Nikon F2 – A few from the first roll

By Gary Smith

I recently added a Nikon F2 to the stable and loaded it up with Kodak Portra 400. The following shots were taken over several days in several locations with two lenses: the pre-AI 105/2.5 and the 35/2.

These first two were from a birding trip I made to the Ridgefield National Wildlife Refuge near Ridgefield, Washington (USA). My primary camera while birding is the OM Systems OM-1 fitted with a 2x TC and the M.Zuiko 300/4 Pro lens. This rig gives me pretty good reach and so far, I’ve been much happier with this set-up for birding. On this occasion I tossed the new-to-me F2 into the car and took some shots at the refuge.

F2 with 105/2.5

I loved the way the red algae contrasted with the water. Although there are a few ducks in this shot, they obviously were not the subject. In this next shot I happened to be too close to get a full body shot of the bird with the OM-1. I was focusing on the neck, but it looks like I must have missed focus?

Egret with F2 and 105/2.5

A few days later I took the F2 into downtown Portland on a trip to Powell’s City of Books. Since I had 400 ISO film I thought I’d see how it did in the stacks.

In the stacks

I have no complaints so far. The F2 handles much like the FE that I wrote about a year ago here. Initially I was having some trouble adjusting to the meter within the view finder and eventually settled on using the meter indicator on top of the DP-1 view finder. Because the F2 is completely mechanical, the shutter speed is continuously variable. With a set aperture you can adjust the shutter speed to exactly center on what the camera believes to be the perfect exposure for that aperture so for example you don’t have to worry if 125 is too slow while 250 is too fast because the F2 allows you to set your shutter between what would typically be the normally set speeds.

More shots were taken with the 105/2.5 although nothing to compete with the Afghan Girl.

I then switched to my 35/2 that (based on the s/n) was likely built between 1977 – 1981. The thing with old Nikkor lenses is there are often several variations of the build over the years. I have been relying on info from both The Thousand and One Nights (Nikon site) and a site in New Zeeland that my browser thinks is un-secure. The camera then went to the coast (I also took the Rollei 3.5B loaded with Lomo Turquoise more on that later).

Short Sand Beach

This is a secluded spot that neither my wife (lived her whole life in Oregon) nor I had ever visited. It is a short hike through the woods to the cove. As you can see there is quite a bit of washed-up driftwood from recent storms. The above view is looking southwest while this next view is looking northwest.

Looking northwest

We usually also stop in Cannon Beach. We were a few days too early to catch Puffins at Haystack Rock but there are always plenty of gulls.

Posing gull

I’m not sure that I squeezed everything possible out of this first roll through the F2. The camera is a real brick weighing in at 1.6 pounds with the DP-1 finder and no lens. That said, it is comfortable to handle and felt similar to the FE and my Canon FTb. All of the shots above are as scanned however I did resize them to avoid bloating Hamish’s server. The Portra 400 is a little too grainy for my taste in color and I might have done better with more sun.

I was quite happy to pick up the F2 for $200 USD on eBay and happy that the meter, shutter and aperture all seem to be working as per spec.

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About The Author

By Gary Smith
Gary has been shooting photographs for 50+ years using a variety of film and digital cameras. For a time, he was employed in the software industry as an interface designer. He has once again been shooting film on a variety of cameras he was never able to own 50 years ago and has begun developing and scanning both black and white and color films during the past 14 months. He lives in the state of Oregon in the Pacific Northwest area of the USA.
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Comments

Andrew on Nikon F2 – A few from the first roll

Comment posted: 22/05/2026

Hi Gary,
Lovely pictures! I would like to ask a general question of you and all the other frequent contributors to this site. Many of the articles are inspiring stories something along the lines of “this is a camera I picked up from x, here is the first roll I put through it…..”
Such stories inspired me to get my old Nikon F501 out and put a roll through it. But what a disappointment- the light seals had gone. I know that a few Nikon cameras had cotton rope seals (and I think the F2 may be one) and these will last for ever. But surely every one else with a camera from the 70s-90s with foam seals is finding they are end of life?
Was I just unlucky, or are all you other contributors fitting new seals first before you put a roll through?
As for me, I will first have to replace the seals, or have them replaced, before I can take another film photo….. :-(
Thanks for comments!
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Gary Smith replied:

Comment posted: 22/05/2026

Hi Andrew! I must be lucky because I’ve never had to fiddle with light seals. I did have some issues with the Mamiya that I wrote about some time ago. The silvering on the mirror was degrading and I ended up with a waist-level finder. You should be able to clean out your degraded seals and replace them. Certainly you could pay someone to repair them. Good luck!

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Jeffery Luhn on Nikon F2 – A few from the first roll

Comment posted: 22/05/2026

Hey Gary,
Nice shots! I'd like to see more. I'm a big fan of Nikon and Oregon beaches! Good combo. Bandon Beach is a favorite, especially during storms. The tide pools at Gold Beach can be amazing when the starfish are there. Endless choices in Oregon! When I was 16, back in '68, I had my driving license for a couple of weeks and took a two week road trip from the SF Bay Area to the Oregon coast and then to Crater Lake...with a Nikon F and a Rollei 3.5. Maybe I'll dig out some negatives and post some images. That trip made me fall in love with Oregon. Nothing in the world quite like it. Keep shooting!
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Gary Smith on Nikon F2 – A few from the first roll

Comment posted: 22/05/2026

Jeffery, the sea stars were abundant this week at Haystack Rock in Cannon Beach and I took a number of digital photos with my GX9. Purple and orange ones.
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Walter Reumkens on Nikon F2 – A few from the first roll

Comment posted: 22/05/2026

Hi Gary, of course I remembered your post; I was one of the first people to read your article. I assume you were still sleeping soundly at the time. That’s why I waited a while before posting my comment.

I own a Nikon F2A Photomic, the version with the AI coupling, but otherwise identical. The FE was also my first Nikon, back in 1978, so I’ve been using various Nikkor lenses for decades. This includes the 105/2.5 and 35/2. I haven’t had the F2A for very long, but I can understand that this camera marked the end of rangefinder cameras for professional photographers. It was already heralded by the Nikon F. Whether you want to hear it here or not.

You’ve chosen another great subject. But you’re wondering whether you’ve got the most out of it. Here’s my humble opinion, especially as I’ve never actually used Kodak Portra 400 myself. It’s too expensive for me, and as an alternative I used to use Fuji Superia X-Tra 400, but that’s no longer available. I’ve replaced it with the affordable Kodak Ultramax 400.

From what I’ve found out here in Germany, the Portra 400 is considered the finest-grained and sharpest film among professional films. My lab recommends ASA 320 for the best results. As it is softer than less sensitive films, it can certainly be used at midday (when there’s plenty of contrast in the sunshine). Perhaps on that particular day – as you also mention – there was a bit of a lack of sunshine, and hence a lack of contrast and sharpness. As I said, these are just my thoughts on the matter, not an irrevocable conclusion.

All the best, Gary.
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Gary Smith replied:

Comment posted: 22/05/2026

Thanks Walter! When I said that I wasn't sure that I had squeezed the most out of the F2, I meant that one roll under the circumstances I put to the camera certainly isn't going to be the best. I took it with me to the preserve when my primary goal was to shoot birds with the OM-1 digital. If you are on Facebook, you can see some of the waterfowl captured that day here: https://www.facebook.com/media/set/?set=a.3433425476823255&type=3

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Tony Warren on Nikon F2 – A few from the first roll

Comment posted: 22/05/2026

Hi Gary. Some nice results and great locations. I have had an F3HP and several Nikkormats, now just an F801/8008 and all were/are excellent cameras plus quite a few lenses.

I can recommend "The Nikon Compendium", ISBN 1 897802 02 1, the first English edition from 1993 covering everything upto the F90. It is incredibly comprehensive, serial bumbers included.
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Gary Smith replied:

Comment posted: 22/05/2026

Thanks Tony! I have a 2004 printing of "The Nikon Compendium" and I agree that it is a great reference. I want to shoot more with the 105/2.5, I don't think I used it to its full potential.

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Tony Warren replied:

Comment posted: 22/05/2026

Ah, sorry Gary. It really is a terrific resource. I used the 105 largely for portraits.

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Oliver G. on Nikon F2 – A few from the first roll

Comment posted: 23/05/2026

A wonderful review of a legendary camera.

I’m a Nikon F2AS user myself. I wanted to get back into analog photography and chose this model because of its mechanical operation.
Yes, it’s relatively large and heavy, but it gives you the feeling that you have a camera for life. Everything feels very solid.
I’m always on the go with a Nikon F2AS, the Nikon Nikkor Ai-s 50mm f/1.8, and the Ai 28mm f/2.8. I was also lucky enough to get a +0.5 diopter correction lens so I can shoot without glasses.
I love black-and-white film photography—Ilford HP5 and FP4—which is very different from digital black-and-white shots.
I have the film developed and scanned here in Germany at a specialty lab in the Eifel region.
I wish you many more wonderful photo moments with this great camera.

Best regards,
Oliver

Translated with DeepL.com (free version)
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Gary Smith replied:

Comment posted: 23/05/2026

It does give the impression that you have a camera for life. I have to admit that I like the immediacy of digital and lately I've been sending my film out to be developed and scanned. I have batches of both b&w and color chemistry to be mixed up and used. Thanks for reading my post Oliver!

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cdlinz on Nikon F2 – A few from the first roll

Comment posted: 23/05/2026

Those are great! My wife is from Oregon and we visit a lot. It is such a magically beautiful state. Portland, Astoria, Crater Lake, Smith River, the various beaches, Bend, Cascade Locks....it's just unending breathtaking beauty. Plus i love me some Burgerville - beats In and Out every day of the week.
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Gary Smith replied:

Comment posted: 23/05/2026

I've lived a lot of places and to be honest, I've enjoyed them all. That said, Oregon is pretty special. 2 hours west, I'm at the beach while 2 hours east and I'm on top of Mt.Hood. We'll be taking off again in a few weeks to drive east along the Columbia almost to the Idaho border. Thanks for taking the time to read and comment on my post.

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Simon Foale on Nikon F2 – A few from the first roll

Comment posted: 24/05/2026

I think you have represented the wildness of the Oregon coast quite impressively here Gary. Great pics. I owned a Nikon F2AS in the early '90s but since parted company with it. I liked its weight, which made it easier to get sharp images at lower shutter speeds, but the light meter wasn't that reliable and because I was mostly shooting slide film back then I needed something with better accuracy. My workhorse camera ended up being the F801S, which I have brought out of retirement recently. It also has a nice weight to it, and despite not being mechanical (it's a dense ball of circuitry) still performs impressively. On the topic of birding, I have read about your Olympus 300mm - it sounds like an amazing lens (sorry I couldn't get in to your Facebook page to see the images). One of Australia's top bird photographers, Georgina Steytler (https://www.georginasteytler.com.au/), has recently switched from the big heavy Canon telephoto primes to this, among other lighter kit. I use a Leica DG 100-400mm F4-6.3 on my GH5. It's great but quality drops off between 300 and 400mm.
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Simon Foale replied:

Comment posted: 24/05/2026

PS I've been to Powell's in Portland - bought some old anthropology classics (Firth, Geertz) there that would not have been quite so easy to find at home. Came away happy.

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Gary Smith replied:

Comment posted: 24/05/2026

Hi Simon, I have placed some recent birds shot with the OM-1 and the 300/4 Pro on Google drive and shared the location https://drive.google.com/drive/folders/1tAU8x1Xif5-2wq-WzjGviyRlGBWxQ1Y-?usp=sharing

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Simon Foale replied:

Comment posted: 24/05/2026

Thanks for making those images available Gary - nice work! Love the Osprey shots.

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Gary Smith replied:

Comment posted: 24/05/2026

Glad you were able to see them, thanks for looking!

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Leon Winnert on Nikon F2 – A few from the first roll

Comment posted: 24/05/2026

Hi Gary,

Thank for the article. You say you used Non Ai lenses on your FT which is an Ai camera. There are compataibily problems. Web search results

Can i use a Nikon non Ai lens with a Nikon Ai camera?

In most cases, no. Attempting to mount a non-AI lens onto a standard AI camera can permanently damage the camera’s metering tab. However, compatibility depends strictly on the exact camera model, as some bodies feature a folding tab to allow safe mounting (Such as the Nikon Df.)

The Core Issue
Nikon's non-AI lenses (manufactured before 1977) have a solid, uninterrupted metal ring at the back of the lens. When Nikon introduced AI (Automatic Indexing), they added a small metal tab/lever to the camera body that couples with the lens to tell the camera the aperture setting. If you mount a non-AI lens onto most AI cameras, that solid metal ring will crash into the camera's meter coupling tab, crushing or snapping it.

The non Ai Lens can be converted to Ai standard.
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Gary Smith replied:

Comment posted: 24/05/2026

I must have misspoke regarding the vintage of the 105/2.5. No damage was inflicted on the F2.

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Leon Winnert replied:

Comment posted: 24/05/2026

That's good!

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Walter Reumkens replied:

Comment posted: 24/05/2026

Now I'm a bit confused. Gary says he has a DP-1 attachment, which means he has a Nikon F2 Photonic – and therefore a NON-AI camera! It's only with the DP-11 attachment, the Nikon F2A Photonic, that it becomes an AI camera.

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Gary Smith replied:

Comment posted: 24/05/2026

My 105 has the scalloped aperture ring and the s/n begins with 209, so after 1966. The 35/3 has a s/n that begins with 123, so it is likely late 1970's early 1980's.

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Gary Smith replied:

Comment posted: 24/05/2026

Is it true that the F2 Photomic uses the old "bunny ears" for meter coupling, and will work with any lens that has those "bunny ears" at the f/5.6 mark. That includes AI and AIS lenses, as well as pre-AI lenses.

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Walter Reumkens replied:

Comment posted: 24/05/2026

That's right, Gary! That's precisely why the 'bunny ears' were kept attached to the AI and AIS for years, so that they could be used as well.

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Leon Winnert on Nikon F2 – A few from the first roll

Comment posted: 24/05/2026

Ft should read F2
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Ibraar Hussain on Nikon F2 – A few from the first roll

Comment posted: 24/05/2026

Very nice results Gary! You seem to be enjoying this classic!
The only birding I did was back in the day in night clubs and bars! hehe!
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Gary Smith replied:

Comment posted: 24/05/2026

Let's see some of those birds...

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Niall Keohane on Nikon F2 – A few from the first roll

Comment posted: 24/05/2026

Lovely work, it looks as though you'll build a great relationship with the F2.
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Gary Smith replied:

Comment posted: 24/05/2026

Thanks Niall! I really haven't shot it that much yet. I do like how you can set your aperture and then dial-in a precise shutter speed.

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Michael Jardine on Nikon F2 – A few from the first roll

Comment posted: 25/05/2026

These are great- I wouldn't worry about that Afghan Girl: it's creator has proved to be a little, er... morally ambiguous, and as a psychotherapist once said to me, "comparing yourself to other people? That might be one of the problems!"

Your photos are a real testament to the quality of the film, the lenses which I guess (I never seemed to have the disposable $$ to get into slinging Nikon gear with the exception of a delightful enlarging lens for 6x6) represent the peak of the art of designing and making them, and the legendary brick that is the F2.

All power to your finger on the shutter release!
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Gary Smith replied:

Comment posted: 25/05/2026

Thanks for that Michael! I do enjoy taking photos. The comment about Afghan Girl was just a reminder to folks about the lens. I rarely shoot portraits, so it's unlikely that my 105/2.5 will ever be pointed at anyone.

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Eric Rose on Nikon F2 – A few from the first roll

Comment posted: 25/05/2026

You've reviewed my two favourite cameras! The Rollei 3.5 TLR and the Nikon F2. Still have them and when I need a shot of "magic" to get my creative juices flowing, out one of them come.
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Gary Smith replied:

Comment posted: 25/05/2026

Both of these are well built treasures. To date I have shot the Rollei more but the F2 has a great feel to it in the hand. Thanks for your comment Eric!

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Omar Tibi on Nikon F2 – A few from the first roll

Comment posted: 26/05/2026

Congrats on the new camera Gary, wishing you many great shots with it! I really like your images despite the grain actually, they have a warm, nostalgic, almost dream-like feel to them. The red algae landscape shot is especially striking to me. And the texture of the tree is really pleasant, it's interesting how you can still find new things to discover even in your own locale!

I'm also a big fan of the 100/105 FL teles, I love using my C/Y 100/3.5 on my Contax bodies. I think it's just such a flexible FL, it has all of the best qualities of 85s and I feel it can replace 135s in most applications. I don't shoot many portraits either, but I like using it for architectural details/abstractions, and also landscapes like your first photo. Looking forward to seeing more from your 105/2.5!
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Gary Smith replied:

Comment posted: 26/05/2026

Sometimes I get bored with my locale. I have never been a "street" shooter and don't generally shoot people. I'm planning on a trip east along the Columbia River into eastern Oregon in a week or two. The Contax is currently loaded with film so that will likely go along in addition to a digital (probably the OM-1). Thanks for taking the time to read and comment on my article!

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