I shoot about 50% film and 50% digital these days. For digital I shoot with the Fujifilm X series cameras and lenses. Fujifilm cameras appealed to me several years ago because o...
I suspect a large percentage of us film photographers will have heard of Kodak Aerochrome. It’s that film that renders foliage red/purple, costs an absolute fortune and is rare ...
3 March, 2020
Fujifilm X-Pro3 Round Two: The X Files and a Meditation on Film and Digital – By David Hume
The X-Pro3 came at a good time for me. I’d returned from a six-week trip to Italy where the last two weeks were spent in Venice trying to make work for exhibitions. So I’d been ...
18 February, 2020
Ricoh GRIII and GR1s Experience Comparison by a Film Agnostic – By Steven Bleistein
I am sure to get some grief about this piece given that my last article on the analog Ricoh GR1s ended with my resolution that I was not interested in buying a digital GR. Well,...
31 January, 2020
Fujifilm X-Pro3: First thoughts from a film shooter – By David Hume
As soon as I read about the Fuji X-Pro3 I thought, "Yeah, shut up and take my money." I bought the original X100 the day it hit my town, and I’ve been using an X-E2 for a couple...
11 January, 2020
Canon 50mm F1.8 LTM on A Leica T – by Ed Lara
As much as I enjoy shooting film, I still take the majority of my photographs with digital cameras. That said, I prefer to use cameras and lenses which give me as much simplicit...
I shoot film, but I am no analog zealot. For me, shooting film is rarely about the film. It is always about the experience shooting with some of the best cameras the world has e...
29 December, 2019
Panasonic GM1 Review: A Digital ILC Alternative to the Olympus XA2? – by Charles Higham
The Olympus XA2 has, for decades, been a popular small 35mm film compact you can carry around in your pocket. An excellent piece of design, it's simple to operate with zone focu...