‘One Third Keepers’ with Kentmere Pan 200 and a Konica AutoReflex T3

By Bob Janes

In the relatively early days of digital I was involved in online discussions about whether the fact that our short-to-shot cost with digital cameras was tempting us to ‘spray and pray’ rather than applying quite the same standards for subjects as we did in the days of film.

It was pointed out that, back in analogue days there was still a fair proportion of shots that would be ‘discards’ – where the focus was slightly too much off, where there was a little too much camera shake, where there was a pole growing out of someone’s head, or just those shots where you thought ‘Why on earth did I think of taking that?’

The general conclusion was that a good roll of film was one where you could pick out one third or more of the shots that were ‘keepers’.

I’m very much in admiration of anyone who does the ‘Whole roll’ publicly, but I’m putting forward the ‘One Third Keepers’ as a nice compromise between volume and variety of images – giving 12 or 8 shots off a 135 roll, and only doesn’t really work for 6×9 images off 120 film.

So I give you:

One third Keepers from a roll of Kentmere Pan 200 in the Konica Autoreflex T3

I’ve owned this camera since I was 17 (that’s quite some time ago). It has featured in previous articles here, here and here. It is a particular favourite. Lenses were Hexanon 52/1.8, Vivitar 28/2.8 and Hexanon 28/3.5 – all in Konica AR mount.

The film is the first roll I’ve tried of the relatively new Kentmere 200 which I processed at the equivalent of 16:30 in 1:50 Rodinal at 20 degrees (it was actually a stonkingly hot 32 degrees, so actually processing time was shorter).

The resulting negative strips were then scanned as TIFF files by a Plustek OpticFilm 135i scanner and processed and output as web-sized JPGs in DXO PL 7 with a final tweak in PSP.

The pictures

Frame 4: The good lady ‘er indoors in Surrey
Frame 7: Bureau
Frame 11: The Moat at Eltham Palace
Frame 16: Door to the Great Hall
Frame 18: Light into the Great Hall, which dates from the time of Edward II
Frame 19: Art Deco door in the ‘modern’ part of the house
Frame 20: Abstract shadows on net curtains
Frame 22: Tunnel to the lower gardens (an alcove off to the right gave access to empty King Henry’s ‘guarderobe’)
Frame 24: The ‘modern’ 1930’s build on top of the original walls before the moat
Frame 30: One of three pinnacles at Severndroog Castle, on top of Shooters Hill in SE London
Frame 33: Oculus window at the top of the tower
Frame 35: Tower stairway

Kentmere Pan 200 seems like a good film to me. A fair compromise on film speed, and it produces a strong contrasty image. It dries reasonably flat with a slight reverse curl and is quite easy to scan.

Since developing this roll, I’ve experimented with reduced developing times with R09 at 1:50 and am currently using 11:15 minutes which gives less grain.

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About The Author

By Bob Janes
Retired IT guy. Volunteer stem-cell courier. Interested in education, photography and local history. Lives in Greenwich, SE London, UK.
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Comments

Gary Smith on ‘One Third Keepers’ with Kentmere Pan 200 and a Konica AutoReflex T3

Comment posted: 27/07/2025

Great lighting in frame 18 Bob!

I'm hoping to get better than a third of my shots on my next outing with the 4 x 5...

Thanks for another inspiring article!
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Bob Janes replied:

Comment posted: 27/07/2025

Thank you. Having a good subject is a big help. I take my hat off to anyone doing large format...P

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Curtis Heikkinen on ‘One Third Keepers’ with Kentmere Pan 200 and a Konica AutoReflex T3

Comment posted: 27/07/2025

Really like these images, Bob! I have a Konica TC from the early 80s in my collection. It is a very nice camera. What year is yours from? I assume the lady in the first image is your wife? She is a great subject. The photo does her justice. Outstanding work, Bob! Most enjoyable!
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Bob Janes replied:

Comment posted: 27/07/2025

The TC is a very good camera - it was a compact budget model of the T3, and marketed alongside it in the late 70s. they followed up with a TC look-alike model called the T4 - the T3 to my mind is the best model they made, but the TC is rather good.

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Bob Janes replied:

Comment posted: 27/07/2025

I did a review of the later Autoreflexes here: https://www.35mmc.com/28/04/2023/konica-tc-and-t4-slrs-the-last-of-the-steam-powered-trains-by-bob-janes/

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Christopher Welch on ‘One Third Keepers’ with Kentmere Pan 200 and a Konica AutoReflex T3

Comment posted: 27/07/2025

Hi Bob, thanks for the article and sharing your photos. I tried Kentmere 100 earlier this year and liked it a lot. Strong contrast when developed in D-76, nice tonal range and dried straight as a board which made it easy to scan.
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Bob Janes replied:

Comment posted: 27/07/2025

As well as trying out the new Kentmere 200 I've also been trying pulling K400 and will have a go at pushing 100 to 200...

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Eric F on ‘One Third Keepers’ with Kentmere Pan 200 and a Konica AutoReflex T3

Comment posted: 27/07/2025

I think we got our ART3s at the same time (at the same age, anyway). It was my first SLR, and I still love it (though it needs some TLC). Nice to see one at work!
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Bob Janes replied:

Comment posted: 27/07/2025

Well worth the care!

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Marco Andrés on ‘One Third Keepers’ with Kentmere Pan 200 and a Konica AutoReflex T3

Comment posted: 27/07/2025

Enjoyed your post – a twofer featuring Kentmere 200 with a favourite developer (Rodinal 1+50). The camera is certainly second nature to you, which shows in the images and their composition. The 12th image (staircase) is strong and atmospheric,

Still find that 36 exposures is just too many. Prefer medium format with less than a dozen. Not a believer in « pray and spray ». But would be interested in seeing the other 24 images. Keepers, after all, are a judgement call.
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Bob Janes replied:

Comment posted: 27/07/2025

I'm still trying to find the best timings for 1:50 Rodinal/R09 - For subsequent films I cut about 1/3 off the development time and got finer grain... but finding the ideal timings is a bit of a work in progress.

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Alexander Seidler on ‘One Third Keepers’ with Kentmere Pan 200 and a Konica AutoReflex T3

Comment posted: 28/07/2025

A very good third, bob !
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Bob Janes replied:

Comment posted: 28/07/2025

Thank you.

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Geoff Chaplin on ‘One Third Keepers’ with Kentmere Pan 200 and a Konica AutoReflex T3

Comment posted: 28/07/2025

Well that counts as success! I particularly like the window light and the portrait, and generally they are lovely compositions. Off topic but I've recently been shooting Kentmere 100 and noticed the reverse cupping on those films. FP4 dries flat, and I remember Orwo cupped. I wonder what the determining factor is and why all manufacturers don't balance tension.
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Bob Janes replied:

Comment posted: 28/07/2025

It is odd isn't it? I'm guessing it must be some feature of the emulsion, as I've processed K400 and K200 in the same chemicals and the K400 comes out dead flat...

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Keith Drysdale on ‘One Third Keepers’ with Kentmere Pan 200 and a Konica AutoReflex T3

Comment posted: 28/07/2025

That's a great set of images with excellent light handling throughout. I find on average I get 12 images I'm happy with from a 36 exposure roll. I am looking toi try out the new Kentmere film soon and one day I will try some Rodinal too.
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Bob Janes replied:

Comment posted: 28/07/2025

I think it is a reasonable target. I have been using some Perceptol with the K200 but find the convenience of the one-shot developer very attractive.

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Ibraar Hussain on ‘One Third Keepers’ with Kentmere Pan 200 and a Konica AutoReflex T3

Comment posted: 28/07/2025

Lovely subtle photographs, wonderful use of light and tone!
Thanks Bob!
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Bob Janes replied:

Comment posted: 28/07/2025

High praise indeed - Thank you!

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Simon Bohrsmann on ‘One Third Keepers’ with Kentmere Pan 200 and a Konica AutoReflex T3

Comment posted: 28/07/2025

I don't develop my own negs Bob - a step too far! But I appreciate the results you achieved here. Particularly the portrait which has a really nice simplicity and elegance.
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Bob Janes replied:

Comment posted: 28/07/2025

A good subject gets you more than half-way there :-)

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Jim Grey on ‘One Third Keepers’ with Kentmere Pan 200 and a Konica AutoReflex T3

Comment posted: 28/07/2025

My wife and I visited Eltham Palace this year as well! Photos to come on my site.

The T3 is a terrific SLR and you really made the Kentmere 200 sing.
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Bob Janes replied:

Comment posted: 28/07/2025

Thank you. Good subjects do help a lot.

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Mike Connealy on ‘One Third Keepers’ with Kentmere Pan 200 and a Konica AutoReflex T3

Comment posted: 02/08/2025

Very nice tonal range in those interior shots. I'm inspired to give that film and developer combination a try.
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