On the Windowsill – One Shot Story

By Walter Reumkens

I took this photo in 2018, in a large city 60 km from my home. I had just turned 70, everyone was talking about climate change, and I wanted to do my bit too, so I’d taken out a senior citizen’s travel pass for public transport and used it regularly. I live on the outskirts of a conurbation with lots of large cities and heavy traffic. There are few expensive car parks, which means you’re forced to return to where you left your car when exploring the city. Travelling by train or bus offers more flexibility, so I often did just that and was able to explore many towns and cities, even enjoying an alcoholic drink or two along the way.

On that day, I headed to Wuppertal, a large city in North Rhine-Westphalia, situated in beautiful mountainous surroundings in the Wupper valley. As the name suggests. It is a narrow valley, with an elevated railway running alongside or above the river – the Wuppertal Suspension Railway, which is probably unique in the world. A railway line also runs through the valley, and there is even a direct connection from my home town. I was there in just under an hour.

I’d just bought another little camera and had decided to shoot my first roll of film with it that Sunday. An Olympus TRIP 35, which I’m sure everyone will be familiar with. It was in production for a long time, sold in large numbers and had its fans. Small, unobtrusive, with a working selenium light meter around the lens and no option to adjust the aperture, except when using the flash. The distance is set using symbols representing 1m, 1.5m, 3m and infinity. The usual problems crop up when you’re not yet used to it. I, too, had a few missed shots on this first attempt. Overall, though, I was happy with the result; the Trip fits in a jacket or trouser pocket. It’s ready to shoot in a flash – there’s nothing to adjust. Faster than autofocus and rangefinders!

This photo, taken from the windowsill of a bistro, was taken in the Luisenviertel, a neighbourhood in the centre of the Elberfeld district, with its old Wilhelminian-style houses, numerous pubs, restaurants and charming corners. The empty bottles caught my eye as I was walking around. The labels on the empty bottles say something about the customers, and I’d never seen anything like them before.

A simple camera, but with a good lens – as you’d expect from Olympus – and it’s great fun even for a slightly experienced photographer.

Thank you for your interest. I would really appreciate your feedback.

Taken with: Olympus Trip 35 (1968–1983) + Fujicolor C200 + developed and scanned at a minilab (1512×1002)

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About The Author

By Walter Reumkens
Walter Reumkens lives in Mönchengladbach, a medium-sized town in North Rhine-Westphalia, Germany. He is a retired graduate in public administration, worked in the IT sector for 40 years and has been a passionate photographer for over 50 years. In addition to numerous analogue and digital Nikon cameras (SLR, DSLR, DSLM), he also uses cameras and lenses from other manufacturers. To find out whether, alongside the ‘typical, highly touted luxury cameras’, other manufacturers also produce very good, reliable and user-friendly products that fully satisfy experienced photographers.
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Comments

Gary Smith on On the Windowsill – One Shot Story

Comment posted: 30/06/2026

You have me by a few years Walter... :-) I love your shot; it looks like something that would catch my eye. These days I'm torn between taking a film camera and paying for development and scanning or taking a digital camera or taking nothing and just using my phone. I had my own wet darkroom 50 years ago. In the last few years since I started going a bit camera crazy, I have developed both b&w as well as color here at home and done the scanning as well. I don't have the room to set-up a wet darkroom and get an enlarger again, so I have decided that doing color is mostly not worth the trouble and b&w is borderline. At the moment I have a Voigtländer VITO CLR that still has 18 or so exposures of FP4+ and a Contax G1 that still has 13 exposures of Kodacolor waiting on me. I may just send the Kodacolor in and sacrifice the un-exposed shots.

Thanks for your post! I'm waiting for one where you give us more than a 1-shot story.
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Gary Smith replied:

Comment posted: 30/06/2026

OK, sorry, I see the 1-shot stories have all been recent. Your post about the Bessa-L almost had me pulling the trigger on one.

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Walter Reumkens replied:

Comment posted: 30/06/2026

It’s true that I’ve got a few more years under my belt. To be honest, you can tell a bit when it comes to my activities compared to how things used to be. I’m doing less and less. I haven’t developed my own photos for ages, and I only ever had a black-and-white darkroom in the basement. I haven’t ventured into colour photography; I’ve mostly used slide film. My lab costs are kept to a minimum. I pay €8.50 for 36 colour shots and €10.50 for 36 black-and-white shots, including development and a 4K scan. I mainly take digital photos; I also own a Nikon D200, as well as a number of other cameras. Yes, I’ve uploaded three ON SHOT articles since the Bessa-L piece. But in just over a week, there’ll be another article here featuring five photos taken with my Zorki-1. Thanks for your feedback, Gary! .

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Gary Smith replied:

Comment posted: 30/06/2026

I'm 72 and I retired from working full-time just as Covid hit and put a dent into my ability to travel and do things out of the house. I just got new hearing aids. I need a new prescription for my reading and long-distance glasses. I take upper and lower partials out at night before bed, and it seems like I'm always achy. At least I'm still mobile and continent. Be well!

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