Black sand ripples

Finding My Analogue Groove – By Laura Cogan

I’m Laura, also known as @hassywonderland on Instagram and this is an introduction to me and my journey through photography that’s led to my current style of shooting analogue. It’s also my first article so expect a bit of colour, a touch of humour and a LOT of words.

My photography beginning is in the days before digital. My first camera was one that took 110 film, the easiest of all the films, open the back, throw it in and bob’s your uncle. At some point I also remember having a build your own pinhole camera kit with small bottles of chemicals and everything but it was totally impossible to make the little 3 inch piece of flimsy red film fit over the 3ft strip light in my parents bathroom so it was a bit of a non starter. But the 110 film camera did the job just fine for me. Later I remember buying a 35mm camera with my own money from Argos in Meadowhall, which I then accidentally left in a bag at an information point. Luckily it was still there when I realised I’d forgotten it, although it had been opened and inspected in a minor bomb alert, thankfully they hadn’t blown it up in the process.

Man at the lake
The start of it all – glorious 110 film

Large car on driveway

I remember photographing absolutely EVERYTHING, nothing of any sort of artistic value but I loved it. Starting with that 110 camera i’ve had a camera of sorts in my hand ever since, whether it be a shitty little disposable, a point and shoot, an SLR or all the way to my current set up of a hasselblad and a phone. I would never consider going on holiday without documenting every mundane detail and waiting impatiently for the photos to come back from the developers to re-live it all again, with a few ‘what the fuck is that’s’ thrown in for good measure.


house and trees in Germany
School trip to Germany with 35mm – first taste of landscapes maybe?
beach in France
Another school trip this time to France – 35mm

Back in the 80’s/90’s living in South Yorkshire there was no part of me that thought of forging a career in photography but I knew it was something I had a passion for even back then. I got really close to the idea of photography as a career in secondary school when I had to do a couple of weeks of work experience. I had to choose from a number of options arranged by the school and be given a placement. My first placements didn’t work out so I was briefly allowed to organise my own and I made arrangements to spend time with two professional photographers in Barnsley. I was very excited, although I remember one of them had a bit of an arsehole vibe going on but I loved the idea of learning more about photography. As fate would have it the school rearranged my placements and I was shipped off to an office instead for clerical work. I often wonder about what would have happened if i’d insisted on going to the photographers and whether i’d have made a career of it, but I just kind of accepted it and moved on.

girl holding and dropping a watermelon
The great watermelon tragedy by my sister – 35mm

It was in the late 90’s that I was given my first digital compact camera, I hadn’t even heard of digital. It had a tiny screen on the back of it and I was mesmerized by the idea of seeing my pictures as I took them and not having to wait to get them developed, I was sold! Even though home computers and printers were a bit shit at the time, it didn’t matter, I could print my own photos at home, it was the future!

monks in sri lanka
Wet monks in Sri Lanka and one of my all time favourite photos – 1st digital camera

I’d pursued office work after school which led me to a job at the local police force. For a while I’d wanted to get out of office work and into something different and it was there that I found the opportunity and became a scenes of crime officer (CSI to most people). As part of the role I was sent for specialist training, including crime scene photography and theory. I absolutely loved it, not so much the colour wheel shit, but the actual photograph taking, which at that time was still on film. We learned all about 35mm, using manual settings, depth of field, painting with flash and all sorts of cool shit. It was fucking awesome! For the next few years I was using photography as part of my job and I felt so privileged. After a while we changed from 35mm film into digital and faced the challenges it brought in terms of criminal evidence. Obviously no changing images in any way and you had to document every image you took, including the ones you forgot to take the lens cap off for!

table mountain south africa
Digging the landscape photography with the 1st digital camera

Around the same time I bought my first digital SLR (a proper camera as I was calling it) a Canon 30d. I loved to bounce around the UK photographing landscapes and anything I could. I also did a lot of club photography, adding an off camera flash and playing around with light trails with all the funky lights and lasers. I had that 30d for about 8 years, developing my style and gained a taste for landscape photography, watching my images progress hugely in that time. That’s the thing about photography, i’m no guru but I will say this, you do not need every new update, every piece of new gear, 20 lenses at every length and a new camera every 2 years. If you have passion for something, all of that shit doesn’t matter, you will see a progression in your work, you will improve, just keep at it.

female dj in club
First venture with the 30d in club photography
sandcastle with union jack flag
Playing with different angles and subjects – 30d
row of yellow taxis in new york
Trying out travel photography with the 30d
armless sand sculpture
Armless in portugal (and first real experience of dust spots on sensor) – 30d

After several years of being a hobbyist photographer I decided to take a risk and open my own bricks and mortar shop. With the help of the Prince’s Trust and family I opened Pink Power Photography & Gifts. It really was quite the experience, if a little soul destroying at times to watch people come in, look at your stuff and walk out again seemingly uninterested or even worse, the ones that stand there in front of you and say “I could take that”. Let me tell you the temptation to tell someone to fuck off and do just that was always a high risk. But in the end it was not meant to be and if anything I was a little relieved when I closed the shop down. You don’t really get much time to go out and take photographs when you’re working 7 days a week but I gave it my all and I’ve taken a lot from it that i’ve used again in life so i’ve no regrets there.

boats on water in wales
My favourite beach in wales – 30d
Snow on Lord Tennyson statue in lincoln
Early morning snowfall at Lincoln Cathedral and a turning point for my photography – 30d
Haybails in a field
Not altogether at grips with photoshop but getting better at composition – 30d

At some point I discovered lomography and I was enchanted once again at the idea of revisiting film and the creative fun cameras available. I tried a few of them, from a point and shoot that had 4 lenses, the one you pull a string and the head does a 360 spin, a build it yourself twin lens jobby to the Diana F+ and that’s the one that really turned my head back to film and all it’s glory. I was particularly into this trend of using out of date film, cross developing and all that jazz. I loved the creative side of it, that it wasn’t just about taking pretty perfect photos but that there was this weirdness and imperfection to it that I resonated with.

4 times rollercoaster
The lomo 4 lens camera
Bird mural manchester
Lomo Diana F+ using 120 lomo redscale film
Union jack garden party
Double shotting with Lomo Diana F+ and medium format film
Snow on tree
Taken with a build your own twin lens camera and 35mm

So with spare time to think for the first time in a couple of years and nothing better to do with myself I decided that I should punish myself further and enrolled at the local college to do a 2 year HND in commercial photography, the idea being that maybe with a qualification to back up the experience and passion maybe i’d be able to get a job in a studio or something. Just before starting the course, in February 2013 we went to Iceland on holiday. We rented a car and booked a few hotels around the country with the plan of driving around and taking a million photos, and hopefully see northern lights. I bought my first real tripod for the occasion, manfrotto titanium beast that was light enough to travel but sturdy enough for the arctic, including a swivelly ball head (I still use this tripod today).

frozen waterfall in iceland
Frozen waterfall in Iceland using 30d

The holiday did not disappoint, after driving around 4,000km, taking 3,000 photos, seeing the northern lights a few times and being proposed to in the middle of it all, i’d say it changed everything because not long after returning home we decided that we loved Iceland so much that we would love to try and live there. The plan quickly became that we would save up, prepare and move to Iceland after i’d finished the HND and we would see if we could make it for one year, that was the goal, then see what happens.

Icelandic landscape
Lomo spinner camera with 35mm
shark sign on a stick
Lomo Diana F+ using 35mm

On starting the HND my favourite genre of photography was landscapes but I also had a thing about still life. I absolutely LOVE creative advertising, especially in print, my biggest inspiration being anything printed in Lurzer’s Archive. I’ve never been into portrait or wedding photography, tried it, hated it, I’m just not into people photography. So beginning this course I focussed more on the still life aspect as I thought it was the most marketable overall for me.

steampunk dragonfly broach on book
Practicing lighting techniques on still life with 30d

I learned SO much, the tutors were amazing and in honesty I came in with a bit of a know it all attitude, but that soon got knocked out of me when I realised how much I didn’t know. The top most valuable thing I gained was darkroom knowledge. I’d never developed film before and I learned all about black and white film development as well as darkroom printing. I loved it, I wanted to spend all my time in that sweaty smelly box, I couldn’t get enough of it. I was enjoying 35mm but quickly wanted to jump into medium format but the tutor told me I needed to learn how to walk before I could run. After fluffing the reel load of the bigger negatives a few times I soon realised he wasn’t wrong and so medium format took a bit of a back burner for a while. It was during this time that I upgraded my dusty old 30d to the beautiful 5d mark 3 and I was amazed by the sharpness more than anything. I also bought the Canon 100mm macro lens, oh it’s a thing of beauty and is to this day my favourite lens of all time. At one point I was using it on an old 35mm canon 5 that i’d picked up locally for a fiver with some really cool results.

sterile knife ocd
Still life for the HND using the brand new 5d mark 3
OCD waste paper bin origami
Still life for the HND using the brand new 5d mark 3
Sparkly shoes in front of bokeh lights
bokeh dancing shoes with 5d mark 3
black and white beach in portugal
Black and white beginnings – 35mm with the Canon 5
Street art at custard factory birmingham
Canon 5 using 35mm film
russian dolls
Russian dolls using digital 100mm macro on the canon 5 with 35mm film

On occasion I like to try my luck at photography competitions, some hit and misses, but it was a national photography competition with London Camera Exchange that changed everything. It was a christmas theme and I entered with a still life photo and was awarded second prize, I was ecstatic! My prize was a fuji X-pro 1 camera but with just having bought the 5d I didn’t need another digital and decided to sell it and finally jump head first into medium format, this time with a real medium format camera instead of the plastic lomo diana i’d loved to death.

On research and the word of my tutor I decided upon the hasselblad 500cm and I went about finding one for around the price of what I got for the fuji. I was very lucky to find one in relatively good condition and it came with the standard 80mm lens, some wear and tear but in good working order and oh, what a thing of pure joy and beauty it was. There is nothing quite like the sound of the heavy clunk of the shutter on this thing. But I didn’t get very far with using the hasselblad straight away, instead spending more time on digital and 35mm for the course.

The end of the 30d and the start of a new Hassy era – The winning image
tennis balls on grass
From the very first roll I ran through Hassy, the journey really begins
smiling face street art on wall
Early hassy

As time was ticking on we were increasingly nervous about the big move to Iceland and so when the opportunity came to convert the HND into a fully fledged photography degree by adding one more year at university we decided to go for that (with a little bit of scared relief if i’m honest). So I finished the HND and moved straight into another year with a different university, leaving with a first class degree in commercial photography.

scottish waters
Last trip in UK before leaving – Scotland taken with 5d mark 3

Then it was time for the big adventure of moving to Iceland. All energy went into finding our feet, which we managed rather successfully as it happens, a shock to no one more than us! All this time hassy was sat on a shelf, unused and dusty, that is until a stubborn little instagram bet got her off the shelf again. I took hassy out for a spin in the wild, developed the film and was really happy with the results and this spurred me on to keep going (and of course the stubborn need to win the bet, which I did) and I’ve not put hassy down since. For the record the bet was with a friend on who could build a bigger instagram following in a year based on marketing versus skill (him believing marketing matters more than quality of photos and me telling him he’s off his tits, the photos matter, which is when @hassywonderland was born).

haybails in green fields of iceland
New arrivals to Iceland and some use for the 5d still – and my beloved 100mm macro
fireworks over reykjavik
Crazy new years eve in Iceland taken with 5d
northern lights in iceland
Obligatory northern lights image and one of the last to be taken with the 5d
Icelandic lava fields
The one that started it all again – the first hassy in iceland image
man in road and church
Early hassy in Iceland
Black church in Iceland
Early hassy in Iceland

Present day and I no longer use the 5d, even so far as recently deciding to stop pretending i’m ever going to go back to it and deciding to devote myself totally to hassy. In terms of digital all I use now is my phone, which I take photos daily with for various reasons. I’m still building on the Instagram page and looking back through that I can see such a clear progression from the last 4 years especially since being in Iceland.

man at waterfall

man at the top of a big sand dune

House in Iceland

mountain of trees in austria

Storm brewing over cornfield

Little Austrian Alpine House

Frozen lake

Sparkly black sand
First time with Delta 3200 film

I’ve also incorporated photos on there taken of hassy with my phone, which in itself has been a bit of a journey of stubborn for me as i’ve always been rather snobbish on my position about phone photography, fighting against its existence and place in photography in general. I’ve come to terms with it now and how it fits into my photography ideals, we’ve made friends, finally.

hasselblad and lightmeter in icelandic landscape
Photo of hassy taken with phone
hasselblad camera at an austrian lake
Photo of hassy taken with phone
through the view finder of a hasselblad camera
Photo of hassy taken with phone

I’ve even started printing again in the last year, sourcing an old Minolta enlarger and making a darkroom in my laundry room, which is taking me back to the dark sweaty box at college and loving it. I’ve just invested in a 180mm lens for the hassy and I can’t wait to see it in action, the idea was to replicate my beloved 100mm macro and this seems pretty close so i’m happy with that. Although i’m 100% into the black and white film i’m starting to think about shooting a bit of colour and learning how to develop that but there’s no rush, i’m in this for life now. I feel like i’ve come full circle and back to the beginning again, to analogue. I might not have made a career out of photography but i’m more than content in having this wonderful hobby in something i’ve had a love for from an early age and can’t ever see me falling out of love with.

Oh and we made the one year goal of being in Iceland, 4 years and counting!

If you want to see more you can find me on Instagram or my website.

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About The Author

47 thoughts on “Finding My Analogue Groove – By Laura Cogan”

    1. Thanks, Bob for pointing this out. I had merely skim-read the article, only really taking in the fabulous photos, until I reached your comment. This prompted me to take the trouble to read the article properly and am very glad I did so. Congrats, Laura for an entertaining read with some cracking photography.

  1. Wonderful photos and a great story. You mentioned considering color development. Developing color is almost as easy as B&W, but I can’t comment on printing color as I develop and scan the negatives. . If you do decide to try, I got my start watching the FPP video on developing color- “Develop My Own Color Film at Home? – What Stuff Do I Need?”
    Posted: 12/03/2019 By: Michael Raso From the first roll, it worked great.

    1. thank you 🙂 I´ve read a bit about it and see it shouldn´t be too difficult. I´m not ready for it yet though, still rather attached to black and white yet. I´ll give that a search though thanks, i´ll bookmark it for later

  2. Thank you Laura for a delightful story on a hump day morning! I’ve always thought life is an adventure and you just prove the point. I shoot a Canon Elan 7e for 35mm and a Bronica ETRSi for medium format (5d for paying work like weddings). My newest camera is in construction in the UK and is a Intrepid 8×10. My plan/fantasy/dream is to shoot wet plate this Summer…

  3. Really enjoyable article, loved it (swearing and all!) and could really relate to a lot of things you mentioned having gone full circle myself recently! Stunning shots too, some real crackers in there.

  4. Super images (particularly like the B&W of the straight road up to the church in Iceland) and a really engaging read. Your passion for photography really comes across throughout the article and you’ve brightened up a dull, damp Wednesday lunchtime. Thank you.

  5. Hey Laura, thanks for the great read, that’s quite the journey! I also started out with 110, 35mm, 5D3, and now Hasselblad. Oh, and I picked up a Canon 1N recently for the Canon lenses as the 5D3 has not been used for years now. Love your Hasselblad images, some really cool s**t!…:)

  6. Hi Laura, a nice story. I hope it gives people quiet inspiration to make leaps into the unknown and follow their dreams.
    Now, for a generational slip…we used to call the Hasselblad a ‘Blad’ back in the 70’s (????.)
    Hassey marked you a rank amateur! My favorite one to work with was the SWC! We once set up a shot displaying an ATV rescue truck, laid out all the gear in front, the firefighting crew in their turnout gear. We shot down on them from a cherry picker. Everything from front to back was needle sharp from front to back. Shot on medium format Ektachrome. The good old days when money was flowing freely and we had freedom to pursue ideas.
    But, I never fully warmed up to the Hasselblad, I stuck with a pair of M2’s and still have one of them to this day.
    Keep shooting!

    1. I’m glad I sent you down memory lane a bit even if you’re not a hassy (or blad) lover anymore at least you tried different things and stuck with what you enjoy, that’s the main thing ????

  7. Hi Laura,
    Just when some of the recent articles on here hadn’t been doing it for me (sorry Hamish, just a personal opinion) you come along and really brighten the place up. Wow!

    Not only is your article a really good read but some of your shots are quite stunning. And I recommend anyone to look at your Instagram feed too.

    Iceland is one of the countries I want to visits for photographic reasons and you’ve encouraged me to bring my Bronica ETRSi along when I get the chance. As far as light is concerned what time of year do you think is best?

    1. Thanks Dave ????. I can’t recommend iceland enough for photography. I love winter light on good days, the sun stays pretty low all day and you can get some amazing shadows along with some golden light that just makes everything sparkle. Summer is good too because you’re guaranteed more light but it can be a bit flat for me ????

  8. What I like about this article (other than the copious swearing) is how few shits the author gives about having the perfect gear. Rocking a D30 through all those years when digital photography was advancing by leaps and bounds, and clearly continuing to develop as a photographer, earns you my deep respect. That, combined with your “nothing ventured, nothing gained” approach to big life decisions, made for a very inspiring read. Oh, and your photos are pretty good, too.

    1. Thanks Micah ????. The 30d was a good work horse and it never failed me even with all the hammer it took, it was like getting new glasses when I finally changed it for the 5d ????.

      1. Ah, I see now that it was a 30D, not a D30. The observation still holds re: not worrying about gear, though the 30D was probably a little more tolerable to keep using for all those years than a D30. ????

  9. What a lovely, entertaining, read thank you Laura. But as well as that it is also a really good piece on photography and learning. Mostly I loved it because it was fun, honest and friendly though. Bravo.

  10. SO glad to see your article published! It’s been lovely to read about your journey to the point at which I came across your wonderful instagram account 🙂 look forward to reading more from you!

  11. This is a lovely, well-written and humane article, and the photos are great. Direct and honest, similar to Mr. Gill. I relate so much to your journey. I loved it and have just subscribed to 35mmc after having read for some time. Please continue if you wish!

  12. I’m late to the party (I often save up 35mmc articles I want to savour later, at my leisure) but what a great story, thanks for sharing! I wavered a few times between a comment along the lines of “Your writing is great but your photos are even better…” and the other way round. It’s great how you managed to take so many good photos on so many different cameras and formats – quite inspiring to see, really. Your landscapes are obviously wonderful, but your photo of the monks is probably my favourite.. But I’m biased – I like people photography – both in terms of what I most enjoy doing, and what I most enjoy looking at. One of my own favourite photos was taken on a digital bridge camera with a small sensor 🙂 Anyway, thanks again!

    1. Hi Sroyon, thank you for taking the time to read it and for your kind comments. It’s really good to hear comments like these, i’m very critical of my own work so obviously anything past last week i’m like pah it’s shit! so it’s really nice to hear the opposite 🙂 I have to agree that the monks are one of my all time favourites as well, I’d forgotten about it until I unearthed it for this article and with no back up file for it (long gone) i’m left with an original photo print which makes it more special if anything. I always thought it would have been nice if they all had the same colour umbrella but i’m starting to come around to the chaos of a lone black brolly in a sea of yellow and orange 🙂

      1. Well good that you think your past work is shit, because evidently now you have to write another article – restore your reputation, haha! I actually think the black brolly is one of the best things about the picture. Along with the middle monk’s half-turned face and cheeky grin, the reflections on the road, the droplets of water(?) on the lens which make me feel like I’m really in the scene…

        1. hahaha i´m sure another article will fall out of me at some point. I love the cheeky monk, he´s my highlight of that, and the reflections but also the steam on the hills in the background as it kind of shows what a humid place it is. Sorry to burst your bubble but i´m fairly sure the droplets of water are on the minibus window I took it out of, it literally was a driving passed these people quick shot sort of thing. lucky break 🙂

  13. Mr andrew graham

    This article has helped me along in my decision to get out more with my bronica, I’d move to Iceland or egypt in a heartbeat,so I’m happy to hear your move has been successful,I’m not a big on landscapes but I do love people photography

  14. I found this article because of the more recent one. Great story and great pictures. I rented a Hasselblad years ago (when they were rented out for weekend wedding photographers). It was amazing to hear the clunk of the shutter and the ker-chunk of the winder. Out of my price range but I still dream about it. But what is interesting is that you have been using the 80mm lens – I always thought about a 50mm with the 80mm as backup. Maybe not from your amazing pictures.

    1. the sound of the hassy is possibly one of my favourite things about it, i’d recommend anyone to get one they’re so worth it. I have the seemingly unpopular opinion that 50mm is overrated. However i’ve recently discovered that the 80mm is more like 50mm in full frame. I wanted 100mm to use as well which is why I bought the 180mm, I tested it along side the 100mm macro I had at the time and it is virtually the same length so close enough for me. I feel like i’ve got enough of a good range with the two but it’s whatever floats your boat 🙂

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