Konica Autoreflex T3 Review – By Bob Janes

June 19, 2020

Konica was the camera brand name of Konishiroku, one of the earliest photographic companies in Japan. The original company was the first in Japan to produce celluloid-based photographic materials. They produced film for many years under the Sakura name, before switching to using the Konica brand on that too.

Konica was always an innovator. They did a lot of work on vertical focal plane shutters, producing the first such shutter to offer 1/2000 of a second (just beating Canon to the market). Konica transferred their knowledge to Copal and used the Copal FP shutters on subsequent cameras.

The early Auto-Reflex

Konica’s original ‘F’ mount was modified to suit a new innovative camera, the Auto-Reflex. This was an SLR that offered shutter priority automatic exposure (you set the shutter speed, the camera chooses an appropriate aperture based on film speed entered) – Although this allowed auto exposure with a mechanical shutter, it did require a new setting on the lens aperture ring to allow the camera to select the aperture. Lenses were held fully open for composition then allowed to stop down to a precise aperture on exposure and then re-opened. Because of the need for the camera to be able to sense if the lens is set to the automatic option (marked EE or AE), the aperture dials are close to the body. A button on the aperture dial has to be pressed to take the lens off automatic.

The original Auto-Reflex did not have a TTL meter, instead it was set off on the front right of the camera, close to the shutter speed dial and shutter release. It also allowed shooting of full-frame or half frame shots mid roll. While this feature is often mentioned, it does sound rather complex and did not make it into later models.

The follow up cameras dropped the hyphen to become Autoreflex and adopted TTL metering. They came in 2 flavours, a ‘T’ which was fully featured and an ‘A’, which tended to lack one or more of 1/1000 on the shutter dial, a self-timer and DoF preview.

The Autoreflex T3

The subject of this article, and possibly the most interesting camera of the series was the Konica Autoreflex T3. The Konica Autoreflex T3 featured a full information viewfinder, showing aperture and shutter speed, had a DoF preview lever integrated with the self-timer, a short travel shutter release (the one on the T and T2 had fairly long travel) with a meter switch/shutter lock surrounding it, an indicator to show if the shutter is cocked via a small window next to the shutter speed dial (showing red or green) and a switch to allow the shutter to be cocked without advancing the film, to give accurate intentional double exposures. A detachable hot shoe was also included, which could be removed by those who eschewed flash.

The back on the Konica Autoreflex T3 is released via a little tab at the bottom of the left side of the camera, the rewind lever does not raise to allow for film loading, rather there is a cut-out in the base of the camera to allow insertion of a 135 cassette.

The Konica Autoreflex T3 is built. It is a heavy bit of kit. You can imagine knocking in nails with it.

Original Autoreflex T3 on scales to show weight (981g)

The original T3 weighs in at just under a Kilo with a typical standard lens.

The Konica Autoreflex T3 Pros:

  • Full information viewfinder with maximum and minimum aperture for fitted lens shown in viewfinder, along with an indicator of whether the lens is set to automatic or manual exposure.
    Because the AR lens mount has such a short registration distance you can fit m42 or Nikon lenses (manual exposure only).
  • Because it has a mechanical shutter, the camera will operate without batteries at all speeds (manual exposure only).
  • The camera has an exposure lock built into the first 1mm of travel of the shutter release which tends to make compensating for backlighting much easier. A second exposure lock is built into the DoF preview.
  • Flash Synch is at 1/125th due to vertical travel shutter.
  • The built-in meter copes with films from 12 to 3200 ASA.
  • The film pressure plate is huge, it is a really enormous bit of real-estate. That film could not be flatter.

The Konica Autoreflex T3 cons:

  • The original Konica Autoreflex T3 offered microprism OR split image focusing aids (not both) and screens are not interchangeable (without taking the camera apart).
  • The cameras were designed to take two px675 mercury batteries, Silver 1.5 volt batteries need a bit of calibrating, although Zinc-Air hearing aid batteries will give the right voltage for about 2 months of use.
  • There are no motor-drive options.
  • Because of the narrow registration distance, the mirror used in these bodies is not huge – as it is the mirror actually articulates up and back during exposure (rather than just hinging) so that it can avoid the rear element of the lens. Because of this, some long lenses may show light drop-off at the bottom of the viewfinder (this is not a problem at normal focal lengths – of 200mm or less).
  • The viewfinder is not the brightest or biggest (but is OK).

Issues with used copies

Other than the normal problems you would associate with cameras that are up to 50 years old, the Konica Autoreflex T3 is a highly reliable camera. At one time they were purchased for use by the British army; largely because Konica would supply repair manuals and the British Army required in the early 1970s that equipment such as cameras had to be able to be repaired in the field – this changed in the 80s, when it was apparent that it was cheaper to carry extra stock and just replace faulty cameras rather than repair them.

There can be an issue with the aperture mechanism – the cameras have a ring inside the mount which is covered in a slippy non-stick material, over time this can be slow to return to its resting position – not so slow that you notice any darkening of the viewfinder after an exposure, but it doesn’t return to its resting place quite as quickly as it should. If you try to wind on before the ring has fully returned to its resting place, the shutter will fire as soon as it is cocked.

The ‘New’ Konica Autoreflex T3

View of T3n and T3 cameras from above

Comparison of T3n and T3 from above

Comparison of backs of T3n and T3.

Note the shutter blind on the T3n (left) and detachable hot shoe on the original T3. The huge pressure plate is common to both cameras. (also visible is the label on the T3n showing it has a split image screen)

Konica followed up with a revised camera, which confusingly has exactly the same name (although the two are easy to tell apart). The revised camera had a black rather than silver self-timer/DoF lever, slightly different knurling on the double exposure switch, does not have T3 engraved on the top surface of the top-plate, has a fixed hot shoe with squared off pentaprism, features a shutter blind (so that the meter does not get false readings through the viewfinder when used on a tripod) and has a screen featuring a split-image viewfinder with a microprism collar. The revised version tends to be called nT3 or T3n.

Later versions

The follow ups to the tank-like Autoreflexes featured smaller polycarbonate bodies. The T4 took an autowinder and had a bigger brighter viewfinder. The TC was the budget model, but did feature a self-timer and 1/1000 shutter speed, although it loses speeds below 1/8, DoF preview and the shutter speeds in the viewfinder.

Later Cameras lost the Autoreflex name, but kept the AR mount. Konica got out of SLR cameras (not for the last time) in 1987.

Here are some pictures from the T3..

market stall holder

Ilford FP4 – Stallholder, Woolwich Market, 1979

mod property

AgfaChrome 50 – Mod revival c.1979


AgfaChrome 100 – Sunrise from Tower Bridge, 1981

george V docks

AgfaChrome 50 – George V docks (currently London City Airport) c.1982

Welsh stream

Rollei Retro 80 – Stream in North Wales, 2014



welsh castle

Rollei Retro 80 – Castle ruins in Wales

You can find more articles about Konica cameras on 35mmc here

More of my reviews can be found here

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  • Reply
    Gerard Exupery
    June 19, 2020 at 10:14 am

    This was my first “serious” camera. I loved that thing but that didn’t stop my being mocked by photo-friends for having an “automatic” camera. It was made very well and wasn’t lite weight by any means. Thanks for an excellent article, it was very enjoyable.

  • Reply
    allan Ritchie
    June 19, 2020 at 10:25 am

    the thing most noticable about the t3 is its smoothness and quiteness

  • Reply
    Tubieres de Cayless, Martin
    June 19, 2020 at 11:12 am

    Enjoyed the article. Bought one many years ago in an estate sale here in France. It was immaculate and fully working. Came with a 50mm and a 70-210. Have since added a Vivitar 28-105 that really is a superb lens. Great camera, fantastic build quality and takes excellent pictures. Currently loaded with Ektachrome…..the meter is that accurate. Rivals with my Contax RTSii and Nikon F2 on quality…..definately a keeper!

  • Reply
    June 19, 2020 at 11:37 am

    Shipping in The Royal Docks!!! Now that’s a photo for posterity. Love the colours as well.

    • Reply
      Bob Janes
      June 19, 2020 at 11:42 am

      You know, I would have gone back for further shoots in the docks as I was rather into urban decay at the time – however shortly after that shot I got chased out of the docks by an irate security guard…

  • Reply
    Rob Blue
    June 20, 2020 at 12:57 pm

    You got some beautiful shots there. Thanks for giving the T3 some love. These cameras are seriously underrated and are a great value for film photography. I got a chrome T3n a few years ago and liked it so much that I got a black one when I found one in good condition at a thrift store.

    Greg Weber ( still repairs these and rates the T3 and T3n a 5/5 on his reliability scale, a testament to how well they are made.

  • Reply
    david bailward
    August 15, 2020 at 11:52 pm

    I’d like to know if there’s an issue with Konica winders? My garage sale copy, outwardly immaculate, inwardly with degraded foam seals, has a lovely lens for adapting to my Fuji. This T3 body wound on, released and does not want to wind again. Is there a hack?
    Thank you

    • Reply
      Bob Janes
      August 16, 2020 at 10:00 am

      The wind-on lever on the T3 is single stroke and does not have a ratchet (ie you can’t wind in two short strokes) – so the lever needs to be able to travel the full distance to wind on.
      It does have the multiple exposure switch – as a bit of diagnosis I’d suggest pulling the little ME lever and try winding on – an alternative would be to try pressing the rewind button in while trying to wind on.
      If neither of those work I’d suspect that the shutter has gone west. If it does wind then maybe a problem with the film?

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