The Leica D-Lux 8 has been reviewed to death, so this is not a review. It’s personal observations about how I came to buy this camera, how I didn’t bond with it at first, and ...
As the only photographer many of my friends know, they have sometimes offered me their families no longer wanted old camera, usually another worn brownie of various odd lineage ...
This is the second part of my images from Albania from August/September 2025 with my Minolta SRT-101 on Silbersalz35 (250D) film. The first part can be found here. Gjirokastra C...
This photo, taken in the centre of Padua, with my Nikon 35TI and a Ferrania P30, shows a composition’s dilemma. The idea was to explore the usual technique of ‘frami...
Olympus IS-5000 the bridge to digital.
Before diving into the story, a brief explanation of what this – wholly unremarkable – image portrays. This is a London “mews house”, a type of property built by/for wealthy, qu...
My go-to, daily shooter is Flic Film’s Ultrapan 400. It has a smooth midtone roll while zones II and III hold texture. It comes in reusable cartridges for my hopes of one day bu...
Friday, February 13th — it was Valentine’s eve in New York City. After a punishing cold snap that had lasted weeks, the weather had warmed up enough for people to g...