5 frames from a sunny summer’s day without lens hood

By Jonas Ranstam

Frankly, I’m not very impressed by the urban planning in my home town, Ystad, southern Sweden. The town’s proximity to the sea and the Danish island Bornholm attracts many tourists. However, unlike Nice or Les Sables d’Olonne, where the Promenade des Anglais and the Promenade Georges Clemenceau connect to the beach and make it a part of the city, Ystad is effectively cut off from the sea by a number of fenced-off areas, housing things like a railway, a sewage treatment plant, and an old garbage tip, To go for a swim in the sea, tourists usually head for a beach on the eastern outskirts of Ystad, east of what is popularly known as “Världens ände” (“the end of the world”; alluding to Finistère in France and Finisterre in Spain). Personally, I prefer the beach on the western outskirts of Ystad, where there are fewer tourists, and dogs and horses are welcome to join in the swimming.

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I usually bring a camera when I go there for a walk. Perhaps a little optimistically, I brought my CONTAX RTS and a Carl Zeiss T* 28mm f/2.8 Distagon lens the other day. It was in the early afternoon, with bright sunshine, and I had no lens hood for this wide-angle lens. To make matters worse, the camera was loaded with 400 ASA Fomapan. I had for a long time been planning to photograph the beach in soft light, in haze, mist, or the light of dawn or dusk but had never got round to it. When I now reached the beach, I realised that the equipment I had brought with me was hardly ideal. A sunny summer’s day by the sea means a very wide dynamic range, reflective white sand and harsh, sharp shadows. This could be difficult to manage. I also worried about the missing lens hood and expected major flare issues.

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The issue with flare is that some light bounces back when it goes from air to glass instead of going through the glass. When a lens contains several elements (the 28mm C/Y Distagon has 7 elements in 7 groups), the loss of light can be substantial and result in a decrease in contrast and creation of flare and “ghosting” from to stray internal reflections.

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The first practical interference-based anti-reflective coating was invented in 1935 by a Zeiss physicist, Olexander Smakula. Zeiss put a red “T” for “Transparency” on the lenses that had this coating. Later, at the end of the 1970s, Zeiss switched to a multi-layer version of the coating and renamed it to “T*”. Although anti-reflex coatings are now commonly used, Zeiss T* lenses are renowned for their excellent light transmission, which delivers exceptional contrast, brightness, and, since only image-forming light reaches the film, a richer shadow detail.

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Out of the pictures taken on the walk, only one showed a flare. Flare and ghosting may therefore not be as serious problem as I initially believed. However, I continue to contemplate whether to acquire a lens hood. Is it really needed?

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About The Author

By Jonas Ranstam
An old-school photography enthusiast who uses analogue cameras, prime lenses, bulk loaded Fomapan film, stainless-steel developing tanks, Rodinal developer and Ilford fixer.
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Comments

JC on 5 frames from a sunny summer’s day without lens hood

Comment posted: 17/09/2026

Hi Jonas,
your Ystad pictures are very nice !!!
When i think about southern sweden i always remember Löderups Strandbad which is so lovely !
The Contax RTS (I) is one of my favourite cameras and i have two of them.
I recommend : 1.When you need a reliable workhorse, take the RTS. 2.When you need a lightweight SLR, don't take the RTS.
I love wide angle lenses around 28 or 35mm too.
So i use two single coated lenses on the RTS very often : Pentacon 29mm f2.8 and a Pentacon/Lydith 30mm f3.5.
Both lenses handle coloured film and b&w film very nicely.
I never use a hood on them and i have no issues with harsh light or contre-jour light.
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Jonas Ranstam replied:

Comment posted: 17/09/2026

Thank you, and yes, Löderups Strandbad is nice. I used to spend the summers there as a child.

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Omar Tibi on 5 frames from a sunny summer’s day without lens hood

Comment posted: 17/09/2026

Lovely shots Jonas! Your shots convey the feeling of being present in the scene, and the Foma adds a very pleasant, almost nostalgic grain for me, I really like them all. As a big Contax guy, it especially makes me happy to see a story made with an RTS too. Excellent choice with the 28 Distagon, that's a staple of my lens bag as well, and I think probably the best wide that Zeiss made for C/Y. All the C/Y lenses are beautiful, some of the best ever made for film, and the T* coating was probably the most advanced in its time, and it really comes through on all the images.

On that note...personally, I've never had any problem with flare on the primes, maybe once or twice on the 35-70 Vario-Sonnar zoom, and I don't run any lens hoods, just a UV filter for protection. I think you can skip the hood there.

Looking forward to seeing more of your photos!
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Jonas Ranstam replied:

Comment posted: 17/09/2026

Thank you very much.

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Gary Smith on 5 frames from a sunny summer’s day without lens hood

Comment posted: 17/09/2026

I currently have some 125 Ilford FP4+ in an old German Kodak. I'll send it out despite have D-76 in the garage. It might be different if I had a real darkroom but I just don't have the room. My time in Sweden was limited to wandering around in Stockholm but the cruise out through the islands was beautiful. These days I'm exploring digital cameras that are supposedly able to give a filmic look. So far, actual film seems to work best.
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Jonas Ranstam replied:

Comment posted: 17/09/2026

I wish I had a darkroom, but I try to make do with a darkroom bag. I develop my film in the kitchen and scan the negatives on my desk. It’s not ideal, but otherwise, I’d miss the feeling of the film in my hands, the smell of the chemicals and the process of getting the water temperature just right for the development. For me, it’s a kind of contemplation that is particularly rewarding when the pictures turn out well. On the other hand, I also have an Olympus with a Micro Four Thirds system that I bought to use with my old lenses, but I haven’t actually used it for a long time.

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Nigel Gardner on 5 frames from a sunny summer’s day without lens hood

Comment posted: 18/09/2026

Lovely write up. I have the Rollei Distagon 28 f2.0, which at 500g is a lens I wish was the CY f2.8 - but I also have a nice Sigma Mini Wide in Rollei QBM. Yes like T*, HFT was for its time phenomenal and both Rollei and especially Zeiss, made a massive leap in that period when the Pentax Zeiss collaboration occurred. Pentax got the K bayonet, Zeiss got SMC - sorry T*. I rarely use a hood with any of my HFT or T* lenses and currently live and work in Cambodia where its often glaringly bright.

As an aside I lived in Malmo for a year a decade ago - Ystad was an escape from Malmo ;)
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Jonas Ranstam on 5 frames from a sunny summer’s day without lens hood

Comment posted: 18/09/2026

Thank you, for your comments. I think I’ll do without the lens hood from now on as well.
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Fortepun on 5 frames from a sunny summer’s day without lens hood

Comment posted: 18/09/2026

What terrifies me about the RTS is that currently, there are about ten of them for sale at Kamera Store, and all of those are in the rescue condition. Meaning the shutter speeds are out of the tolerances and the fastest shutter speeds are capping, or even worse. Wildly worse. All. So, no Ebay for these, that's for sure.
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Jonas Ranstam replied:

Comment posted: 18/09/2026

Yes, buying second-hand equipment is risky, especially on online auction sites. Personally, I prefer to buy second-hand equipment, such as cameras and lenses, from proper camera shops, which – at least in Sweden – often sell second-hand items at reasonable prices, sometimes even with a warranty.

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Fortepun replied:

Comment posted: 18/09/2026

That is absolutely sound advice, and glad to hear Sweden keeps up the good work. However, the Kamerastore folks in Finland are pros, and also the largest such second-hand camera retailers in Europe. The fact that all of their RTS cameras are seriously broken, and they wouldn't even try to fix them for the money says to me that it is difficult to find a good one today, especially for the right price. Nice shots, and thanks for sharing the story!

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Jonas Ranstam replied:

Comment posted: 18/09/2026

You are right, but as I see it, part of the challenge of taking photographs with 40-50 year old (or older) cameras lies in the fact that they are not new, in perfect condition; instead, they have a history, are used, worn and often have some sort of fault or defect that forces the photographer to make compromises.

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Walter Reumkens replied:

Comment posted: 18/09/2026

I’m following this discussion with great interest, as I’ve bought a great many old, second-hand cameras over the last 15 years. They’re all still working today, even though almost none of them had undergone professional servicing before I bought them. This is also the first time I’ve come across the term ‘certification’ as used by Kamerastore – presumably in Germany. The films used are so forgiving that they easily cope with shutter speeds that are no longer precise due to the camera’s age. The only important thing is that we, as photographers, use them regularly. In my view, the reason Kamerastore isn’t repairing this Contax RTS is that they don’t have any staff who can do so without difficulty. Here in Germany, you can’t even get any of your old SLRs serviced through the official Nikon or Canon support services anymore. Due to a lack of skilled staff and spare parts. I don’t think these people are working at Kamerastore now. Jonas, I also have a Contax RTS, but with an Albinar 28mm f/2.8 lens with a C/Y bayonet mount. The results are good, and it has helped me realise a little more that it doesn’t always have to be the (much more expensive) original lens. With negative film, it’s important to expose for the shadows or to use an external device with an Invercone. About 25 years ago, I spent my summer holiday in Sweden. We’d rented a holiday flat in Nybrostrand and, of course, visited Ystad as well. For the reasons you mentioned, however, we weren’t actually on the beach there. I’m not sure, though, whether we went to Löderup’s lido back then. We also went inland – a very beautiful area. I have prints and still have the negatives, taken with a Nikon F801s and a Tamron f/2.8 35–105mm zoom lens. Thanks for sharing.

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Jonas Ranstam replied:

Comment posted: 18/09/2026

Thank you for your comments. You have sparked my interest in the Albinar lens, which I had never heard of previously.

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Walter Reumkens replied:

Comment posted: 18/09/2026

When the Albinar was listed on eBay with the Contax RTS, I was sceptical too. It’s one of many brands that nobody’s heard of, but which were manufactured by renowned companies. After exchanging a few messages with the private seller, I bought the Combi and haven’t regretted it. It’s certainly not a top-of-the-range lens, but it’s okay. However, I can wholeheartedly recommend the Yashica ML lenses for a Contax RTS. They have the same mount, as they’re made by the same manufacturer. It’s not as though Carl Zeiss lenses with a C/Y mount were actually built by Zeiss. A few months ago, I published an article here on 35mmc – a review of the Yashica FR1. Thanks for your feedback, Jonas.

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