The first camera I owned and used extensively was a Konica Autoreflex T3; a real brick of a camera. I was always a big advocate for the T3, and used it extensively for 20 years....
In response to this recent 35mmc article, reader Toby Van de Velde asked for an article about my digital-infrared workflow. The more I thought about it, the more useful I though...
14 October, 2022
How I made a focus-free lens for Micro 4/3 – by Tobias Eriksson
I have a plan to go on holiday to Paris with my daughter the year of her 10th birthday. I know exactly which (film) cameras I will bring. I have prepared a gift for my daughter ...
11 October, 2022
Low Cost Bulk Film Loading for Skinflints – By Robert Wilcox
Since my return to film photography I’ve quickly found out how much money I could spend on the stuff, especially given the variety out there now! And that’s fine really – it’s p...
I've mostly had pretty good to medium luck using seaweed, bladderwrack specifically, as a film developer, but I live in Reno Nevada on the western edge of the Great Basin, bladd...
3 August, 2022
5 Largely Unknown Digital-Infrared Gems – By Dave Powell
For nearly a quarter century, I've tested every digital camera that crossed my path to see how well it handled infrared photography. Some didn't pass muster, like my beloved Min...
Human vision is sensitive only to a small part of the entire colour spectrum. Infrared photography allows us to visualise reflected light that is otherwise invisible to us and o...
Recently, I was lucky enough to be invited to contribute to a project that was started by Dave Whenham (@elland_in) and John Martin (@TEMLIGHTIMAGES). The project is passing a ...
