left the then Netherlands East Indies in 1949. A truly memorable encounter for me.

It is also a donations only entry place, so refreshing after the mass tourism mentality of Borobudur and Prambanan where the bureaucracy stands ready to pick the tourist pockets of all they can get.

Local tour guides can easily arrange a day outing to Prambanan as it is only 12 kilometers from the city center. (The younger and more adventurous can go by public transport.)

Interesting also to note there is a small but significant Buddhist holy temple-shrine on the grounds.
it seems the old rulers of Majapahit were quite open-minded about the religious beliefs of their subjects, and inclined to let those two greatly differing religions (if Buddhism can be called such) co-exist in harmony and peace in the realm.

East Java has many such little-known temple all over the countryside. Especially notable is the old city of Majapahit, now mostly ruined temples and rock piles and a museum well worth seeing for an hour or two, otherwise little remains of what was once a city of 50,000 now scattered among the sugar fields and market gardens dotting the countryside after the Muslim invasion in the late 1400s. Also well worth a visit and easily accessed from Surabaya or (a far better place to visit and base oneself in) Malang by car and driver.

I now stay long term in Surabaya and I have been 'doing' East Java for 52 years, photographing all things I see in my sojourns with Kodak Retinas, Rolleiflexes, Nikkormats, Leicas, Contaxes and now DSLR Nikons and mirrorless Fujis. It has made my life all the more interesting and I'm happy to recommend it to those who want to get off the 'beaten track' and see a little of what is left of the 'real' Indonesia before it vanishes in the global slop of our impersonal and techno-mad century.

Best from DANN (this now being written in the comfort of my most affordable luxury hotel room in Malang)
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Derek Zhao replied:

Comment posted: 20/08/2026

Hello Dann! It moves me greatly that someone of your knowledge and connection to Indonesia found even a bit of value in my musings. Thank you so much for sharing such kindness and encouragement. This trip was my first time in Indonesia, and while I may have only seen what most tourists get to see, my impression of the country has been overwhelmingly positive, wonderful people, wonderful food, wonderful history, and culture, and scenery. I very much appreciate your recommendation of Candi Penetaran. I have not heard of it, but it would be quite a gift to return off the beaten track to better experience an Indonesia of yesteryear. It's also very heartening to hear that even in East Java tolerance prevailed. I would love to see your archive or gallery of 52 years of East Java if they are available somewhere! In the meantime, enjoy your time in Malang!

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Erik Brammer on Reassembled from Rubble: Impressions from Temple Hopping in Indonesia

Comment posted: 20/08/2026

Derek, thanks for this magnificent article with wonderful photographs and background stories. Having been to Borobudur back in 1988 when it already was quite crowded, I wonder how you managed to photograph large parts of it today without herds of people covering it. The way that you have isolated rather mundane human activity as a contrast to this sacred place is remarkable.
Looking forward to seeing more such photo essays from you!
Best, Erik
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Derek Zhao replied:

Comment posted: 20/08/2026

Hello Erik! Thank you for such a lovely comment of encouragement. I wish I could attribute the isolated shots to skill, but it was mostly good fortune; Indonesia now limits how many people may visit the site in a day by requiring tour guides to accompany any visits. It is good for the preservation of the temple, and just so happens that I was on the last tour of the day so there were only people leaving rather than arriving. I’m glad you appreciate the mundane details! I have been trying to be better about storytelling rather than just taking the obvious shots, so it means a lot to me that it landed with you!

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Ben G on Reassembled from Rubble: Impressions from Temple Hopping in Indonesia

Comment posted: 28/08/2026

This is a fantastic photo essay; thank you so much for sharing!
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Derek Zhao replied:

Comment posted: 28/08/2026

Hey thanks so much Ben for spending time with it!

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