Kodak Gold 200 – Photographing Museums

By Martin H

After finishing a roll of Kodak ColorPlus 200, I decided to try another Kodak classic: Kodak Gold 200.

The film was developed by bildskanning.com, and digitized using a Valoi easy120 system and TTArtisan 100mm macro 2X. The scans were then processed in Negative Lab Pro.

With this roll in the camera, I set out to explore two very different museums.

The Swedish Air Force Museum

The first was the Flygvapenmuseum, (The Swedish Air Force Museum).

The Focke-Wulf Fw 44 Stieglitz , mid 1920s
Finnish Air Force biplane, Gloster Gladiator

Saab 17 – reconnaissance dive-bomber aircraft of the 1940sThe Flygvapenmuseum feels less like a typical museum and more like walking through pieces of Sweden’s recent past.The first thing you notice when stepping inside is the space. Aircraft sit scattered across the hall in a way that feels almost casual, as if they’ve simply been parked there after a long flight. Some are compact and utilitarian, others sleek and purposeful, each telling a story about the era they flew in.

Engine close-up

One of the most charming surprises is a row of recreated Swedish homes. From the 1950s through the late 1980s, each apartment lets you step inside, sit down, and experience everyday life. Old radios play softly in the background. Televisions flicker with news, music, and children’s programs. While the aircraft tells a story about what was happening in the skies, these apartments show life on the ground.

A recreated living room

Of course, shooting indoors under mixed lighting can be tricky. With daylight film like Kodak Gold 200, the museum’s mix of tungsten, warm LED, green fluorescent, and window light made accurate colors a bit of a headache—but that’s part of the fun.

Stepping outside the main hall, the museum continues into an outdoor area where several aircraft are displayed in the open air.  Natural light brings out details you might miss inside. One of the highlights outside is a Douglas DC-3, its rounded fuselage and classic lines giving it the unmistakable look of something straight out of an old war film.

Douglas DC-3

Another unusual object connected to the museum is the Futuro House, a fiberglass pod originally imagined as the vacation home of the future. Lightweight, mobile, and futuristic, it looks more like something that landed from space than a cabin in the woods.

The Swedish Air Force ordered three of them—but not as houses. Instead, they were placed on tall concrete towers and used as observation posts for target shooting exercises, where crews monitored the ranges from above.

Futuro House
A lake nearby

Husqvarna – From Muskets to Microwaves

Next up was Husqvarna, a historical museum that once again tested my color-adjusting patience—sometimes more successfully than others.

Husqvarna anniversary sign and the old forge

Husqvarna’s story began more than 330 years ago as a royal drilling works producing musket barrels for the Swedish army. The roots go back to 1620, when King Gustav II Adolf established a rifle factory in nearby Jönköping. In 1689, part of the operation moved to the waterfalls at Huskvarna to harness water power for drilling and precision machinery—the very site where the museum stands today. The name Husqvarna comes from the mill by the falls, historically known as Husquernen, meaning “the house’s mill”.

The move was a turning point. Using the river’s force to power massive drills and hammers, Husqvarna transformed from small manual workshops into a mechanized operation capable of producing weapons on a much larger scale.

For nearly two centuries, the work here revolved around muskets and rifles. In the early days, each piece was shaped by hand by master armourers. But as the operation moved to the waterfalls at Husqvarna, the craft gradually evolved into modern factory production, greatly increasing both the precision of the rifles and the volume that could be produced.

Master Armorers at work: Shaping the steel that built a legacy

 

A later precision machine

But in 1870, when the contract with the Swedish Crown ended, the factory was huge, filled with high-precision machines, but with far fewer orders. They had to get creative. Using the same expertise that made their rifles so precise, Husqvarna branched into sewing machines.

Mechanical home sewing machine
specialized heavy-duty industrial sewing machine for leatherworking and shoemaking

Soon after came cast-iron kitchenware: meat mincers, stoves, and ovens, designed with the same engineering care.

Wood burning cast iron oven

By 1896, bicycles appeared, followed by motorcycles in 1903—first as small engines on bikes, later growing into a world-famous racing brand.

Husqvarna Moped Corona
A Prize-Winning Motorcycle

As Sweden electrified in the 1940s and 50s, Husqvarna transitioned into refrigerators, washing machines, and even early microwaves, pioneering some of the first microwave technology in the country.

A kitchen from the 1980s fully equipped with Husqvarna appliances.

Today, Husqvarna is best known for outdoor power equipment—chainsaws, lawn mowers, and robotic garden tools—while the household appliances eventually became part of Electrolux.

Seeing centuries of precision engineering up close, especially at Husqvarna—from rifles to sewing machines to early microwaves—made me appreciate how much care went into every single detail. Shooting it all on film added a warmth that digital never quite captures; it’s like the colors themselves tell part of the story.

Final Thoughts

The indoor lighting kept me on my toes more than once, and I can’t say Gold 200 handled the museums perfectly—but realistically, that would challenge most films.

Well, Kodak Gold is a versatile film with wide exposure latitude and is a good general-purpose film. However, of all Kodak’s consumer films, Gold 200 is probably my least favorite—not just based on this roll. It feels like a bit of everything without really excelling at anything. There’s a slightly yellow-orange warmth with a hint of nostalgia, though not as pronounced as ColorPlus. It has higher contrast and less grain than ColorPlus, but UltraMax has a more modern, neutral look—and it’s twice as fast. Of course, this is just my personal take.

By the end of the day, I realized that choosing color film in these lighting conditions might not have been the most technically perfect choice—but those are exactly the moments that make shooting film feel alive.

You can see more photos from the same roll taken at these two museums, along with the full list of gear used, in the video or in the blog post below.

YouTube video, blog post

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About The Author

By Martin H
Martin M.H. lives outside Stockholm, Sweden. He is a M.Sc. in Computer Technology but he has been a passionate photographer for over 50 years. He started his photographic adventures when he was thirteen with an Agfamatic pocket camera, which he soon replaced with a Canon rangefinder camera that his mom gave him in his teenages. After that he has been using Canon SLR, Nikon SLR manual focus and Autofocus, Sony mirrorless crop sensor, Nikon DSLR and Nikon Mirrorless. He has photographed any genre he could throughout the years and you can see all kind of images in his portfolio. During the later years though it has been mostly landscape, nature, travel and some street/documentary photography.
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Comments

David Pauley on Kodak Gold 200 – Photographing Museums

Comment posted: 07/04/2026

Thank you for this excellent piece, Martin! As it happens I also have an article on museums coming out in the next week or so, but (as you'll see when it arrives) yours has a totally different take. I really like the way you walk us through the 2 museums, and couldn't help but marvel at the creativity of the folks at Husqvarna, a brand I only know from the chain saws. I know your piece is also about the 2 film stocks, but other than admiring the photos -- all of which snap with life -- I didn't discern much difference or any problems with the two. As in the best photo-journalism, the pictures here serve the story and deepen it. Well done.
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Martin H replied:

Comment posted: 07/04/2026

Thanks a lot David, I was also impressed by the people at Huskvarna, I could easily use two full rolls of films to cover the whole museum and its products from different eras, but I was worried that it would become boring for readers, although, I took more pictures and have put links for interested to look at them, but even with them, I only covered a fraction of the museum.

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Curtis Heikkinen on Kodak Gold 200 – Photographing Museums

Comment posted: 07/04/2026

Interesting piece and very well done! Some very good images. I occasionally use Kodak Gold but do most of my color work with Ultramax. I like 400 ISO for its versatility. Thanks for posting this!
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Martin H replied:

Comment posted: 07/04/2026

Thank you Curtis.

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Juna on Kodak Gold 200 – Photographing Museums

Comment posted: 07/04/2026

Oh, I looooove museum photography - well I work in one too. Thank you for sharing!
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Martin H replied:

Comment posted: 07/04/2026

Thanks, I'm glad you liked it.

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Gary on Kodak Gold 200 – Photographing Museums

Comment posted: 08/04/2026

Wonderful story and wonderful images. And one of the airplanes is called Stieglitz. Did the on-site lighting issues require much work in post?
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Martin H replied:

Comment posted: 08/04/2026

Many thanks—please see all the pictures at the links provided at the end of the article. Yes, the lighting was a nightmare, and correcting the colors in post-processing was tedious. Normally, dealing with two different light sources is already a headache, but here the museum halls were very large, and nearby subjects were often lit by entirely different types of lamps—sometimes tungsten, sometimes fluorescent, and sometimes newer LED lighting. On top of that, some objects were positioned near windows with natural daylight.

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Gary Smith on Kodak Gold 200 – Photographing Museums

Comment posted: 08/04/2026

I too shoot in various air museums here in the US however most shots have recently been digital. I do have a roll of Kodak 120 Gold 200 that is almost ready to send off - I'll be curious to see what it looks like (although everything was shot outside).

Thanks for sharing!
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Martin H replied:

Comment posted: 08/04/2026

Thank you, Garry. I’m looking forward to seeing your Gold 200 shots.

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Zach on Kodak Gold 200 – Photographing Museums

Comment posted: 09/04/2026

The Draken in the cover photo caught my eye while scrolling! Very jealous that you visited the Swedish Air Force Museum; the Draken's successor, the Viggen, is one of my favorite planes

The color film lent itself well to selling the mock-up of the living room, like a photo from a magazine of the era

I will definitely be checking out the video and blog post you linked!
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Martin H replied:

Comment posted: 09/04/2026

Cool. Thank you. Soon, I'll visit another museum where they have, among other planes, Viggens. When I publish pictures from that visit, I'm afraid you'll become more jealous.

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Zach replied:

Comment posted: 09/04/2026

I look forward to it! My local museuem has a Danish Draken; you've inspired me to go take some more photos there

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Nick Orloff on Kodak Gold 200 – Photographing Museums

Comment posted: 09/04/2026

Great article Martin, and your certainly picked challenging lighting!

The Husqvarna museum sounds great.

I find I'm often a little disappointed with Kodak Gold when I use it in 35mm but it is almost a different, and much better, film in 120.
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Martin H replied:

Comment posted: 09/04/2026

Thank you, Nick. What exactly is it that disappoints you? It is quite forgiving, the grain is OK, but there is something with it.

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Walter Reumkens replied:

Comment posted: 09/04/2026

I’ve read that quite a few times myself, Nick. A specialist lab near me carried out a comparison test; here’s a quote: “When scanned on a Noritsu HS-1800 – as can be seen on this blog – the 35mm film tends to be more colour-neutral than the 120 format. In the 120 medium format, Kodak Gold 200 is quite similar to Portra 400. The grain is slightly more pronounced, but the difference is barely noticeable unless you place two photos directly side by side.” I haven’t shot any 120 film myself yet, but I’ll keep an eye out for it in future.

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Martin H replied:

Comment posted: 09/04/2026

Hmm... It sounds a little illogical—if you take the same shot on both 135 and 120 film, the grain on 120 film should be less pronounced, since the image (and therefore the grain) is enlarged less.

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Walter Reumkens replied:

Comment posted: 09/04/2026

I’m including the link here in the hope that a translation will work out. It’s not just in this article that I’ve read that there are supposed to be two different films. I’ll pass that on. https://www.optik-oldschool.com/de/blogs/blog/kodak-gold-200-35mm-vs-120

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Martin H replied:

Comment posted: 09/04/2026

Well, there are some differences. The film base is thicker on 135, making it stiff enough to be pulled by the sprocket holes without tearing. The anti-halation layer built into the base is also different. However, the reason grain can appear more pronounced can be that medium format lenses generally have higher resolving power over a larger area—they render the grain structure more clearly. The thinner blues in 135 format can be due to the dye clouds being stretched more when you enlarge a 135 negative compared to a 120 negative.

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Jeffery Luhn on Kodak Gold 200 – Photographing Museums

Comment posted: 09/04/2026

Martin,
Thanks for the tour of these interesting museums! I didn't know the long history of Huskvarna. Not many companies survive through changes in demand and technology. This says a lot about how education makes adaptability possible. A lesson for the ages. Your photos help to tell the story to folks that will probably never visit the location. It was a challenging task to deal with color negative in such mixed lighting. In past years, and I'm talking about last century, I would have had to shoot using my lights after the museum closed to get well balanced results. Today, using color film in existing lighted situations gives us a vintage look, and I like it. You did a very good job. The aircraft shots are intriguing to me. Again, you did a great job.
Jeffery
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Martin H replied:

Comment posted: 09/04/2026

Thanks a lot, Jeffery—I truly appreciate your very kind words. And yes, the museums were amazing. These are the kind of words that encourage me to keep doing more work like this. Knowing that the pictures are seen and appreciated by others, in addition to my own satisfaction, is really a blessing.

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Omar Tibi on Kodak Gold 200 – Photographing Museums

Comment posted: 09/04/2026

Spectacular story and photos Martin! You really did a fantastic job creating & selecting all of these images, I don't think that much would've worked in that lighting. Gold did surprisingly well keeping the colors of the scenes, much better than I thought it would! Now I wonder how some tungsten-balanced film would've performed.

Also, thank you for the walk through these interesting museums. My wife and I are big museum goers, and I know we could spend hours at each one. The air museum especially looks like a dream to me...
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Martin H replied:

Comment posted: 09/04/2026

Thanks a lot Omar, I'm glad you liked the pictures and the stories behind them.

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