Loading a wheel chair before sunrise.

Airports on Delta 100

By Art Meripol

Beginning in the late 1980’s and through to 2013 I traveled almost weekly in my job shooting travel features for a large magazine based in the South of the US. I didn’t have a mobile phone until the first iPhone came out, buying my first in 2008. Like many I began using the camera all the time. Those early iPhone shots were technically pretty awful but had their own lo-fi cool.

Because I was in airports almost every week, I started shooting scenes in airports and it became a theme in my social media posts. People started paying attention to them. I started looking for ways to make them better or more unique than the previous ones. It was a lot of fun.

When the magazine ‘helped’ me leave I thought I would continue to freelance travel since it’s what I had been doing for those 24 years. I quickly realized I didn’t want to go any more and started freelancing locally and enjoying the variety of clients and subjects. And I definitely didn’t miss the airports after 4 million plus miles.

But I did miss the photos from airports. Since then, my only flying has been for annual family gatherings with my siblings. We rotate visits between each other’s homes in Denver, Long Beach and Dallas. In the last couple years, I’ve started shooting a couple rolls of black and white film again. In April on this year’s gathering I decided to shoot film in the airports instead of the iPhone and it’s easy colorful and quickly edited results.

My mistake was loading a roll of Delta 100. It’s my current favorite B&W film but just wasn’t made for fast-shuffling crowds and congested interiors. I had a direct flight from my home to Dallas so without a connection I had less time to explore like I would where I normally go through ATL.

These are my least successful photos since my return to film and my least successful airport photos too. Still, it’s all a learning experience and if we learn from our mistakes then I have learned a lot.  All shot with my Leica M3 and a 50mm f2 Summicron. The flight was around 6:am and the weather heavily overcast. I would have been much better off with a roll of Tri-X.

Leaving Birmingham. The flight in line ahead of mine from my soft-focus window seat.
Dreary day with no sunrise, no magic in the light.
Workers in hard morning sun on the tarmac waiting to unload our flight in Dallas.
Passengers in motion. Everyone wants to be first off the plane. 1/25th second f2
Welcome to Texas. I totally missed focus on this. I went for the lady when I should have focused on the sign. 1/25th sec f2
Kelsie and Frankie

My most successful shot is the final this one of my niece Kelsie and her daughter Frankie in my brother’s back yard just before I left for the flight home. It was the last frame of 24.

My wife and I are moving soon. My film developing chemicals are packed so I used our local lab here in Birmingham Alabama Electra Film Lab to process and scan. They’re excellent.

And I have to add that the TSA in Birmingham and Dallas was very willing to hand check my film which I was worried about.

 

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About The Author

By Art Meripol
Journalism degree. 13 years as a news photographer with a sideline as a concert photographer before 24 years as a magazine travel photographer and the last 13 years freelance for editorial and corporate clients. Official photographer for the US Civil Rights Trail. Now moving away from client work and trying to figure out what's next by returning to film.
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Comments

Erik Brammer on Airports on Delta 100

Comment posted: 06/06/2026

I like every single one of them, Art! Ok, on the phone screen it’s easy to take everything as sharp, but even if there is blur caused by yourself or the subjects, no problem, who cares about sharpness.
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Art Meripol replied:

Comment posted: 06/06/2026

Thanks Eric. It would be fair to call me compulsive about sharpness. It’s hard to let that go. But I’m working on it. Ha!

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John Bennett replied:

Comment posted: 06/06/2026

“Sharpness is a bourgeois concept.” - Henri Cartier-Bresson

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David Pauley on Airports on Delta 100

Comment posted: 06/06/2026

Hi Art, there's a definite mood in these photos that to me suggests an earlier time—80s, 90s? If people had been lighting up the smoking section of the cabin I wouldn't have been surprised! I think it's the film stock, something about the rendering that has a nostalgic vibe as opposed to Tri-X which despite its age can feel more contemporary. I really enjoyed the photos and the text and agree that airports and planes are interesting subjects. Good luck with your upcoming move!
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Art Meripol replied:

Comment posted: 06/06/2026

Thanks so much David. I can see exactly what you mean. Thanks for your comment on our move. It happens Monday and we dread it and are excited. Can't wait to settle in our new home and get all my gear out of boxes. The new place has a nice office for me to display my cameras. And maybe some space to at least process film if not build a darkroom.

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Walter Reumkens on Airports on Delta 100

Comment posted: 06/06/2026

I like the photos. Having read the article, I can imagine just how good the earlier shots must have been. I wish you all the best with the move, Art.
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Art Meripol replied:

Comment posted: 06/06/2026

Thanks Walter. I think the iPhone is probably the best tool for airports. One doesn't stand out and you look like everyone else. Most people are too caught up in their trip to notice anyway. My old phone photos are a lot of fun, a lot more unique views. I did think the M3 might draw in someone for conversation but nobody noticed.

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Neal Wellons on Airports on Delta 100

Comment posted: 06/06/2026

I think these are very nice airplane and people shots. You did well with the Delta 100.
Next time, if you have a roll in your camera and are worried about it's speed, I've found Delta 100 pushes nicely to 400.
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Art Meripol replied:

Comment posted: 06/06/2026

Didn't even think of doing that. Thanks for that suggestion. Definitely something to keep in mind. It's been too long since I pushed film routinely.

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Bill Brown on Airports on Delta 100

Comment posted: 06/06/2026

Art, Dreary day with no magic in the light. That sounds like many typical days so this shot feels very real to me. Everyone wanting to be first off the plane. Never understood that mentality. You're just going to go wait at the baggage claim. I always sat and waited to be last off. Thanks for the note about TSA being willing to hand check film. I've only flown a few times since 9/11 because the check-in process is quite unsettling to me. In the early 1980's I flew often photographing apartment complexes for a client. Many times I only had minutes between returning the rent car and boarding. Now? Well It's just not my cup of tea.
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Art Meripol replied:

Comment posted: 06/06/2026

I have about 4 million air miles. Like you I've watched those people stand immediately. Never understood it. Unless of course you had a leg cramp or needed a bathroom. However strained boarding is there is a natural order to deplane. No reason to get up too soon, hit people with your luggage etc. I almost always get a window seat just so I don't have those in the aisle next to me. And if your connection is short it's likely your plane isn't going to wait on you. In fact these days they more often than not know your connection is short and have already given your seat away. My main flying years ended 13 years ago and I'm so glad to only make the rare flight for family. So yeah, not my cup of tea as well. As for TSA they're pretty great overall. Being polite, low key and making their job easy is always appreciated. The film was in a clear ziplock bag. They took a roll out, did a 'sniff test' for explosives I imagine and I was on my way.

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Bill Brown replied:

Comment posted: 06/06/2026

Wow, 4 million air miles! My trips were not anything near that and it only lasted for a few years in the 1980's. The apartments I photographed were being sold as limited partnerships which was a tax shelter in the 80's. The company I shot for eventually created an in-house photography department and my travel came to an end. It was an enjoyable gig while it lasted. The craziest thing that ever happened to me was on one of those trips to Houston. As I drove to the property I passed through the town of Humble. I saw a large group of squad cars at an apartment complex and decided to pull in. Walked up to a crowd of onlookers just as a handcuffed man was being escorted to a waiting car. I snapped one shot and then they put him face down across the hood of the car, snapped a second shot. A plain clothes officer in front of me turned around and told me to stop shooting photos. I stopped but remained standing to watch. Bad decision. I should have left then. The plain clothes officer approached me with another man who introduced himself as the Humble police chief. He told me no one takes pictures in HIS town without his permission. They had me stand out in front of everyone and took my drivers license. They walked away for a few minutes then returned. The police chief told me to give him my film! If I wanted to dispute it I could accompany them to the station. I emptied my roll of Kodachrome from my F1-n and handed it to him. That was around 1985 and even now I wish I had those two shots. I can still see my second shot in my head. I would have a framed print on my studio wall. Humble. Not very.

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Art Meripol replied:

Comment posted: 06/06/2026

I can easily envision that scene and the tension. Had similar experiences in my newspaper days. One thing I always understood was that my job was to take photos and I could not do that if I was handcuffed. So right or wrong, the law enforcement always got their way, at least initially. And the less assured they were in their power the more they pushed you around, the more of a bully they are. You definitely met a bully. But now years down the road it’s a good story.

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Bill Brown replied:

Comment posted: 06/06/2026

So right about being handcuffed. I was in Houston to photograph an apartment complex. The end. I spoke with an attorney who said what happened was definitely illegal but I did the right thing under the circumstances. Also spoke with a Dallas Morning News photographer and he said you always keep an extra roll in your pocket and when they leave you standing you quickly take the roll from the camera and load the new roll. When thy tell you to hand over the film you open the camera back and pull the film from the canister exposing it and hand it to them. I never put myself in a situation like that again though. I was not or ever will be a photojournalist.

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Art Meripol replied:

Comment posted: 06/06/2026

I didn’t mention the roll switch but yeah, good plan. Larry Price who won a Pulitzer while shooting for the Fort Worth Star Telegram did just that on his winning shoot. He was, if I remember right, in some African country and rebels were executing people tied to stakes. He got his roll out by hiding it in his shoe and putting new film in the camera.

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Ibraar Hussain on Airports on Delta 100

Comment posted: 06/06/2026

Art you have had a fun exciting time man! I’m jealous! Really like the moody timeless shots!
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Art Meripol replied:

Comment posted: 06/06/2026

Thanks Ibraar. I've been very very lucky. Not that I didn't work hard because I surely did. But a lot of people work hard and aren't as lucky as I've been. Maybe being forever grateful for the opportunities made the difference. But boy have I had fun! And still around to tell the tales.

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David Mackay on Airports on Delta 100

Comment posted: 06/06/2026

Art I think these are lovely, especially the first one and I am not sure why but it makes me feel nostalgic.
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Art Meripol replied:

Comment posted: 06/06/2026

There is a lot about those days I miss. But a lot I don’t miss at all as well. That first one really does bring back a lot of early morning flight memories.

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Danilo Leonardi on Airports on Delta 100

Comment posted: 07/06/2026

The photographs are wonderful, Art. Your article took me straight back to travelling across Russia in the late 1990s and early 2000s, using film, with a Ricoh R1, the tiny stripped-down GR, often in my jacket pocket, and somehow ending up photographing more stations and airports than the places I was going to, where there were going to be meetings after meetings. I wasn’t a full-time photographer then, and photography was a way of keeping my balance, so to speak. There’s something about those spaces, and the people you’ll probably never see again, that makes you reach for the camera. Your photographs capture that feeling beautifully.
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Art Meripol replied:

Comment posted: 07/06/2026

Photography can really be a great way to, as you said, keep your balance. Thanks Danilo. There really is something about those spaces and travelers. To me it’s a lot like street photography without the street. And you have a captured, often fixed subject. Thanks for your very kind words. I think you expressed what I always enjoyed shooting in airports.

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Scott Ferguson on Airports on Delta 100

Comment posted: 08/06/2026

I think my favorite is the one inside the plane with the people getting ready to disembark, the plane taking off, and the escalator. And I love the HCB quote ‘Sharpness is a bourgeois concept’. Good luck in your new place and keep shooting and posting!
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Art Meripol replied:

Comment posted: 08/06/2026

Thank you, Scott. I’ll continue to post. Hoping to do a lot more film when we get settled in the new place.

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