9 April, 2026
Tokyoites 2007~2009
The 28mm has always been my favourite lens for capturing crowds. It lets you frame plenty of action without introducing too much distortion. During my years living in Tokyo I re...
7 April, 2026
Kodak Gold 200 – Photographing Museums
After finishing a roll of Kodak ColorPlus 200, I decided to try another Kodak classic: Kodak Gold 200. The film was developed by bildskanning.com, and digitized using a Valoi ea...
5 April, 2026
Nikon FM2N & Nikkor 16mm – A Fisheye in French Canada
In 2025 I was fortunate enough to travel quite a bit. A Nikon was with me for almost all of those adventures. In March, my girlfriend and I spent a week and a half in Florence, ...
4 April, 2026
If Trains Could Talk
There’s something timeless about trains. Maybe it’s the scale—the sheer size of a locomotive—or maybe it’s how they’ve always been there, quietly shaping our lives and landscape...
2 April, 2026
The Photographer as Subject: Ethan Hill
One of the joys of living in a city like New York is its abundance of creative artists, many of whom also devote some portion of their time to teaching. So it is with the subjec...
28 March, 2026
Double Exposures with a Rollei 35B
New Year comes and goes. By February, I’m feeling the creative doldrums—that post-holiday flatness where nothing seems to spark. So I decide to shake things up and try som...
26 March, 2026
Xpan on the Cheap
Some recent articles on 35mmc and elsewhere brought to my attention the marvels of the Hasselblad Xpan, also sold as the Fujifilm TX-1. It can expose a frame of 65 x 24mm on 35m...
25 March, 2026
Nikkor AF 85mm 1.8 D – A Rediscovery
If you’ve read any of my posts on 35mmc, you’d think I was a strictly a B&W film shooter. There are times, however, when I fall off the film wagon and shoot digital for two ...
