Kentmere Pan 200 and a Contax 137 MA Quartz/ZEISS 50mm f/1.7

By Eric

I have used Kentmere films before. There’s some examples of Kentmere Pan 100 here… (one below)

And some Kentmere Pan 400 here (also one below)

I liked them both.

They may not be as contrasty or as pin sharp as other B&W films I typically favor, but what drew me to them was their affordable price. Add to that the promise of improved contrast with 120 films and I would count them as a success.

On my recent visit to my local camera shop, Venu recommended I try this new Kentmere film. He shared that this new Kentmere Pan 200 was sharper than their previous films. Count me in.

Bought a roll of 35mm and 120. This is about the 35mm variant.

Given the current ills of the world, I was overdue for a bit of analog therapy, so I struck out to a local “downtown” area. (Quotes are an obnoxious side effect of my being from NY and living in NYC for a few years. Can’t be helped.) Ran through the roll in no time. And as a bonus once I got home I confirmed that I got some images as well.

Cool. Developed at home using Cinestill df96 and scanned with my trusty Epson V600. Before I get to the images, let me mention the camera used.

The Contax 137 MA Quartz…

…is my personal favorite SLR. A claim I do not make lightly since there are other SLRs I rather like. Had quite a few of them. But when things got out of hand and it came time to thin the SLR herd, this is a camera that was going nowhere. Never once thought of selling it.

Here are 10 of the images, with the remainder of the images posted here, with thoughts afterward.

Thoughts… this film is cuss word awesome.

I had no nits to pick with Kentmere’s 100 and 400 films, but to my eyes, this 200 variant is better. Very nice tones. Relatively low grain. As sharp as 100 and more consistent than the 400. And best of all, it is very affordable. If it looks this good in 35mm, I am very curious how it looks in 120 format (120 test post at this link.). I definitely will be buying it again.

Well done, Kentmere.

I appreciate having this opportunity to share my experiences with this film.

Eric L. Woods

I shoot a variety of new and old digital and film cameras. Industrial Engineer by education, IT is my vocation, and I really enjoy using, testing, and writing about cameras. All three of the latter are very therapeutic exercises for me. If you are so inclined my blog address is ewoodsphoto.com and I can be found on threads and Instagram. All the best to you.

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About The Author

By Eric
I shoot a variety of new and old digital and film cameras. Industrial Engineer by education, IT is my vocation, and I really enjoy using, testing, and writing about cameras. All three of the latter are very therapeutic exercises for me.
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Comments

Keith Drysdale on Kentmere Pan 200 and a Contax 137 MA Quartz/ZEISS 50mm f/1.7

Comment posted: 29/06/2025

Those images encourage me to include some of that stock in my next purchase pack. Thanks for the review.
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Eric replied:

Comment posted: 29/06/2025

Thank you for the kind words Keith. A solid film stock at a great price.

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Bob Janes on Kentmere Pan 200 and a Contax 137 MA Quartz/ZEISS 50mm f/1.7

Comment posted: 29/06/2025

I rather like Kentmere film (dries nice and flat for scanning). I picked up a few rolls of this 200 from process Supplies up at Mount Pleasant in London and am running through it at the moment, so good to hear good things...!
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Eric replied:

Comment posted: 29/06/2025

Agreed. Thank you for the kind words, Bob.

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Bob Janes replied:

Comment posted: 29/06/2025

I finished my roll of Kentmere Pan 200 yesterday and realised that there was not a lot of info around about how to process in Rodinal/R09. I found a reference to a 1/25 dilution time at 20 degrees, which is the same as my app gives for Kentmere 100 at box speed. Using that as a starting point I adjusted to 16:30 to compensate for my preffered 1:50 dilution and let the app give me a time for a 31 degree room temp - coming out at 9:15. The results are hanging up drying beside me as I type and the results look quite nice and contrasty - they should scan well - I hope the images end up as good as yours Eric!

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Eric replied:

Comment posted: 29/06/2025

I am sure they will look great!

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Ibraar Hussain on Kentmere Pan 200 and a Contax 137 MA Quartz/ZEISS 50mm f/1.7

Comment posted: 29/06/2025

Eric the film certainly is very sharp and fine!
Nice photography man
Thank you as always
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Eric replied:

Comment posted: 29/06/2025

Ibraar! Thank you, as always, for the kind words. All the best to you.

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Gary Smith on Kentmere Pan 200 and a Contax 137 MA Quartz/ZEISS 50mm f/1.7

Comment posted: 29/06/2025

Based on your examples and comments from Bob and Ibraar may cause me to give this film stock a run through one (or two) of my film cameras.

Thanks for your article!
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Eric replied:

Comment posted: 29/06/2025

Thank you for the kind words, Gary. I rather like this film.

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Curtis Heikkinen on Kentmere Pan 200 and a Contax 137 MA Quartz/ZEISS 50mm f/1.7

Comment posted: 29/06/2025

Lovely camera and beautiful images! Very nice piece!
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Eric replied:

Comment posted: 29/06/2025

Thank you very much, Curtis.

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Uli Buechsenschuetz on Kentmere Pan 200 and a Contax 137 MA Quartz/ZEISS 50mm f/1.7

Comment posted: 29/06/2025

The first samples of Kentmere 200 produced by some Youtubers showed some odd halation around the highlights. Your photos don‘t. Makes me wonder if Harman has changed the emulsion or if your method to develop the film is simply better suited.
Thanks for sharing!
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Eric replied:

Comment posted: 29/06/2025

Thank you for the kind words. That is curious. So far I have gone through more rolls with no halation that I can see. Have only developed it myself with Cinestill df96. Here is a link to all images with it so far. https://www.flickr.com/gp/ericlwoods/73p3WN1801 All the best to you.

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Dean Lawrence on Kentmere Pan 200 and a Contax 137 MA Quartz/ZEISS 50mm f/1.7

Comment posted: 29/06/2025

Well, I'm sold on the film, it really does look like a very good choice for many subjects. I am however fully aware that your vision and skill is what sells the film. Excellent images, I tried to pick a favourite but failed. Thank you so much for posting.

Dean.
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Eric replied:

Comment posted: 29/06/2025

Very kind of you Dean. I really do like it. Have gone through more rolls of 35mm and 120 with different cameras and so far, so good. https://www.flickr.com/gp/ericlwoods/73p3WN1801

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Geoff Chaplin on Kentmere Pan 200 and a Contax 137 MA Quartz/ZEISS 50mm f/1.7

Comment posted: 30/06/2025

Eric, thanks for the post - the tonal scale and general rendition of the images look excellent. I've never tried any form of Kentmere (and that's a looong period of time) tending to go for either fp4 or the halation king Foma 100, but you've convinced me to give K200 a try. Thanks again!
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Eric replied:

Comment posted: 30/06/2025

Thank you for the kind words, Geoff. All the best to you.

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Benjamin Chan on Kentmere Pan 200 and a Contax 137 MA Quartz/ZEISS 50mm f/1.7

Comment posted: 30/06/2025

Nice! I just finished shooting my first roll of K200. Eager to get in the darkroom to see how it prints.
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Eric replied:

Comment posted: 30/06/2025

Nice. I am sure it will turn out great.

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JA on Kentmere Pan 200 and a Contax 137 MA Quartz/ZEISS 50mm f/1.7

Comment posted: 04/07/2025

Some great shots Eric. i think i will pick up a few rolls for a play. it does feel a bit unnatural to buy a film thats only 1 stop away from 100 and 400though.

i am curious where the architectural guttering/cascade is, it's an interesting idea that i might have a use for.
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