I’ve been confused about the genre of the photo essay for some time, unable to figure out if it is:
- A collection of photos with no prose
- A collection of photos with prose about the photos
- A collection of photos with prose adjacent to but independent of the photos
The third is the style that I default to when adding captions on Instagram, which perhaps foolishly, I treat as a vehicle for writing just as much as photography.
Something that I think much about in both photography and writing, and indeed the arts and life in general, is composition. Things are composed of other things. A sentence is a journey composed of words, a paragraph a journey composed of sentences, and an essay a journey composed of paragraphs.
It’s occasioned me to wonder if documentation from recent travels in Indonesia and the stray thoughts they’ve induced compose into something coherent.
Below are five posts from that trip, each a carousel (a sequence of photos under a single caption) transferred over with minimal rewrites. The only major formal choice was in deciding which carousels and captions to choose and in what order to arrange them. Is it a photo essay? Is it a poem composed of paragraphs instead of stanzas?
I don’t know, but here goes.
Nirvana
Imagine the Bible. But with pictures instead of words, stone instead of paper, a building instead of a book, and Buddhism instead of Christianity. That is Borobudur Temple, the largest Buddhist temple in the world.
Because it is a pyramidal skin covering a hill, it requires no mortar or beams to hold its stones together. As you circle and ascend this stone-covered hilltop, you are greeted with reliefs illustrating a pilgrim’s search for wisdom. They invite you to meditate, reflect, and search yourself during your own pilgrimage towards the summit, where you will find no more walls or carvings. The summit is supposed to represent the emptiness from all things that obscure clarity, otherwise known as Nirvana.
I did not achieve Nirvana.







Maintenance
The stones at Borobudur are made of a volcanic rock called Andesite, named after the volcanic Andes mountains. Andesite is highly erosion resistant. I am glad for it.
Facts
An impressionistic assortment of facts:
- The Dutch pronounce the letter “J” with a “Y” sound.
- Dutch colonizers and other Europeans plundered Borobudur, chiseling and sawing off Buddha heads from more than half of the 500 statues there.
- Dutch archeologists then painted the dark, unreflective walls of the temple a yellow ochre in order to photograph and document the reliefs carved into them. This paint has permanently stained the walls.
- Borobudur tour guides are very fond of pointing these things out.
- Borobudur is located next to the city of Yogyakarta. It was originally spelled Jogjakarta, but pronounced with the “Y” sound. Non-Dutch people did not know this, so pronounced it with a hard “J” sound.
- When naively sounding out “Yogyakarta” at the airport, somebody corrected me that it is pronounced “Jogjakarta.”
- “Y’s are pronounced with a hard J sound,” they said.
- They were neither Dutch nor Indonesian.
Rubble
The Hindu Prambanan Temple is a 90-minute drive from Borobudur. Despite all the expense and toil it took to construct, it was abandoned less than a century after it was completed. Historians think a volcanic eruption blanketed it with ash and triggered a mass migration that left Prambanan to the mercy of the jungle. When it was rediscovered in the 1800s, the temples had collapsed into piles of stone.
They’ve since been painstakingly reconstructed, but with a catch: Indonesian archaeological rules inherited from Dutch colonizers dictate that a structure may only be reconstructed if more than 75% of the original masonry can be found.
This is why the central shrines stand tall while, tragically or photogenically, surrounded by the rubble of smaller irrecoverable ones.


Islands
At Prambanan Temple Park, 9th century Hindu and Buddhist temples stand side by side. The Buddhist Sewu Temple is only a 15-minute walk from Prambanan Temple. You can tell the two apart by their silhouettes. Prambanan looks fractal in its spikiness, sort of like a flame. Sewu is composed of stupas that look like little bells a deity could pick up and ring.
It is a marvel that two major religions in such close proximity could coexist in harmony so long ago. And a marvel still that a predominantly Muslim country preserves these Buddhist and Hindu monuments with diligence.
Not pictured: the independent, overlapping calls to prayer echoing from nearby mosques and their loudspeakers: a cacophonous yet coherent soundtrack for the setting sun as it casts millennia-old silhouettes.
It brings to mind Indonesia’s national motto: “Unity in diversity.”
Fitting for a nation of 17,000 islands.

That’s all folks!
Thank you for indulging me this little experiment. As to whether it resonated, I’d love to hear from you here or on Instagram (@asymmetricmeter) where I indulge in even more stray photos and stray thoughts.
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Comments
Danilo Leonardi on Reassembled from Rubble: Impressions from Temple Hopping in Indonesia
Comment posted: 19/08/2026
Comment posted: 19/08/2026
Gary Smith on Reassembled from Rubble: Impressions from Temple Hopping in Indonesia
Comment posted: 19/08/2026
Comment posted: 19/08/2026
Jeffery Luhn on Reassembled from Rubble: Impressions from Temple Hopping in Indonesia
Comment posted: 19/08/2026
I really enjoyed your photos and observations. It has been 40+. years since my visit to Borobudur and I'm glad to see it well preserved and not overrun by tourists climbing all over it. On my visit there was a play/ballet staged in front of the temple as the full moon rose behind the buildings. Do they still stage that, I wonder. Thanks for the great shots! Jeffery
Comment posted: 19/08/2026
Michael Kaplan on Reassembled from Rubble: Impressions from Temple Hopping in Indonesia
Comment posted: 20/08/2026
This “experiment” brings up some interesting ideas about perception and the “travelogue.” Your photography articulates the imagery and space in a very specific way, with your prose defining a very deliberate counter-point. Jean Vigo’s 1930 documentary, “a propos de nice” functions in a similar way albeit cinematically. I am fascinated by your offering. Thanks for sharing.
Comment posted: 20/08/2026
Dann in Indonesia on Reassembled from Rubble: Impressions from Temple Hopping in Indonesia
Comment posted: 20/08/2026
Indonesia has so many such holy edifices and places great and small, to be found all over the countryside in Java. It would take most of a lifetime to see and photograph most of them, as I've done.
My favorite is a lesser-known (and cconsequently less visited by foreign tourists) Hindu temple complex near Blitar in East Java. Candi Prambanan dates to a later period than Borobudur or Prambanan, founded and erected in the 1250s when the then king of the Majapahit empire had it constructed on a site long known for its 'sacredness from its place near the holy Mt Kelud, which can sometimes be seen on a clear day from the top platform of the main temple.
While not as impressive as the duo of temples in Central Java, Penataran has two distinct advantages over that pair. Little known to mass tourism, it's often visited by school groups studying the history of the ancient kingdoms of East Java. A foreign tourist is a curiosity and often when I've been there (I try to visit Blitar at least two times every year as I have fiends there) the visitor can expect to be a photo model and pose with mobs of friendly school kids. The region is photographically most impressive with many scenes recalling for me the Java I knew when I first began exploring that country in the 1970s. The local area remains very much as it was in 1974 when I first saw it - small villages, rice fields and market gardens bordered by rows of coconut palms and banana groves, also the local people nowadays more into surfing the 'net on their phones than having after the 'buleh' as they did a half century ago...
The Hindus statues and reliefs of Penataran are original (and all beautifully restored)and well worth exploring for an hour or two. The top of the main temple lacks is flat but bare of statues or any other religious decoration, but it can be climbed (with a little care) for lovely views of the surrounding area. Nearby is a holy bathing pool dating to several centuries before the temple complex went up. When I was last there (mid-2025) a very old Dutch lady was lovingly scattering the ashes of her cat in the holy waters. I photographed this and she asked me for a copy of that image (I sent it to her) as a 'memory' of her visit, she then went on to say she was born in Blitar in the 1930s and it was her first return visit since she and her family had left the then Netherlands East Indies in 1949. A truly memorable encounter for me.
It is also a donations only entry place, so refreshing after the mass tourism mentality of Borobudur and Prambanan where the bureaucracy stands ready to pick the tourist pockets of all they can get.
Local tour guides can easily arrange a day outing to Prambanan as it is only 12 kilometers from the city center. (The younger and more adventurous can go by public transport.)
Interesting also to note there is a small but significant Buddhist holy temple-shrine on the grounds.
it seems the old rulers of Majapahit were quite open-minded about the religious beliefs of their subjects, and inclined to let those two greatly differing religions (if Buddhism can be called such) co-exist in harmony and peace in the realm.
East Java has many such little-known temple all over the countryside. Especially notable is the old city of Majapahit, now mostly ruined temples and rock piles and a museum well worth seeing for an hour or two, otherwise little remains of what was once a city of 50,000 now scattered among the sugar fields and market gardens dotting the countryside after the Muslim invasion in the late 1400s. Also well worth a visit and easily accessed from Surabaya or (a far better place to visit and base oneself in) Malang by car and driver.
I now stay long term in Surabaya and I have been 'doing' East Java for 52 years, photographing all things I see in my sojourns with Kodak Retinas, Rolleiflexes, Nikkormats, Leicas, Contaxes and now DSLR Nikons and mirrorless Fujis. It has made my life all the more interesting and I'm happy to recommend it to those who want to get off the 'beaten track' and see a little of what is left of the 'real' Indonesia before it vanishes in the global slop of our impersonal and techno-mad century.
Best from DANN (this now being written in the comfort of my most affordable luxury hotel room in Malang)
Comment posted: 20/08/2026
Erik Brammer on Reassembled from Rubble: Impressions from Temple Hopping in Indonesia
Comment posted: 20/08/2026
Looking forward to seeing more such photo essays from you!
Best, Erik
Comment posted: 20/08/2026
Ben G on Reassembled from Rubble: Impressions from Temple Hopping in Indonesia
Comment posted: 28/08/2026
Comment posted: 28/08/2026