Big Yellow Taxi

“Big Yellow Taxi”

By Geoff Chaplin

The song by Joni Mitchell contains the much quoted line “you don’t know what you’ve got till it’s gone”.

Every time I came back from town I passed within a couple of metres of “County”, a small, old and battered, tracked bulldozer / tractor. For many years she has been there gradually deteriorating in summer sun, rain and winter snow. When I met Fukuhara-san, the owner, he said proudly that the engine still fired up and ran.

Big Yellow Taxi
Winter blanket

Then one day a couple of weeks ago she was gone.

Big Yellow Taxi
Three years ago when she had a friend

Of course I miss her. I have been photographing her for years watching the paint gradually peel and rust expand, admiring her quiet strength and resilience, watching the weeds grow and engulf her more each year. But fortunately I have memories of her on film and in data files. The last photo I took of her was only a few weeks ago when I was testing my ME Supers, unfortunately only B&W and on film I don’t particularly like but at least I have her final farewell.

Big Yellow Taxi
Portra 400 test, badly processed and scanned by a commercial lab

So what’s my point?

Exactly what Joni sang: there may be a particular object, building or even person we pass or see regularly, something just a little beyond the ordinary that attracts our attention, one day it’ll be gone and it will be too late to make a record. If something gets your attention regularly, record it, record how it relates to the environment around it, find out why it attracts your attention. This is something I failed to do – “County” attracted my attention enough to use it as a test subject when I was trying out different films, cameras or lenses, but I failed to find out something about its history, why it was there and how or why it related to the other objects around it. If something is worth photographing, a photograph may be worth a thousand words but it doesn’t tell the complete story. This is something I am very bad at, often I’m just collecting an image, and I suspect many other photographers are like me. In many cases that is sufficient, but not all. We deserve to give the unusual, anything that is unusual enough to grab our attention or become part of our daily lives, not just a photograph but a story. Fill in the ‘how’, ‘why’, ‘when’ etc., and make a documentary about the object, then something meaningful will remain when the object has gone. I’ll try to listen to my own advice in future!

Big Yellow Taxi
Final shot on SFX, ME Super and 50mm f1.7 lens/

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About The Author

By Geoff Chaplin
Primarily a user of Leica film cameras and 8x10 for the past 30 years, recently a mix of film and digital. Interests are concept and series based art work. Professionally trained in astronomical photography, a scientist and mathematician.
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Comments

Ken Davis on “Big Yellow Taxi”

Comment posted: 03/09/2026

This is quite a story Geoff, your empathatic photographs tell the stroy of decline very well. You reference to one of the most significant poets of the 20th Century is apt. I've just finished listening to Hejira a divine yet in some was desolate set of songs!
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Jeffery Luhn replied:

Comment posted: 03/09/2026

Hejira was IMHO her best, but that's tough to say because all her work is brilliant. It is certainly the best album cover... ever.

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