Voigtlander Vitomatic IIa

By Roger

This Voigtlander Vitomatic IIa, which I recently acquired, has some interesting features. It is what I think of as a typical Voigtlander – compact, very heavy for its size and with a set of controls that make good sense when you get used to them. This model has a built-in meter (no battery needed) and a feature I have not see before, an adapter to convert it into an incident light meter. This is a tiny piece of plastic that, miraculously (?) had survived held into the inside of the ever-ready case by a piece of elastic.

It is a match needle system on the top of the camera. Fairly standard, but the tweak is that it is possible, if one’s eye is in the right position, if there isn’t a finger in the wrong place, and if the light is OK, to see a reflection in the viewfinder, so exposure can be adjusted when composing the image.

Exposure is set by adjusting the aperture ring, which is coupled to the meter.

Then, rather than set the shutter speed independently, you turn the rear knurled ring, with arrows pointing to shutter speed and aperture until you have the combination of aperture and speed that you want. Once the muscle memory is developed, and you turn the ring you think you are turning, it is a neat arrangement. Focus, of course, is the front ring.

Inserting and film is again what I think of as standard Voigtlander with a double door to make inserting the cassette easy.

Having loaded the film, you turn frame counter to F (for 36 exposures) and then wind till it shows 36, when you are ready for the first shot. A warning here. I lost 2 or 3 frames because I did not realise that if the rewind mechanism is out, as shown below, the shutter will not cock, and you will not know you are in a position to shoot.

Why such a silly mistake when it seems obvious that this needs to be pushed down (the little catch on the left releases it)? I wanted to check that the film was actually winding on, and thought this would be more obvious if I left it out.

One quirk of the Voigtlander Vitomatic IIa is that, to avoid accidents, you cannot fire the shutter or wind on unless there is a film in it, which makes testing a potential purchase difficult.

What of the results? I have not done any systematic test, though I tried to use a good range of shutter speeds and there were no obvious issues with the density of the negatives. I haven’t tried printing them (as in darkroom) which would be the real test, but scanned them using a Sony A7R3 and a macro lens, now my preferred option, which will have compensated for any over/under exposure. The film was Kentmere 100, developed in ID-11 at 1+3 dilution. It may have been a tad over-developed because it was too hot to keep the tank at a constant 20 degrees. I tried to develop at room temperature and adjusted the time accordingly, but I think the temperature still varied a little during development. The grain bothered me on some images, so I have applied noise reduction in ON1 to some, though not all the images.

First, some seaside images in South Wales.

Next, a picture of a band playing at a local farmers’ market.

And finally, a couple of flea fair shots.

Overall the Voigtlander Vitomatic IIa a very usable camera – more usable than the Vito B that I inherited – because of the much brighter viewfinder and the built-in metering. These shots don’t show this, but I decided the rangefinder was reasonably accurate, though the patch that needs to be aligned is a bit small. It will be more than the “single use” camera that some “bargains” turn out to be. The limitation of the roll to me was the Kentmere 100, and my seeming inability to keep the horizon level. I have had results I am happy with in the past from this film, but the grain seemed obtrusive on some of the shots on this roll. For testing an unknown camera I chose the cheapest film in the fridge. But I probably need to try reducing the developing time a bit.

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Comments

Prabhat Chandra on Voigtlander Vitomatic IIa

Comment posted: 08/09/2026

Thank you very much for an interesting review of a versatile camera, equipped as it is with a coupled rangefinder and an incident as well as reflected light meter. You are right about the development time. Reducing it would have resulted in reduced contrast and more pleasing mid-tones.

The camera has yielded excellent results in your capable hands and you have captured a variety of subjects very competently. I look forward to more reviews from your pen or rather keyboard.
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Roger replied:

Comment posted: 08/09/2026

Thank you for the kind words.

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Gerard on Voigtlander Vitomatic IIa

Comment posted: 08/09/2026

What a nice camera giving razor sharp photos - a bit contraste, because of the temperature, as you said.
What a shame the Voigtländer was no match for the Japanese competitors, except in overal quality.
Thank for your review!
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Roger replied:

Comment posted: 08/09/2026

Again, thank you for the compliments.

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Walter Reumkens replied:

Comment posted: 08/09/2026

The engineers were already a match for their Japanese rivals, but they were prevented by the management at ZeissIkon/Voigtländer from developing their ideas to a production-ready stage. There was no perceived need for innovation. The Japanese camera industry was simply not taken seriously in Germany. It is pure coincidence that Leica survived back then. Their buyers were image-conscious and usually displayed the cameras in a glass cabinet.

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Silver Halide Wandering on Voigtlander Vitomatic IIa

Comment posted: 08/09/2026

Not just any Beach in South Wales - but Port Eynon. As an aside the wall in the YHA Photo I built in about 2000 possibly 1999. Plus quite a lot of the facing for the Salt House. Not been at Port Eynon since 2019 or the Gower since my dad died. Its magical and the Seafarer and Ship Inn has hardly changed in 50 years.

Lovely images - I have a Vitomatic 1a - been using it for around 30 years. Absolutely fabulous camera with the great Color Skopar. I love opening the bottom up and loading film.

Thanks for sharing.
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Roger replied:

Comment posted: 08/09/2026

I am delighted that this brought back memories. These were taken during one of the very hot spells we had this summer, where being by the beach mitigated the heat.

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Raymond Tsang on Voigtlander Vitomatic IIa

Comment posted: 08/09/2026

Very sharp and contrasty photos, I like it. I have a Vitomatic IIb with the same lens. The IIb is even better because one can read the meter, aperture and shutter speed all inside the viewfinder. The film counter also auto resets when one closes the back door. Same as your IIa, the IIb also cocks by the advancing film rotating the sprockets. I always worried that the cocking force may tear the film sprockets.
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Andrés Purriños on Voigtlander Vitomatic IIa

Comment posted: 08/09/2026

More than 10 years ago, a friend of mine bought two Vitomatic IIa, a rare version with the Ultron 50mm f2 lens instead of the Color Skopar. Only 6500 units were manufactured of this model (the later series "b" had a IIIb model with the same lens). He gave me one as a gift and still is one of my most used cameras.

Some years later, I bought a Vitomatic Ia. Same excellent mechanics, just without rangefinder and with the Color Skopar. I use it as a casual camera, and I'm quite surprised with the performance of the lens.
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Bradley Newman on Voigtlander Vitomatic IIa

Comment posted: 08/09/2026

I wrote about my dad's Vitomatic ii in these pages(?). I recently brought it to a performance at the Hollywood Bowl loaded with some HP5 which I pushed to 1600. I was thrilled with some of the results. I did get chased down by a security guard who wanted me to confirm the 50mm Color Skopar f/2.8 was indeed non-removable! Thanks for the write-up. I'm going to go home and see if I can see the meter reflected in the viewfinder of mine. Also, I'd be curious to know how your IIa differs from my garden-variety II. They're great little cameras.
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Neil Kesterson on Voigtlander Vitomatic IIa

Comment posted: 08/09/2026

I've had one for 25+ years now, my favorite camera by far (and I have a lot of them). Perfect for travel. And people look at it in wonder, like you're holding up a bag of jewels.
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Roger on Voigtlander Vitomatic IIa

Comment posted: 09/09/2026

Thanks for all of these comments. I've not had people look at it in wonder - in my experience it takes an old Leica to elicit interest from passers by. And yes, almost a perfect travel camera, though there are smaller cameras, and in cities I often feel I would prefer a 35mm or even 28mm focal length. But it is certainly very comfortable to use, and having a strong protective case helps too.
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Tony Warren on Voigtlander Vitomatic IIa

Comment posted: 09/09/2026

I have had one of these lovely cameras along with various other Voibtländers and the Skopar. Always have produced the excellent results you have shown. you can cock the shutter manually by rolling a thumb or finger across the toothed wheel above the gate. It does tend to want to spring back until fully caught but allows film-less shots if your digits can survive.
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Jeffery Luhn on Voigtlander Vitomatic IIa

Comment posted: 10/09/2026

Roger,
Nice article on the Vitomatic IIa! I don't see many Voigtlander cameras over here in California at camera swap events, but there's a number of them on eBay. A particularly nice one currently for $135. After seeing your sharp images, I think it's a camera worth considering. Your photos certainly have a lot of snap! I've found that Kentmore 100 and 400 have about the same amount of grain when processed in HC-110. They both react badly to overexposure and over development. Shots on the same roll have grain that varies quite a bit based on exposure. Touchy! I didn't mind the contrast in your shots because it contributes to the detail, which is impressive.
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Roger replied:

Comment posted: 10/09/2026

Thanks for the useful comments on Kentmere. I must try bracketing some exposures and maybe also shave a bit off the developing time.

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Geoff Chaplin on Voigtlander Vitomatic IIa

Comment posted: 11/09/2026

The final results are definitely more than acceptable - whatever shortcomings you saw in the film (and it's not my favourite) you made up for in post! The lens is excellent, and it seems that the camera had been kept in its case which is why the selenium meter still works. A lucky find!
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Roger replied:

Comment posted: 11/09/2026

Thanks for the comments. Yes, it was a lucky find, luckier than some others I thought were bargains! As for the film, my criterion when testing an unknown camera is price, and at £5.50 a roll, Kentmere fits the bill. Having said that, I have had results from it that I like on other occasions: my difficulty is that there are so many variables (film, ISO setting, developer, development time) that have never been sure what features of the results are due to the film and what to other factors. I have never had the patience, or the incentive, to do a systematic test, with all permutations of exposure and development time to see what works best.

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David on Voigtlander Vitomatic IIa

Comment posted: 04/10/2026

Many of these Vitomatic IIs have a fading or faded rangefinder patch. Is there a way to fix that or replace the split image mirror? I've heard repairs can be prohibitively expensive. Otherwise it becomes a zone focus camera.
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Roger on Voigtlander Vitomatic IIa

Comment posted: 04/10/2026

I don’t know anything about repair costs for this camera though my guess is finding replacement parts, which presumably means a donor camera. The patch on mine is usable, though it might be a bit faded (I never experienced a new one, so I cannot tell). The fault mine has suddenly developed, sitting in a cupboard unused, is that the viewfinder looks as though someone has smeared a thin film of grease over it, despite the outsides being very clean. If it doesn’t clear up as mysteriously as it came, I might get a quote for cleaning it one day.
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David replied:

Comment posted: 04/10/2026

I just learned from Mike Eckman that the rangefinder mechanisms in these cameras are made with a cemented prism. The cement deteriorates over time and unless you can find a replacement unit it is very expensive to take apart and re-cement the prisms. They should have used a split image mirror like Leica did in their Barnacks or the ltm Canons up to the Canon 7s.

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