Fujifilm FinePix F200 EXR and a trip down Digicam Lane

By Ibraar Hussain

I have dabbled quite a bit with various Fujifilm cameras. My very first Digital camera was a 4 Mega Pixel Fujifilm A403 which I used quite a bit in 2002/03. My most memorable journey was a trip to Pakistan where I spent 2 weeks shooting with it and then foolishly wiped the XD Card by accident on day 12. I did take a few snaps on day 13 and 14 but rued my stupidity. There’s a very interesting article about this elusive little camera, which featured a Fuji Super CCD.

I at the time wasn’t very savvy about Digital camera features and shot it on Auto everything, as you can see from the photos they’re all pretty much ISO 200 and pretty noisy, the colours are also a bit messy. One was not impressed, so this was soon replaced by a Kodak Z760 which was miles better in all respects.

Fuji A403 January 2003
Lahore
Fuji A403 January 2003
Lahore
Fuji A403 January 2003
Lahore
Fuji A403 January 2003
Lahore
Fuji A403 January 2003
Lahore

Back in the 2010’s I had a collection of a few, namely the XPan II version, the GA645 and a Fujifilm XE2s, plus a Fuji F200 EXR. I bought this (as I used to) brand new in 2009 for its Super CCD feature. I had actually wanted a Fuji S5 Pro but couldn’t afford it, I was enamoured with the Fuji colours at the time and thought this would be an ideal, budget alternative. I had bought it to replace a Kodak Digicam I had been using since 2005, as a pocket sized companion for my Contax G2 and my GA645.

As with all Fuji Digicams from the time it wasn’t the prettiest and had a slowish lens with only 5x Optical Zoom. But I wasn’t bothered by all that as it was relatively quick to focus with very good metering and very pleasing colours.

  • Zoom: 5x optical
  • Resolution: 12Mp
  • Sensor size: 1/1.6in
  • Sensor type: CCD EXR
  • Max. image size: 4000×3000
  • File type: JPEG

The interesting feature apart from the Super CCD was the EXR mode, which in hindsight set the bar for computational photography – giving the camera’s internal software to manipulate images on the fly, setting the camera to allow  HR (High resolution priority), SN (High ISO/Low noise priority) and DR (Dynamic Range priority. It also, on the fly and instantly combined exposure for High Dynamic Range.

Using this indoors, like in a Pub for instance was quick and easy, the camera set the ISO and photos were pleasing considering the higher ISO.

Fuji product photo Fuji F200 EXR

As with all Compact Cameras, or rather most, there was no RAW function, but I wasn’t bothered as at the time I had never used RAW before.

It featured a large clear 230,000 dots 3 inch LCD which was very good in bright light and was made solidly and nicely of metal with some plastic.

The downsides were the slow EXR processing and the slow limited lens. I did enjoy it for a few months as you can see from the small selection of photos below.

The metering was good, very good, with options to spot meter, hence B&W conversions were easy and with good tone and impact. The EXR mode was quite effective at keeping ISO down, the exposure compensation worked flawlessly.

Housnlow Urban farm, Middlesex
Lulworth, Dorset
Sunning in Dorset, by Durdle Door
Virginia Waters, Surrey
In the Pub, London
From Mt. Snowdon, Wales
Hikers, From Mt. Snowdon, Wales
From Mt. Snowdon, Wales
From Mt. Snowdon, Wales
Snowdonia
Snowdonia, Wales
Tretower, Brecon, Wales
Lulworth, Dorset
Clivedon, Bershire
Clivedon, Bershire

Fuji replaced this model with the Fuji F300 EXR and continued the EXR trend until they released the legendary Finepix X100. That marked the beginning of a new era where they combined everything from computational elements to color science they had worked on for years with such models as the F200 EXR.

If you can find one around, I think you’ll enjoy the pleasing colours, the good Dynamic range and the sharp photos with the nailed metering. I only had mine for about 6 months and eventually sold it to replace it with the Olympus XZ-1.

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About The Author

By Ibraar Hussain
Ibraar aka Ibbs formerly from London, but now a long way from home in the Suffolk border in East Anglia England. An anarchist at heart with a liking for photography, especially travel snaps in both film and digital. Contax, Zeiss-Ikon, Minolta (35mm) and Olympus E1/E3 DSLR’s and a Casio ZR 800 Compact are my go to shooters.
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Comments

Bob Janes on Fujifilm FinePix F200 EXR and a trip down Digicam Lane

Comment posted: 25/04/2026

Lovely photographs.
A good example of how relatively humble kit can provide great results in the hands of someone with an eye for a good photograph!
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Ibraar Hussain replied:

Comment posted: 25/04/2026

Thank you Bob!

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Walter Reumkens on Fujifilm FinePix F200 EXR and a trip down Digicam Lane

Comment posted: 25/04/2026

I can only agree with what Bob says. That mishap with the memory card could happen to anyone. I’ve realised on the go that I didn’t have an SD card in the camera and no spare card in my pocket either. Luckily, the shops were still open that Saturday afternoon. But I reckon something like that only happens once.

Beautiful photos, a very keen eye for subjects, and then there’s the CCD sensor. I have the Fujifilm FinePix S5 Pro; my Nikon D80 and D200 also have that sensor. And they all, including your FinePix F200 EXR, have far fewer megapixels than today’s cameras. We didn’t crop the images too much back then either; we were more mobile on our feet. And yet you find these photos very beautiful. Or perhaps precisely because of that... Thanks for sharing, Ibraar.
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Ibraar Hussain replied:

Comment posted: 25/04/2026

Thank you as always Walter! It’s the S5 pro whichll likely be my next dslr

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Miguel Mendez on Fujifilm FinePix F200 EXR and a trip down Digicam Lane

Comment posted: 25/04/2026

Tus fotos son muy bellas sin importar la camara que uses. Ya he visto antes tu trabajo.
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Ibraar Hussain replied:

Comment posted: 25/04/2026

Gracias amigo Miguel!

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Andrew on Fujifilm FinePix F200 EXR and a trip down Digicam Lane

Comment posted: 25/04/2026

May I take this opportunity to corroborate everything that Ibarra says,based on my own experience. I have an F70exr, an F100exr and a Z900 exr. The F70 and F100 mostly stay in the attic as I have plenty of digicams to play with, but the Z900 is still in regular use as a beach camera, or to take to other p,aces where something tiny and hard to damage is required (it has the right angled telescopic optics and a clam shell which closes everything. Any one of those 3 cameras takes great photos, which can be printed right up to A4 size with no problems.
At the risk of being boring, perhaps some readers may be interested in the technology involved. CCD sensors produce great colours and lovely pictorial effects, but have 2 drawbacks- first, the read speed is low, and second, the dynamic range is not huge. This isn’t a problem for many industrial applications, and here CCD is still used. But consumers want their cameras to record video in 4K, and to have huge dynamic range, and CCD can’t deliver this, hence CMOS is now ubiquitous.
But EXR was Fujis very clever way of overcoming the second difficulty. Each pixel on the sensor was duplicated, so a green pixel had another green pixel next to it, the red had a second red alongside it, and so forth. You could then ask the camera to read each pixel independently and give you the full sensor resolution, along with the usual CCD limitations. Or you could ask the camera to read the pairs in parallel and process each of the pairs differently. So for extended dynamic range (HDR mode) one pixel would be read with exposure biased towards the highlights, and the second biased towards the shadows. The two parallel images would then be combined in camera to give you a single picture with extended dynamic range. Something similar could be done for the low light mode to minimise noise.
I only ever use my z900 in HDR mode (8MP is plenty enough), and yes, the dynamic range is almost as good as a modern CMOS camera, along with the lovely CCD imaging. There’s a lot to like, and it was very clever technology.
Modern Canon cameras use a dual pixel design on the sensor, but in this case for full sensor phase detection autofocus. And the latest high end cameras sort of replicate the Fuji idea with a “dual gain” circuitry.
On the market right now is a real dearth of decent point and shoot cameras, and my experience says that an F100 or F200 are still up there as a decent compact to consider (provided you don’t want video). Also the z900 for which there is no current equivalent. Just don’t shoot them at full resolution and always use HDR mode in decent light.
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Andrew replied:

Comment posted: 25/04/2026

And apologies for the autocorrect of your name Ibraar, which I spotted too late!

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Ibraar Hussain replied:

Comment posted: 25/04/2026

Thanks Andrew - really interesting info which I didn’t know. I’m a fan of Kodak CCd especially - one day I shall have a Leica S2

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Gary Smith on Fujifilm FinePix F200 EXR and a trip down Digicam Lane

Comment posted: 25/04/2026

Fuji seems to be one of the major brands that I have so far missed adding to my stable. I actually tried to purchase an X100VI the night it was released but wasn't able to make a purchase. This is probably a good thing as it isn't likely that it would have lasted with me.

That said, I'm still curious.

Your great photos certainly don't help my G.A.S. but it is safe to say that any camera in your hands would make great photographs!
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Ibraar Hussain replied:

Comment posted: 25/04/2026

Thanks Gary Might be worth getting hold of a Fuji S3 or S5 for some Fuji goodness

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Andrew replied:

Comment posted: 25/04/2026

For those who are interested, I’m listing on your favourite GAS site tonight, my Fuji X-A1 kit. This camera was one of the very first X series, and twin of the X-M1. Whereas the X-M1 had Fujis much touted X-trans sensor, the X-A1 had a standard Bayer sensor. It was a very controversial camera at the time, as most reviewers reckoned that it produced better pictures than the X-trans version, which was not how it was supposed to be! I don’t want to get into that argument, all I can say is that the X-A1has produced excellent pictures over the years. I’m selling because GAS got the better of me, and I have just too many incompatible systems. I’m determined now to stick to Nikon F film, Nikon Z and 1 digital, Micro 4/3 and a few point and shoots. That’s enough for anyone surely :-)

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Ibraar Hussain replied:

Comment posted: 25/04/2026

Ah Gas! Luckily ive never suffered from the ailment! I’d usually flip - sell and then buy. Good luck with the sale of the camera, i used to own a XE2s which I admit I wasn’t a fan of.

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Geoff Chaplin on Fujifilm FinePix F200 EXR and a trip down Digicam Lane

Comment posted: 26/04/2026

As always a great set of images Ibraar. I had an XPro2 and was very impressed by fuji's colours but the downside is so is fuji - to the extent that the seem to have completey abandoned film photography.
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Ibraar Hussain replied:

Comment posted: 26/04/2026

Thanks Geoff Fuji disappoint me, it’s only a matter of time until any film currently being sold will run out leaving film manufactured by others bearing thr Fujifilm name only

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Walter Reumkens replied:

Comment posted: 26/04/2026

Fuji prioritises its home market. The Japanese are keen on innovation and always buy the latest technological developments. I don’t have any data, but I’ve read on several occasions that analogue photography no longer plays the same role in Japan as it does in Europe and the US. The trend continues to be sharply downward. Overcapacity is being reduced, and there were problems with raw material supplies during the pandemic. Stricter laws, particularly in Europe, have banned chemical processes. I’m thinking of Polaroid and Impossible. Polaroid film had to be reinvented. Previously, Agfa APX was essentially a Kentmere; now Fujicolor C200 is likely a Kodak Gold 200, to name just two examples. But who notices that when it’s no longer a physical print in front of you, but rather something you’re viewing on a screen powered by an NVIDIA graphics chip?

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Ibraar Hussain replied:

Comment posted: 26/04/2026

That’s very interesting to know, I had assumed Japanese consumers; especially youngsters increasingly liked using old cameras and films.

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Walter Reumkens replied:

Comment posted: 26/04/2026

I’ve simply echoed what I’ve often read. The Japanese are absolutely mad about new technology. Perhaps there are some Japan experts here who know more about it. If your assumption is correct, however, it’s certainly not the majority; the slump in the film industry’s turnover is enormous. If anything, it’s just a very small minority. I experience it myself every day when I’m out and about with an analogue camera. People don’t take me seriously anymore. Especially not bird photographers, who go home with 1,000 image files on their memory card without knowing whether a single shot has turned out. :-)))

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Ibraar Hussain replied:

Comment posted: 26/04/2026

I’ve no doubt that you are right, I’ve never been to Japan and don’t know much about trends there but I do prefer buying cameras (and wrist watches) from there, service is always impeccable. Hahaha yes, especially bird photographers - thhe trend is the same with DSLR and mirrorless bird photographers - in fact any type with expensive bodies and lenses. They take thousand shots then sift sift sift to get that right one. This is just spray and pray capture for the most part, rather than careful composition. I’ve noticed new expensive mirrorless users have the same attitude now towards old DSLR as well.

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Geoff Chaplin replied:

Comment posted: 26/04/2026

There's a big cultural difference - Japanese see old as dirty, cheap and unattractive. This applies to film and old printing methods. but applies to homes, cars and any form of equipment. But it goes much deeper than that too - body hair is seen as untidy and dirty unless impeccably styled, to the extent that young men often have facial hair removed by laser and are increasingly using make-up. Fujifilm would be happy to drop photography entirely if the interest in digital declines - they have other areas of business (chemicals and medical) which are more profitable. Having said that there are some locals interested in film and silver gelatin printing (even cyanotype) but it is a fringe group - wierdos basically so far as the general population is concerned.

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Ibraar Hussain replied:

Comment posted: 26/04/2026

Thank Geoff, I had no idea about any of this and quite surprised!

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Alexandre Kreisman on Fujifilm FinePix F200 EXR and a trip down Digicam Lane

Comment posted: 26/04/2026

Beautiful images, some stunning Ibraar! Loved it
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Ibraar Hussain replied:

Comment posted: 26/04/2026

Cheers Alexandre, it helps having nice light and being in a nice place - can’t go wrong

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Danilo Leonardi on Fujifilm FinePix F200 EXR and a trip down Digicam Lane

Comment posted: 26/04/2026

Wonderful photographs, Ibraar. The digicam look suits them well, the Snowdonia ones, and excellent the B&W of the fountain, but of course it is the eye behind the camera(s) that carries the images.

The photo of the F200 EXR camera you included made me think about the design ambitions of some of those digicams. They had an aspirational feel, I think, a kind of everyday “luxury” touch, with chrome trim, and some were shaped like a business card holder, or even a cigarette case maybe? I really liked your photographs, and from your archive with the A403.
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Ibraar Hussain replied:

Comment posted: 26/04/2026

Thanks my friend Yes, they were designing cameras to fit in pockets and be used for snaps. Since the iPhone the trend has decreased. Casio were very good with miniature quick cameras with a nice design Such as this I have and use often https://www.35mmc.com/16/01/2024/casio-ex-zr800-my-cheapo-companion/

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Lilianna Elrod on Fujifilm FinePix F200 EXR and a trip down Digicam Lane

Comment posted: 26/04/2026

Lovely shots with a cool camera. I had one when they first came out; I liked the results I got. Like you I went onto an Xz-1.
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Ibraar Hussain replied:

Comment posted: 26/04/2026

Thanks Lilliana, glad you enjoyed the snaps. Did you get on well with the XZ-1? It was definitely a step up I think

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Lilianna Elrod replied:

Comment posted: 26/04/2026

I adored the XZ-1. Sadly mine took a fall Currently is an Olympus stylus one in his place

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Lilianna Elrod replied:

Comment posted: 26/04/2026

That is what I get reason poor voice typing I now use an Olympus Stylus 1, a very much under appreciated gem

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Ibraar Hussain replied:

Comment posted: 26/04/2026

Thanks I’ve never used the stylus 1 I bought the Olympus which I reviewed here and now a rapidly fast little Casio

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Lilianna Elrod replied:

Comment posted: 26/04/2026

The stylus one looks like a Olympus EM five but a bit smarter. It has a 20 to 300 mm equivalent zoom with a constant f2.8 aperture. He is quite compact for all that and he is the same Olympus lens cap as the XZ one. sensor size is the same however these stylus has a BSI as opposed to a CCD. The built-in EVF is very much like the VF four VF two. I miss the CCD, my only compact with a CCD sensor now is my Ricoh GR digital three

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Ibraar Hussain replied:

Comment posted: 26/04/2026

Thanks - I think XZ2 had a CMOS as well I also have a CCd Kodak Z950 - worth looking at as the colours are the best

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Mark Ellerby on Fujifilm FinePix F200 EXR and a trip down Digicam Lane

Comment posted: 03/05/2026

Great pictures Ibraar. This reminds me of the F100fd I had in 2009. Same lens I think, and Super CCD. I loved the colours, especially the greens. Like you, I didn't keep it that long and bought an Olympus XZ1; that one had a nice lens but I hated the image processing which made oddly sanitized looking pictures due to the aggressive noise reduction which could not be adjusted. Yearned for my old f100.
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Ibraar Hussain replied:

Comment posted: 03/05/2026

Thank you mark As in my review of the XZ1 - I too was disappointed with the processing I think The best colour of any compact digi is surely the Z950 Kodak Easyshare which I’ve also covered here. Worth a try if a bit slow My main one is the Casio ZR800 which is all round a great performer and very quick Thanks again

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