Analogue Wonderland have once again teamed up with Kodak Alaris to run a Summertime film photography competition. This time the theme "Focus on the Positives", which if you didn...
Hamish Gill's Posts
Earlier today, I posted a 5 frames post documenting a recent experience shooting a slightly crappy teleconverter mounted to a Ricoh FF90 Super - you can find that post here. I w...
I love a point & shoot film camera, and generally find a lot of joy shooting many of them, regardless of how good or bad they are. But if there’s one that sticks in my mind from...
As the inventor of pixl-latr, you might guess the film scanning with a digital camera space is a very interesting and exciting topic to me. Which is why when new products that o...
1 July, 2019
Lomo LC-A – a one-roll / 15-year review
The Lomo LC-A is, without much doubt one of the most well known Soviet cameras. Despite being what basically amounts to a very basic, fairly low quality, point & shoot camera, t...
24 June, 2019
Leica 21mm f/3.4 Super-Angulon Review / Shooting an elderly symmetrical wide angle on a digital rangefinder
This Leica 21mm f/3.4 Super-Angulon is the second bit of kit I’ve borrowed from London Camera Exchange (my local camera shop in Worcester) recently. Gareth, the manager there, a...
A couple of months ago I got myself up very early one Sunday and travelled to Plymouth to take some photos for the production company of a stage production called “The Simon and...
My forth roll of Kodak Ektachrome E100 has been, at least a little bit, about experimenting with an incident meter. Even in the few rolls I’ve shot - and despite the mistakes an...