Being Un-Leica

By Jeffery Luhn

Am I un-Leica? No… Well in the case of a IIIf, yes I am.

I’ve been giving some thought as to why I’m not a Leica user. It’s not because I don’t like them. What’s not to like? I did attempt a conversion a year ago when Thad, a fellow photography instructor, offered me his IIIf with several accessories for $300. It was a gift price, especially because it had been recently CLA’d and was cosmetically perfect. In my 74 years I’d never shot with a Leica, so I looked forward to this opportunity. It felt great to hold and I loved the collapsible lens. I shot some tests.

Yuki is always happy to pose. Shot with the 50mm Summicron at F/8 on HP5+
Shot with a 50mm Summilux. The subject had to wait a couple minutes for me to focus and compose.

It was difficult to load, hard to focus, film advance was a chore, and the results were meh. I could not operate the camera fast enough to match my workflow. Something was wrong. I shot another roll and photographed some subjects I usually shoot with any newly acquired camera. I compared the IIIf results to shots with a Zeiss Contessa, Fed 3, Canonet G-III, Konica-III, Kodak Retina IIa, and Nikon S-2. As before, the Leica was a disappointment. Harder to use in every way and not sharp, even when stopped down. I redid the shots using a LTM Industar Russian lens. Those results were much the same as the Leica Summicron. I borrowed a Summilux lens from a friend and ran a roll of film. Better sharpness, but only a bit. How could millions of Leica users be wrong? Maybe the rangefinder needed adjustment? I checked it with a measuring tape and to the best of my efforts, it was accurate. Am I cursed?

Thad had the same experience with it and didn’t want it back. He asked me to sell it on eBay. It sold for $950 in less than an hour! It had several accessories, so the price was right. The buyer has since posted feedback that was gushingly positive. At least someone is happy with it. For me, that Leica model wasn’t right.

Konica III

In my opinion, if a person is going to shoot primarily with a 50mm, there are fixed lens rangefinders that will perform better than the Barnack era Leica I tested. From 1954, the Konica III is a great camera. The film advance is located on a ring around the lens and is operated with the left thumb. Wow, that is convenient and fast! The F/2 48mm Hexanon lens is tack sharp. My model is in great shape, and the rangefinder is accurate at the closest distance of 3 feet. It cost me $154 USD in Feb of 2026, including shipping from Japan. It is the fastest rangefinder for focusing and film advance that I own. It feels great. Bright 1:1 viewing. I believe the Konica III is the best bang for the buck in its category.

My colleague Thad, posing for a photo lesson. Taken with the Konica III and scanned.
A cabin of one of many folks living off the grid in the Sierra Nevada mountains. Taken with Konica III.

Another rangefinder from the same era is my beloved Nikon S2. The film advance is a thumb driven one-stroke lever in the conventional location. I find the focus to be quick and bright. It’s not as silent as the Leica IIIf, but the ease of focus and film advance makes up for that. The three lenses I have are all sharp, but the 35mm is a real standout. I paid $750 in June 2025 for the camera, 35mm, 50mm, 135mm, viewer, manual, and vintage Nikon leather case. A Nikon S2 with a 50mm is normally about $550.

Nikon S-2 Circa 1955
Nikon S-2. Image scanned from a sepia toned print. No enhancements.
Taken with the 35mm lens on Nikon S-2. Scan of a print.
Taken with Nikon S-2. Scan of a print.
Taken with Nikon S-2 and 50mm. Scan of a negative.
Yuki. Taken with Nikon S-2 with 135mm lens at f/4. Scan of a print.

Another camera that’s worth mentioning is the Kodak Retina IIa. It folds into a small form and fits into the back pocket of a pair of jeans. I inherited mine in 1969 and used it on endless backpacking trips. The Schneider 50mm lens is sharp and easy to focus. Sadly, I dropped my Retina IIa through the ice into the Stanislaus River. I bought another but haven’t done much with it yet. These photos were taken about 40 years ago!

Taken with Retina IIa in 1973. Scanned and sharpened.
My nephew Matthew. Now he’s 43! Ektachrome with Retina IIa.
Nephews Matthew and Danny on a one-week backpacking trip in 1973. Kodachrome with Retina IIa. Scanned with a Nikon Coolpix.

The Zeiss Contessa is very compact folding 35mm rangefinder with a stellar lens. Sharper than the Retina it replaced. My models (I have three) all miss focus at the 1 meter mark. I’ve learned to be a half step back to compensate. All other distances are accurate. If you’re an active person and want a fine camera with a small form factor, you can’t beat the Contessa. All of my fully functional models cost less than $150. each. Why do I own three? Because I loan them out to students. Risky, I know, but no fatalities so far.

Zeiss Contessa
Zeiss Contessa. Scanned from a print.
Zeiss Contessa. Scanned from a print.

One may also consider a Russian Fed-3. It is a pleasure to use. The adjustable eye piece lens is a nice feature if you must wear glasses while shooting. I have N26 and N61 lenses. Both are F/2.8 50mm. I think these are Industar lenses. The N61 is soft, but the N26 is quite good at f/8 and f/11. From what I’ve read, the optics are not consistent. I wish I knew which ones were made on Mondays, because vodka hangovers may be a factor. I paid $60 for this camera from a dealer in Ukraine. I loan this camera out to students because it’s robust.

Fed-3 camera
Current photo of nephew Matthew. Fed-3 with 50mm. HP5 pushed to 800. Scan of a print.
Fed 3 w/50mm. Ilford FP 4 processed in Pyro developer. Scan of a sepia print.

Lastly, I’ll mention the Canonet GIII QL. This camera is from the 1960s, so it’s newer than the others on my hit parade. I love everything about this camera. The bright rangefinder is easy to focus and it’s accurate from 2 1/2 feet to infinity. The 40mm coated lens is a bit wider than the competition, which makes it very nice for street shooting. The lens is a 6-element in four groups Planar design. Very good contrast and color rendition. It has a battery powered meter that works! Another plus for street shooters is the Canon ‘Quick Load’ feature. No threading the film into a spindle. Just lay the film leader in place and close the back. You never have a problem, and you get two extra shots. I paid $60 for two of these on eBay in May 2025. They both required new light seals, which I bought online for $12 each. Easy fix.

Mid 1960s Canonet
Canonet at closest focus. Scan of a print.
Canonet with HP5. This image has been scanned and processed. Not printed.
Canonet with HP5. Scanned and processed. This is shot from a print.

I am not anti-Leica. I enjoy reading about and viewing Leica photos as much as any others. I will certainly try a newer Leica if I have a chance. I just wanted to share with you the possibility of owning a collection of good cameras for the price of one Leica IIIf.

 

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About The Author

By Jeffery Luhn
I started as 'pro' photographer at 17 when I was hired to photograph 'The Hippie Invasion of Europe' by United Press International in 1969. It was a great assignment, from what I remember! Photography and video production has been my career. Teaching photography has been my sideline from 1980, but is now my main job. I love film. I also publish novels on Amazon.
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Comments

Michael Sherman on Being Un-Leica

Comment posted: 20/08/2026

I wholeheartedly agree - so many rangefinders to choose from and great results - thanks for your article!
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Jeffery Luhn replied:

Comment posted: 20/08/2026

Thanks for your comments!

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Geoff Chaplin on Being Un-Leica

Comment posted: 20/08/2026

An enjoyable article and useful camera recommendations, thanks Jeffery. Cost is funny thing: Leicas cost a lot initially but you get your money back and more when you sell after years of use. But anyway, I agree, the Barnacks are more of historical interest than a practical working tool. Ms are a different story in my opinion, worth trying one day if you can.
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Jeffery Luhn replied:

Comment posted: 20/08/2026

Solid resale is a compelling plus, for sure. When I decided to thin out my guitars and tube amps, I actually made a few bucks, so I can justify a M3 purchase on past experience. I'm going to try a M3, which everyone seems pleased with. Hey, if I'm a committed film user, it's a must.

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Alexandre Kreisman on Being Un-Leica

Comment posted: 20/08/2026

Beautiful images, I especially love the nikon and canonet ones!
To be fair, the pre M are well nice on a shelf but not practical to use. Even earlier Ms, didn't had a speedloader and I found a 3d printed one that works beautifully on My M2. Then it depends the kind of lens you want, some have better frame lines for certain lenght.
Very beautiful work and nice article!
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Jeffery Luhn replied:

Comment posted: 20/08/2026

Thanks, Alex!

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Sergio Palazzi (aka @CanonF1) on Being Un-Leica

Comment posted: 20/08/2026

Being a guy who started shooting in the 60s, I really agree with you. Beginning my FD lifetime with AT1 it was difficult to think at other systems: small cameras looked valuable only for their reduced volume. With a QL17-GIII I did some of my best things (now I have 3 QL17, one in order and two waiting to be cleaned, and tried other rougher Canonets). I started looking at many different RFs and viewfinders maybe a dozen years ago, including Werra and Kyiv that I'm often using, but in the end my RF comfort zone is QL17 - Retina II. I have no practical experience with 39 Leicas and the crowd of derived cameras; my little experiences with borrowed M Leicas has been fascinating, but in the end I think I will remain an Un-Leica guy, too.
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Jeffery Luhn replied:

Comment posted: 20/08/2026

Sergio, It is hard to beat the Canonet. Nice bright easy to focus rangefinder and sharp lens. Not , however, the flashiest date at the dance. It's human nature to always want a new plaything. I can't stop myself!

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John Hillyer on Being Un-Leica

Comment posted: 20/08/2026

Very interesting though difficult to read due to 'Verizon' spam/scam page continually popping up, forcing one to drop out of message
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Erik Brammer replied:

Comment posted: 20/08/2026

John, just go ahead and subscribe for that coffee a month, and you will enjoy completely ad-free reading.

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David Pauley on Being Un-Leica

Comment posted: 20/08/2026

Hi Jeffrey,

Thanks for this piece and for the excellent photos. Your frames from the Nikon rangefinder are especially lovely. My first Leica was a mid-50s IIIf that I happily sold months after purchasing in 2019 owing to rangefinder misalignment (in hindsight) and frustrations with the film loading procedure. I cycled through an M6, found the .75 rangefinder resolution too small, sold it, bought two M3's (kept one) and also own a trio of early Barnacks. Of the whole lot my favorite by far is my 1933 black enamel Leica III. It's tiny and once I get into the slower rhythm of working with it seldom disappoints image-wise. It's also a great conversation starter, like my Rolleis. The original 1934 nickel Elmar 50 f3.5 is probably my most used lens; except when shooting into bright sun (flares like crazy) it always delivers sharp images. I don't think I'll ever part with it or that tiny black camera. I can't say the same for any of my other Leicas, all of which feel like "loaners" I will someday throw back into the rushing stream of the auction site. I've recently picked up a Nikon FE with a suite of lenses for less than what one knockoff Leica M lens would cost. I can see the appeal of 35mm systems not made in Wetzlar, Germany...the huge through the lens finder in the FE, aperture priority shooting, great glass in any focal length you can imagine, effortless flash integration, and an appealing all metal form factor. Despite this experience, clearly some part of me is still under the Leica spell. It's good to know that you and many photographers I admire have never been bitten by that particular bug! Also, if you'd like to borrow my M3 and see if it rocks your world (I rather doubt it), send me an email and I'd be happy to send it your way. Cheers!
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Jeffery Luhn replied:

Comment posted: 20/08/2026

David, Thanks for your comments. I have been a loyal Nikon user since I obtained a well used no-meter F around 1967. That one was shot out of my hands at a political event in the Philippines. I think I've written about that. Since then, I've acquired loads of Nikon film bodies and lots of lenses. Nikon digital cameras too. It's hard to beat the Nikkor 105mm f/2.5 or the 55mm macro. So, you're impressed by the Nikon S-2? It is a great camera. Do you want to swap my Nikon S-2 with your M3 for a month? I'm no longer going to war zones. You have muggings in Brooklyn and we have black bears snd mountain lions. About the same risks. [email protected]

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John Bennett on Being Un-Leica

Comment posted: 20/08/2026

To be fair, pre-M Leicas need to be judged in historical context. For their time, they were a giant leap forward. Henri Cartier-Bresson, Robert Frank, and William Klein — to name but three — used these cameras to create amazing works.

Evidence: The Decisive Moment; The Americans; Life is Good & Good For You in New York. Three books without which we'd all be over at the bowling alley, discussing the relative merits of human vs. automatic pin setters.
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Jeffery Luhn replied:

Comment posted: 20/08/2026

John, Thanks for your comments. There's no denying the importance of Leica contributions. Those photographers you mentioned, and countless others, showed the world how 35mm could be used for spontaneous and creative works. At the time, Leica made it possible. I can't produce work like that with modern gear! On that thread, I watched a show last night about Edward Sheriff Curtis shooting large film plates in difficult environments. Spectacular images with a view camera! Many of the brilliant photographers of the past turned out great images with 'primitive' gear. I like to shoot with vintage gear, but some cameras present obstacles that get in the way. Focusing with one window and composing with another, is a stumbling block I want to avoid. Difficult film loading is another issue. These are personal preferences. As I said, that Leica model isn't for me. I'm going to try a M3.

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Art Meripol on Being Un-Leica

Comment posted: 20/08/2026

I have M Leica’s and they’re very nice in my hands. But I also have a Canonet, a Zeiss Contax and several others and they all get to come out to play occasionally. I’m always tempted by other gear but I have too much as it is. Still, those Nikon rangefinders are stunning and lovely. As your work easily reminds … it’s not so much the camera as the eye behind it. Consistently wonderful images from all the cameras. Great scans too. Thanks for a fun read. Now I need to head over to EBay.
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Jeffery Luhn replied:

Comment posted: 20/08/2026

Whoa, partner! Ebay is dangerous! I try not to visit late at night, especially after wine with dinner! Haha

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Walter Reumkens on Being Un-Leica

Comment posted: 20/08/2026

As John quite rightly says, pre-M Leicas must be judged in their historical context. For their time, they represented a huge leap forward. A trend that continued with the Leica M3. But probably only because Zeiss Ikon and Nikon failed to develop their products further and withdrew from the rangefinder market. Even though both companies sometimes offered better products than Leitz. I fully agree with your view; there are so many rangefinders to choose from and they produce great results. As ever, it all still depends on the photographer. Thank you for your clear and candid words. As a newcomer to this blog, I’ve often found that one should be cautious when criticising Leica. The brand’s mythical status, combined with the very high prices, is probably also linked to the fact that, with such a substantial investment, it’s no longer possible to report objectively on the actual performance. David Pauley, as an expert, would certainly have something to say on this. He has already hinted at this in his comment above. A considerable degree of ‘prestige’ plays a major role here. And perhaps a certain aversion to innovation. After all, the reason for the end of the rangefinder at Zeiss and Nikon was the sharp decline in sales following the launch of SLR technology, particularly the Nikon F. This was virtually a revolution for professional photographers, just as the pre-M Leicas had been decades earlier. Thanks again for the article and the truly fantastic photos. Cheers!
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David Pauley replied:

Comment posted: 20/08/2026

Hi Walter, if by "expert" you mean I've spent way too much money buying and selling Leica products, then I guess I qualify. I don't see them as without flaws, however—and really appreciate Jeffrey's excellent introduction to some very attractive alternatives. That Nikon S2 especially had me salivating... cheers to all!

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Walter Reumkens replied:

Comment posted: 20/08/2026

Hi David! My comment was referring to your main profession, psychoanalysis. Specifically, whether there is a connection between the purchase price and the resale price when assessing a product. I’ve been involved in photography in Germany for nearly 60 years now, and in all that time I’ve very rarely heard or read anything critical from a Leica photographer about a product made by the company. Most recently, an acquaintance had AF problems with a brand-new Q3 and waited patiently for over four months for the camera to be repaired. That’s why we’re talking about Leica devotees here. Cheers!

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Jeffery Luhn replied:

Comment posted: 20/08/2026

Walter, Thanks for your comments. It might have seemed like I was treading carefully about my feelings of Leica drawbacks. The responses from Leica users wasn't angry, so it seems as though my words weren't offensive. I remain curious about the Leica fascination, so I'm going to try an M3. If I don't like it, I will not say anything! Haha

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David Pauley replied:

Comment posted: 20/08/2026

Ahhh, thanks for clarifying, Walter! I think that Leica have done a fantastic job of marketing their history and their admittedly beautiful and well-built cameras (your friend's Q3 notwithstanding) as sublime objects, the best of the best, irrespective of realities of use. People also feel this way also about cars, about favorite musicians, stereo equipment, and so forth. Leica's truly staggering prices only confirm this message. (Which is fortunate when reselling Leica gear as one seldom loses money...). As a history buff for me in 2026 the capacity to make photos with a nearly hundred year old Leica, the aforementioned III, gives me enough of the Leica frisson without having to acquire an original Noctilux or a black painted original m3, one of which is available from a Montreal reseller for $265,000 USD. Which is good because divorce proceedings are rather expensive around here...! Cheers.

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Walter Reumkens replied:

Comment posted: 20/08/2026

No, no, Jeffery, I wasn’t referring to you. On the contrary, it was a refreshingly objective review – the sort you very rarely, if ever, get to read from Leica owners themselves. That’s precisely why quite a few commentators are keen to see the mystique surrounding Leica cameras dispelled. Of course, they were good cameras and lenses. But I do think the glorification of one’s own camera that you so often come across is clearly exaggerated. Your last sentence was good, Jeffery. Seriously!

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Andrew on Being Un-Leica

Comment posted: 20/08/2026

A refreshingly honest article- thank you! Over the years I have owned and used a Leica IIIG, single stroke M3 and an M6. And over the years, I’ve had valid (at least at the time) reasons to sell all of them on.
What I do still use is a Fujifilm X-Pro 2. That has very clever electronically superimposed frame lines in the viewfinder, which not only correct for parallax, but will also zoom allowing a zoom lens to be fitted. Very, very clever, and allows you to use an optical viewfinder with almost no other restrictions on the equipment. Perhaps it is the versatility which has led me to keep that and dispose of the Leicas….?
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Andrew replied:

Comment posted: 20/08/2026

And I forgot to add, there’s also a button to press which doubles the focal length of the viewfinder so as to stop the frame lines getting too small with a longer focus lens. All very ingenious! I might have been interested in a modern Leica M, but the viewfinder is nothing like as clever or versatile as the Fuji one…..

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Jeffery Luhn replied:

Comment posted: 20/08/2026

Andrew, Oh boy, thanks for telling me about a great rangefinder I know nothing about. Great. Just great. You may be hearing from my wife about this! Hahaha!

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David on Being Un-Leica

Comment posted: 20/08/2026

I wish Leica had stuck with the Barnack philosophy and stayed compact and light. TheM line just kept getting heavier and more expensive. Return to Barnack s vision!
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Jeffery Luhn replied:

Comment posted: 20/08/2026

David, You have a good point. The form factor of the old Barnack cameras is a feature that keeps them attractive. As pressure from competitors heated up, Leica redesigned and added features. I'm sure it was the right thing to do at the time. Nikon has had three re-issues of their rangefinder in recent years. I think they made several thousand copies as recently as 2016. All orders had to be prepaid. Totally sold out right away. I'm sure Leica could be successful with a M3 reissue. What I'm waiting for is a digital insert that allows us to shoot pixels with vintage film cameras. Dream on.

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Matt C on Being Un-Leica

Comment posted: 20/08/2026

I must say, I don't find my Leica iiia that difficult to use. It's slower than more modern cameras, sure, but the focusing is very quick and the rangefinder much superior to the admittedly limited number of other rangefinders I've used. I use mine for trekking, so speed isn't a big deal and I find it plenty sharp enough. It's also phenomenally compact.
Having said that, I see using a Barnack Leica as something to do because it's fun, not because it's 'the best'. Like driving a vintage car. If I want ease of use and superb quality, I'll use my Nikon FM2 or FE.
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Jeffery Luhn replied:

Comment posted: 20/08/2026

Matt, That's a good use for the IIIf. It gets small! Keep shooting!

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Scott Ferguson on Being Un-Leica

Comment posted: 20/08/2026

Hey Jeffery,
Great post! Your article makes me want to try out 2-3 new cameras, including a Contessa and a Retina, and your results with the Nikon are super impressive. I am a devoted Leica shooter, and I will not deny that the brand's lofty reputation has played a large part in how I came into that brand, but perhaps not why I have continued to use it and invested in a variety of M mount lenses to work on that platform. I've tried a variety of other cameras since returning to film, including 35mm SLR's, a TLR, a couple of digital cameras, and nothing 'took' compared to a film Leica M. I also tried out a Barnack iiif, and returned it to the camera store immediately, I found the handling & ergonomics very fiddly and optics of the viewfinder made me feel like I was shooting through a microscope compared to my M3's 0.91 viewfinder, so I'm not surprised you didn't love that camera. However, I kept the lens, which was a 1949 Summitar 50mm f2, which was under $300US, and after some fairly extensive comparison shooting emerged as my favorite Leica branded lens. One of the other discoveries from those lens tests, is that I am not a fan of the early 1st edition M mount Summicron, which left me feeling a bit flat compared to my other Leica lenses. They might have better edge to edge sharpness compared to my older lenses, but much less dimensionality and 'pop' than the 1949 Summitar, and can't compete on sharpness with my modern Summilux, and nowhere near the personality of my 1957 Summarit. Since those tests, with greater knowledge of the look that each brings, the only one I haven't had the urge to get out of the bag is the Summicron. Also since those tests, I've started to branch out into other lenses, and I think the Zeiss Sonnar formula may be my favorite for a 50mm, based on trying an Omnar Bertele and a Jupiter 8, both using the classic Sonnar formula. One of my theories is that in the 1930's, Zeiss was rated above Leica as the superior system, and the Summitar was Leica's "answer" to the Bertele Sonnar -- I find the rendering of the Summitar, including very satisfying sharpness (without showing every micro pore), beautiful color rendering, nice contrast in b&w, some very interesting bokeh and 3D pop at wider apertures as close to the Sonnar as any of the Leica lenses I've tried. With the Summicron, Leica started to move into their more modern formulas, and I believe the Summicron improved greatly in subsequent editions. I think there are probably multiple reasons why Leica became dominant while Zeiss/Contax faded away, that someone like Walter Reumkens might be able to expand on, some of them based on geography and which side of East or West Germany the manufacturing facilities ended up on. I'm also interested in how the two companies behaved during the War, with a strong sense that Leica and Leitz behaved overall more admirably during that era, but that may be fodder for another thread. All that being said, I think you'd find the experience of shooting with an M very different and much more user friendly than a Barnack, and I'd advise trying another lens besides an early Summicron.
Great post!
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Jeffery Luhn replied:

Comment posted: 20/08/2026

Always a pleasure to read your post and comments, Scott! You are a real plus to 35mmc.

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Scott Ferguson replied:

Comment posted: 20/08/2026

Thanks Jeffery, I will be very interested to find out what you think of shooting with a Leica M after you try it out. I find the debate about the non-photographic aspects of the Leica brand -- the price, the mystique, and the attitudes of both devotees and detractors in these forums interesting. In my view, the single most important qualify of any piece of photographic equipment is not in the tangible and technical aspects of optical or mechanical precision/perfection, or the price, or the reputation of the logo, but whether it makes you want to use it again and take more photographs with it. That could be a pinhole camera for some photographers, a bargain basement jewel in the rough that punches above its weight for others, or the most premium piece of gear you can get your hands on. Anecdotally, based on the kinds of film cameras I see out and about on the streets of New York, I think Leica is playing a significant role in the revival of film photography, either as the entry point/draw for people with the means, or the aspiration for people who are dream of having a legendary camera. I'll freely admit that the glamour and mystique of a Leica and Hasselblad falling into my lap is what got me excited about taking up film photography again. But that's not what has kept me shooting with them both and preferring them to other high quality cameras I've tried over the last 5-6 years (before the Leica, I had a false start with a Contax G2, which didn't take, despite that camera's lofty reputation.) I'll also add that I don't blindly defend any product with a Leica logo, and have critiqued Leica cameras I haven't loved (the iiif, and M10) and even legendary Leica lenses like the 50mm Summicron and the most expensive lens I own, the Summilux ASPH on 35mmc. My current favorite lenses are the cheapest Leica lens I own and a modern lens built to recreate the original Zeiss Sonnar design. I admire people who are able to do terrific work with a wide variety of camera and systems, as you demonstrate brilliantly here on this post, but I have no problem with anyone who is excited to be shooting with a Leica film camera instead of a digital camera or an iphone.

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Jeffery Luhn replied:

Comment posted: 20/08/2026

You have done some great shots with your Hasselblad. I'm a big fan of the Hasselblad system and at one time had 8 of them for use in my studios. All the employees used them, and the complete lens inventory with great results. We did get a lens stuck onto an extension tube because we removed both from the camera together and then tried to separate them. Don't ever do that!!! Remove lens first, then remove extension tube. Other than that minor bump, they were great. It included 2 ELs and two bulk backs. I've had opportunities to get Hasselblads recently, but I'm quite please with my Pentax N645 system with 3 lenses. Auto focus is a plus. I have soooo many cameras now and systematically take them out to play. Life is good!

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Scott Ferguson replied:

Comment posted: 20/08/2026

Thanks Jeffery! I love shooting with the Hasselblad, but also on 35mmc. The day after this post, I got my latest piece(s) of gear, a 1932 Leica ii and a 1934 Leica Summar 50mm f2. I gave them a run out on Friday evening shooting a roll of Tri-X and Portra 400, and rushed to the lab on Saturday morning, and was delighted that everything came back very nicely exposed, and reasonably sharp for an uncoated lens in its tenth decade. The first rolls included an impromptu street photo session that has some of my favorite street portraits ever that will undoubtedly show up on a 35mmc post sooner or later, so it was an encouraging start. I took it out on Saturday and Sunday and shot about 5 rolls of different stocks to test the Summar (XP2, Retro 80S, Svema 100, Ektar and FP4) and love the feel and heft of the camera. I'll be excited to see how the Summar performs -- the early b&w shots on Tri-X look great and timeless -- the Portra looks a little creamy/muted and maybe not as much to my taste as my 1949 LTM Summitar with its deep rich color -- but I have a feeling the Summar will be a specialty lens when I'm looking for a certain feel, more often b&w. With the lens it cost about the same on Ebay as a high end point and shoot (like a Contax T2 or Nikon 35Ti), and is about the same size, but that old black enamel finish with brass edges is as badass a camera can look. It's a real keeper for me.

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Graham Line on Being Un-Leica

Comment posted: 20/08/2026

The OP's experiences parallel my own. I learned on an Argus C3 and still lean toward RF cameras. But after borrowing and using Barnack Leicas and early Canons, always come back to something with a larger and brighter viewfinder. Wearing glasses may have a lot to do with that. Still have a Canon L in great condition but it hasn't seen much use beyond some initial test rolls. That's not to say there's anything fundamentally wrong with Retinas and similar early '50s cameras. But they don't seem to work for me.
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Jeffery Luhn replied:

Comment posted: 20/08/2026

Graham, Wearing glasses, as we do, complicates RFs. At this point, I can do okay focusing without my glasses. But I do miss shots about 20% of the time. One day I will have to set them aside.

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Alastair Bell on Being Un-Leica

Comment posted: 20/08/2026

Years ago I had a Leica IIIf and found it underwhelming - even for the time. I think I used it couple of times before consigning it to the curiosity shelf of a display cabinet. I also had an M2 which was far better though but eventually it and the IIIf were sold. I also had a Contax IIa (the father of your Nikon S2) and that also was lovely.

I now have a Voigtlander Vitomatic IIa and I love it. Huge viewfinder with an easy to use rangefinder and metering visible in the viewfinder too! Fixed 50mm and a bit of a tank weightwise but its a lovely thing. My favourite though has to be the tiny little Braun Super Paxette II = Smaller than a Barnack and much easier to use. The only issues being the film advance is 2 strokes and the viewfinder is tiny, really tiny. That said the Schneider Kreuznach 50mm f/2 lens is superb (and is interchangeable).

Strangely I'm now looking at Leicas again. Not sure why - especially given the stupid prices and exorbitant lenses.
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Jeffery Luhn replied:

Comment posted: 20/08/2026

Alastair, Thanks for your comment. As several people have pointed out, Leicas hold their value, so jumping in and out is almost painless. That's my plan. Maybe I'll be smitten. Once you get up to a high standard with any number of cameras, it becomes a preference for the feel. The Konica III is my current favorite, but I also enjoy the Nikon S-2 and.... drum roll...the Nikon F3. Also the Zeiss folders are fun attention getters. Life is good!!!

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Eric Rose on Being Un-Leica

Comment posted: 20/08/2026

I have used a number of different RF'rs including Leica M's, Canonet, Olympus, Bessa and Zeiss. My all time favourite .... (drum role please) ... the Minolta Hi-Matic 7s.
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Jeffery Luhn replied:

Comment posted: 20/08/2026

Eric, I had a Hi-matic F back in 1978, which I took on a long trip starting in New Zealand and ending four months later in Bangkok. i'm sorry I gave it away. It performed wonderfully!

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Gary Smith on Being Un-Leica

Comment posted: 20/08/2026

My Retinette 1b is currently still sitting with 20 unexposed frames which will eventually see their way here in an article comparing it to the Voigtländer VITO CLR. Last night I shot with the Nikon D810. The day before with a Lumix gx9. I don't remember the last time I struggled to put film in the iiic and to be honest the M3 doesn't excite me all that much. Starting in 1972 with a Canon FTb, adding the Leicas a couple of years ago was an exercise in camera envy that had lasted 50 years. Thanks goodness that I haven't gone after a Hassy. Maybe it's because I shot a sax player last night but I really like that shot above of the guy blowing his horn. Great shots Jeffery!
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Jeffery Luhn replied:

Comment posted: 20/08/2026

Thanks, Gary. That shot of the sax player has a story behind it. My brother and I visited New Orleans a couple months ago. We were walking past a hospital and a sax player was out front sitting on the bench. He was playing some decent Charlie Parker riffs. Using hand signals, I asked to photograph him. The bench seemed too short to achieve focus, but I was able to get him at the closest setting. Usually not reliable with many RFs but this camera nailed. He was passing time while his wife was inside the hospital getting chemo. I hope that's working out well.

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David Kieltyka on Being Un-Leica

Comment posted: 20/08/2026

The Barnack Leicas are kinda fiddly in use: focus with one VF, switch to the other to compose. Loading film is IMO a PITA. But the results I got were right up there quality-wise with other rangefinder cameras like the Contax IIa, Contessa (lovely 45mm f/2.8 Tessar lens in the version I had) and my dad's (now mine) Retina IIc with Schneider 50mm f/2.8. The Leitz 50mm Elmar is a *sharp* lens.
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Jeffery Luhn replied:

Comment posted: 20/08/2026

David, Thanks for your comments. If I had to whittle my collection down to 5 cameras, the Contessa would be one of them. A real gem. I'm not a good match with the Leica IIIf, so I'm going to explore an M3. Looking for deal now.

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Alan Chin on Being Un-Leica

Comment posted: 20/08/2026

You’re not really comparing it to a true peer. The IIIf is penultimate of the line but the design is basically a 1930s one, so your real competition is the Contax II — which, yes, many photographers did prefer. However — if it’s 1940 and i can’t get a Contax but I can get a Leica III, I’d be thrilled. Your struggle to get as good results out of it suggests to me that maybe you didn’t spend enough time thinking about the ergonomics of the camera and its strengths. Showing sample images shot at f/8 in daylight — first, these should be near perfect no matter what the camera or lens — and second, the Summitar’s strength was always going to be wide open in low light. Which is also the strength of the camera — small, discreet, you can use it without drawing too much attention.

Once you really practice with a Barnack Leica, you figure out its weaknesses and you work around them. You learn to make your first frame as soon as you have sharp focus without switching to the window for framing. You learn to advance film by holding the knob with your right hand and swinging the entire camera with your left — surprisingly fast.

But of course a Nikon S2 is a far better camera to use — although production dates overlapped, it’s fully a two generations newer design. Really apples and oranges there.

And you cannot compare it to anything with a fixed lens — also apples and oranges. I get why you wrote this post — demystifying Leicas is a good thing — but all you’ve basically said is that you think the technological advancement in the 1950s was a good thing — and so it was ! :)
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Jeffery Luhn replied:

Comment posted: 20/08/2026

Alan, Thanks for your comments. I did qualify the article at the beginning by saying that if someone is using just a 50mm lens, there are many good options to the Leica IIIf. That said, the Nikon S-2 with interchangeable lenses does go toe to toe because it overlapped the IIIf. My Nikon was made in 1954, same year as the Leica I had. In any case, all of the rangefinder cameras from that era are 'out of date relics.' Truth be told... so am I!!! I still have something to offer, as does your Leica. We do the job we were designed to do. I'm not done with Leica. I hope I find a better experience with an M3. I hope you continue to enjoy your IIIf. We are living better than the royals of the 13th century. Full refrigerators, warm clean beds, running water, and loads of camera toys. Jeffery

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Alan Chin replied:

Comment posted: 20/08/2026

Oh don’t get me wrong, my main film camera is a M4-P and I did use M3 and M2 for many years — thousands of rolls through them — but only with rapid load spindle and rapid rewind added crank. The IIIc I own is strictly for a roll every other year when I want to have some fun. The M series is basically a Nikon S2 but with better finder — brightlines and better rangefinder — and better lens mount with more options especially now with all these amazing Chinese lenses at affordable prices. If only Nikon were to make a S again with M mount — sigh. But yes, in general, M series are way too expensive now to just pick one up on a whim — in a world where a Nikon FM is $75 and same for Olympus OM-1 or Canon A-1…classic SLRs are a bargain with full lens ecosystems also cheap … if I didn’t already own them, I’d struggle to justify buying a Leica. But unfortunately the best affordable alternatives are limited either by the tricky and not fully compatible Contax/Nikon S mount or Leica screw for the Canon rangefinder bodies. M mount is the only true modern bayonet for rangefinders and the only truly good bodies are the Leica ones. So yes, functionally it’s perfection of use vs. cost. Still, if you only use one or two lenses, that Nikon S2 is also near perfect. Agree that it’s all more fun than ever!

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Jeffery Luhn replied:

Comment posted: 20/08/2026

Yes, yes, and agree.

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David Brancaleone on Being Un-Leica

Comment posted: 21/08/2026

I find it hard to pick out my favourite photograph. They're all so good you make it seem easy.
What can I add to all these insightful comments?

1. I have a Zeiss Ikon 1950s Contessa on order that I can't wait to try out. So it is very encouraging to hear the positive remarks from a long-term user of this camera. Now I know, I'll remember to step back for 1-metre portraits.
For me the design was key in choosing one. Second, that coated Tessar lens. Third, the range finder. Years ago, I used SLRs and forgot about viewfinder cameras with a fixed lens. And those photographs!

But I agree with whoever said earlier that, to paraphrase, the masters did a lot despite technical limitations. So maybe that's another thing to learn from them.
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Jeffery Luhn replied:

Comment posted: 21/08/2026

David, You're going to enjoy the Contessa. It's a secret that you will benefit from. I hope to see you post some images. Jeffery

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Alexander Seidler on Being Un-Leica

Comment posted: 21/08/2026

Thank you Jeffery, very inspiring post and great photos !
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Jeffery Luhn replied:

Comment posted: 21/08/2026

Thank, Alexander

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Ed on Being Un-Leica

Comment posted: 24/08/2026

Hi Jeffrey - your photographs are good evidence that the old adage - it's not the camera, it's the photographer - holds true. Your images are beautiful. I share the view, expressed by others above, that the Leica rangefinder has to be seen in its historical context as a revolutionary development in the history of the camera. There is something about the Leica that has a 'back to the source' feeling for me and that's why I decided to try one. It is possibly because of the Barnack that we have the whole camera industry (analogue and digital) that we enjoy today. The full frame digital camera still uses the 24 x 36mm image size and nobody seems to have moved beyond 35mm equivalent lens focal lengths! I guess someone would have come along instead of Barnack with a similar idea (I don't think the Leica was the first 35mm camera) but, in the end, he and Leitz made the camera that combined the film stock and the hardware into a very small, albeit pricey, cutting edge piece of technology for the time. For me, using a camera like this opens a window onto different age with different expectations and standards. Thanks for the great piece. Ed
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Jeffery Luhn replied:

Comment posted: 24/08/2026

Yes, it was a ground breaking camera. I didn't get the vibe so many others did. I do get that feeling from Zeiss folders like Contessa and Ikonta. Certainly a matter of feel and handling. These days, the technical advancements of digital cameras come fast and furious. One day soon there will be onboard AI features that manipulate images immediately. How will that feel? I like to use the way back machine and enjoy the manual mechanical experience, but the Leica IIIf didn't satisfy me...even though I respect its place in history. Cheers!

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