Latest Posts
I suspect a large percentage of us film photographers will have heard of Kodak Aerochrome. It’s that film that renders foliage red/purple, costs an absolute fortune and is rare ...
16 March, 2020
A quick 3 frames of Kodak Aerochrome – By Mike Caputo
I was lucky enough to be given two rolls of 120 Kodak Aerochrome by Em the Emulsive. That was really swell of him, thanks Em. He's a good guy and I enjoy our occasional online c...
15 March, 2020
5 Frames With the 7artisans 35mm f/2 on the Leica M10, for Photojournalism – by Simon King
My opinion on the 35mm focal length hasn't shifted much since my recent attempts to adopt it into my workflow. Despite being happy with a lot of the snapshots I've produced on m...
Revisiting the legendI recently succumb to my GAS and got the Fuji XPro3. But let me explain. I started my Fuji journey on March 2011, the day that the Fuji X100 launched. I was...
13 March, 2020
NEWS: Analogue Spotlight Update, Ilford Darkroom Survey Results & Intrepid Zine Issue 2
This week has been a little bit chaotic, to say the least. With The Photography Show and therefore Analogue Spotlight being postponed until September 19th-22nd, we began the wee...
If you’re a die-hard Nikon fan—not someone who merely enjoys Nikons, but one of those folks who absolutely refuses to even look at any other type of camera—then do me a favor an...
The only filters I've ever used are UV or clear ones to protect my front elements on digital cameras (I know, I know). I was looking at ND filters one day to allow shooting with...
11 March, 2020
Canon 50mm ƒ/1.4 LTM Lens – A Mini-Review of 1960s Optical Excellence – by Andrew Morang
Long-term 35MMC readers recall that I have used my dad’s Leica IIIC rangefinder camera for decades. He bought it at the Post Exchange in Guam in 1949 and used it for famil...
