120 Makro + 80 Planar

Faces of Pride — NYC Pride, 2026

By Scott Ferguson

Pride Month, now a global celebration attracting tens of millions of people has its roots in New York City, growing out of the Stonewall riots in June, 1969 when the West Village gay community decided that they had had enough of being hassled, shaken down and arrested by New York City’s vice squad.  Instead of cowering in shame and fear they dared to fight back, and in doing so launched the modern gay liberation movement.

Zeiss Biogon 35mm
MARCHING FOR PRIDE, Leica M2, Zeiss Biogon 35mm f2, Fuji 400

While I wouldn’t say that the long struggle against oppression is by any means over, the gay rights movement has been incredibly successful and won many incredible hard fought victories and changed society along the way.  For the better, in my opinion.

Zeiss Biogon 35mm
MARCHING FOR PRIDE, Leica M2, Zeiss Biogon 35mm f2, Fuji 400

Growing up as a straight male in a fairly conservative suburb of Pittsburgh, it took me a long time to even become aware of homosexuality, other than the odd celebrity of the era like Liberace or Paul Lind who managed to thrive in a more repressive and closeted era.  It took me even longer to understand how incredibly common and part of the fabric of everyday life homosexuality is, even in my provincial home town with its marching bands, not unlike the ones in these photos,  but flying flags without quite as many colors.  I still have some regrets about crude jokes I made during my high school years among friends who not much later came out as gay.

Zeiss Biogon 35mm
NYC PRIDE, Leica M2, Zeiss Biogon 35mm f2, Fuji 400
Leica M3, Omnar Bertele 50mm f2, Delta 100

In the years since I was in high school, gay people have won major victories against workplace discrimination, in favor of marriage equality, and their advocacy helped revolutionize the practice of medicine to accelerate the development of effective treatments for the devastating HIV virus.

Leica M3, Omnar Bertele 50mm f2, Delta 100

At the same time, the movement has also helped liberate people like me from our fears and anxieties about our gay friends, co-workers and family members.

Leica M3, Omnar Bertele 50mm f2, Delta 100

Gay people aren’t just all around us, they are us.

Leica M3, Omnar Bertele 50mm f2, Delta 400
Leica M3, Omnar Bertele 50mm f2, Delta 100

2026 was the second year I joined the city wide celebrations of Pride with a film camera.  In the morning I shot the official parade on 35mm with a Leica M3.

Leica M3, Omnar Bertele 50mm f2, Delta 400

In the late afternoon/early evening I took my Hasselblad 503CW to do street portraits amidst the giant, loose free flowing street party that takes over the same Greenwich Village streets where the movement began 50 years ago.

120 Makro + 80 Planar
Hasselblad 503CW, Zeiss Planar 80mm f2.8, Ilford HP5

I had a great time and am happy to share some of the photos here.

120 Makro + 80 Planar
Hasselblad 503CW, Zeiss Planar 80mm f2.8, Ilford HP5

Being there in the park was fun chaos, packed with people expressing their joy, and yes, pride.

80mm Planar
Hasselblad 503CW, Zeiss Planar 80mm f2.8, Kodak Tri X

Trying to convey dynamic energy and motion was a challenge, with people moving around in every direction.  Avoiding foreground crosses was a challenge.

80mm Planar
Hasselblad 503CW, Zeiss Planar 80mm f2.8, Kodak Tri X

So I ended up doing more posed portraits amidst the chaos as the right way to use the Hasselblad in this particular shooting situation.

120 Makro (red hook) 80mm Planar (pride)
Hasselblad 503CW, Zeiss Planar 80mm f2.8, Kodak Ektar

I was surprised how calm and composed these images feel when I got them back from the lab, because that’s not how they felt to me as I was shooting them.

120 Makro (red hook) 80mm Planar (pride)
Hasselblad 503CW, Zeiss Planar 80mm f2.8, Kodak Ektar
80mm Planar

Hasselblad 503CW, Zeiss Planar 80mm f2.8, Kodak Tri X

80mm Planar
Hasselblad 503CW, Zeiss Planar 80mm f2.8, Kodak Tri X
80mm Planar
Hasselblad 503CW, Zeiss Planar 80mm f2.8, Kodak Portra 400
80mm Planar
Hasselblad 503CW, Zeiss Planar 80mm f2.8, Kodak Tri X
80mm Planar
Hasselblad 503CW, Zeiss Planar 80mm f2.8, Kodak Portra 400
80mm Planar
Hasselblad 503CW, Zeiss Planar 80mm f2.8, Kodak Portra 400
80mm Planar
Hasselblad 503CW, Zeiss Planar 80mm f2.8, Kodak Tri X
80mm Planar
Hasselblad 503CW, Zeiss Planar 80mm f2.8, Kodak Portra 400
80mm Planar
Hasselblad 503CW, Zeiss Planar 80mm f2.8, Kodak Portra 400
80mm Planar
Hasselblad 503CW, Zeiss Planar 80mm f2.8, Kodak Portra 400

I hope you enjoyed this meditation on liberation.  I’ll be back next year!

 

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About The Author

By Scott Ferguson
Scott Ferguson is an independent film and television producer known for such films as Brokeback Mountain, Only Lovers Left Alive and The People vs. Larry Flynt, and the television shows The Night Of and Succession. While working around cameras and recorded images for his entire career, shooting still photography with vintage all manual cameras is a new and very stimulating passion.
Read More Articles From Scott Ferguson

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Comments

cdlinz on Faces of Pride — NYC Pride, 2026

Comment posted: 03/08/2026

Shooting film can be frustrating and expensive. But the results you achieve here show why I keep ante-ing up. When everything falls into place film results have that je ne sais quoi you just can't get from digital. Plus film seems more authentic and permanent, imperfections and all. I imagine shooting that hassy is a challenge but those particular images represent the apex of photographic beauty and expression. Of course regardless of medium it doesn't hurt when you have a panoply of beautiful humans as subject matter. Nice work once again, keep em coming.
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Scott Ferguson replied:

Comment posted: 03/08/2026

Hi cd, You are so kind! I agree with you very much on the virtues of analog vs. digital picture making -- I can be impressed with very professionally done digital photos, but I tend not to love or feel much about them. The slick surface tends to impose some emotional distance between me and the content, even with images that are very compelling. Film is another story. A well made film image -- even film images with some 'flaws' that are either artistic choices, limits of the analog technology, or straight up operator errors -- can draw me in emotionally and make be feel something in relation to even abstract images, but especially images with people. I have a long way to go to get better technically, and to get better at catching the moment and the image that captures a mood or a feeling well, but feedback like yours is definitely what keeps me going. Washington Square Park that evening was full of joy and beauty and color and emotion! It was fun to be there capturing a moment when I could. Thanks, s

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Art Meripol on Faces of Pride — NYC Pride, 2026

Comment posted: 03/08/2026

Between your Pride post and Davids I feel like I was there. Thanks for another great one.
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Scott Ferguson replied:

Comment posted: 03/08/2026

Thanks Art! You should come next year! I love your Avedon inspired portrait idea. His Western portraits were a giant inspiration for the look of Heath and Jake on Brokeback Mountain -- the hair/make-up and wardrobe were more or less right out of those photos. I also think they were stunningly great photos. I'd love to understand more about his methodology in shooting them. I wasn't doing personal photography when we made the movie... Thanks, s Best,

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David Pauley on Faces of Pride — NYC Pride, 2026

Comment posted: 03/08/2026

Hi Scott,

So nice to see your Pride photos. They are gorgeous. Hard to choose a favorite between the M3 and Hasselblad frames, between black and white and color. Although the tools are different, they share the same spirit, and bring the day to life. Well done!
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Scott Ferguson replied:

Comment posted: 03/08/2026

Thanks David! I'm a bit of a restless photographer when it comes to certain aspects -- I like being able to 'code switch' between color and black and white and 35mm and medium format, and feel like I am developing certain insights in how to use the different elements of photography, such as lens choice, film stock and format to achieve different results. I've tended to 'practice' techniques and styles starting on the Leica, where the per frame cost is a little more manageable, and then try to 'perfect' on the Hasselblad, where the richness of the negative and is so much greater. But I'm not seeing or using the 35mm as a lesser option than the MF -- there are times now when I'll deliberately choose to shoot 35mm with a certain lens and film stock combo to get a grittier feel or more 'personality' than I could get with the 'blad because I think that's the right choice for the shooting situation or style that I'm attempting that day. It was kind of a coin toss that evening as I was preparing to go back out for late afternoon light. My post would have been very different if I'd taking out the M3 with a fast lens, and I'd probably have many more shots of people dancing about. I think I would have done more b&w than color in that configuration -- but Pride is such a colorful event that it's hard to resist shooting in color, all those rainbow flags and amazing outfits! I didn't feel confident enough in doing more dynamic lively documentary shooting in that crazy street party atmosphere with the Hasselblad, so retreated to my 'comfort zone' of posed portraits. Finally, I'll say how fascinating it is that we've met through 35mmc, but become 'real life' friends in the process. I think I got some keepers! Finally I'll say you and I have so many things in common, including our backgrounds from Pittsburgh, PA in roughly overlapping eras of our formative years, moving to New York and finding ourselves at home in that environment as we pursued our careers and personal lives, and (re)discovering photography as a serious avocation over the last several years. I love the inspiration and seeing how you approach the medium in ways that are both very different -- especially technically where we use different gear and workflows -- but at the same time, and where I think it really counts, that are deeply simpatico and parallel to how and why I approach photography. Seeing what you shoot and the quality of your results is far more inspiration and aspirational for me, but it's not without and tiny bit of envy and healthy competition that keeps me trying to up my game when I see what you've done. I love it. Thanks for all! s

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Erik Brammer on Faces of Pride — NYC Pride, 2026

Comment posted: 03/08/2026

I can only agree that yours and David’s articles manage to convey a very wide impression of what the festival must have felt like.
We have our local CSD coming up on August 15. I guess I should go and see how open people are here to having their photographs taken - which, I am certain, won’t hold a candle to the quality of your and David’s portraits.
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Scott Ferguson replied:

Comment posted: 03/08/2026

I look forward to seeing what you come back with. Is Love Parade still a thing? That feels like it would be a fun shooting situation...

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Jeffery Luhn on Faces of Pride — NYC Pride, 2026

Comment posted: 03/08/2026

Great shots, Scott! Most of America has come a long way, but some angst is bubbling up because of the hateful encouragement of the present administration. As long as people, whether gay or straight, continue to stay visible, support will grow. One day it won't be 'a thing' to be gay or bi or whatever. Hey, if there is a Creator, he/she/they will continue to produce a variety of people. It's a good!
Jeffery
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Scott Ferguson replied:

Comment posted: 03/08/2026

I agree completely. And if I have an overall 'project' with my street portraits, it's to show how fun and easy and great it is to live together!

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