I don’t shoot flash very much, but I had been on the look out for a little one for the Nikon Zf when my contact at Viltrox asked me if I’d be interested in trying their new Vint...
In my previous articles, I explored two of the most classic and iconic black-and-white films: Kodak Tri-X and Ilford HP5 Plus. Now I turn my attention to a classic colour negati...
Hello again, dear 35mmc friends! If my research is correct, this is the first article about the Yashica SLR FR-1 in 35mmc. This shows that once again I have something more obscu...
Here we are: me (left) on one of the main corners of the Ginza in Tokyo last month (Dec 2025) and Dad (right) in the summer of 1979. Somewhere near Seattle, if my memory serves....
The first question I need to ponder for this particular lens seems to be whether it’s worth no longer being able to pocket my M with it on during my commute. I am spoiled ...
Across this set, the Carl Zeiss Ultron 50mm 1.8 performs as expected: good microcontrast and local separation, reasonably crisp edge definition where focus is placed, and a gene...
My photographic archive, viewed from a certain altitude, resembles nothing more than a collection of rectangles and squares. The rectangles come from my 35mm cameras, while the ...
This is a one shot start to the story, so to speak… it’s of an Old wooden structure on the shore of the Solway Firth, Cumbria, England taken with an Arca Swiss 4×5 Ca...