Photography & Project Work

Looking for some inspiration, or just want to flick through the project work and photos?

In this section you will find posts that are a little more about photography than they are anything else. There is a lot of content here, and to a lesser or greater degree, it is displayed in no particular order.

My intention here is, at least to an extent, to encourage readers to get a little lost on this content. I’d encourage you to find something that sounds interesting, have a read, and then when you get the the bottom of the article, follow the tag links at the bottom of the article and see where you end up.

There are sometimes links to more articles featuring the genre of photography, and some that will take you to photos taken with the same camera, lens or film. Whichever direction you go, if you do get lost, you can always find your way back to this page and start again.

Either way, I hope you find something you like.

If you would like to submit your project or a series of photos to 35mmc, you can find out more about how to write for 35mmc here

Photos & Projects

Articles here are submitted as series of images or representative of parts of authors’ project work.

• Roaming in South East England with a 50mm lens – by Mark Harrison
• Record Covers & the Chronicle of a Photo Shoot for ‘Bradford’ (with 4 Cameras) – by Fernando Martins
• The Other Side of Tokyo, Japan – Black and White Film Photography Project – By Kiichi Kitahara
• Street Portraits of Bike Messengers – Standing by with the Rollei 35 SE – Trevor Hughes
• Bokeh as the Subject (in Photos and Writing)
• Endangered Hawaii / Wild Waikiki – by Susan Polanco de Couet and H.Gert de Couet
• Talking with Teachers – A Photography and Zine Project – By David Marshall
• Ghosts of Covid – A Photography Project – By Mike Beard
• The Many Interpretations of one Quote – Photography Theory and Practice
• Asahi Pentax 6×7 and my Four Points Project – By Rick Davy
• Exploring Wildfires and Finding Individualism – Mamiya RB67 & Portra 400 – By Pablo Garcia
• Portrait Photography on a Rolleiflex: Archie Roach and the Stolen Generations – By Ali MC
• Second Hunt Campaign – Shot on Pentacon Six & Kodak Portra 160 – by Kornelia Konieczka
• My Personal Favourite Photography Experiences of 2020
• Yasuhara T981 & Nikon 50mm f/2 – My Impressionist kit – By Aivaras
• Photography vs. Cameras and a Full Spectrum Fuji X100 In the Mist
• Tokyo XPan – A Cinematic View of Japan – By Mike Amos
• “Ride Slow, Take Photos” – 1200 Miles on a bicycle with a Speed Graphic – By Erik Mathy
• ‘Arctic Norway’ – A Photozine – By Alex Relton Brown
• Photography Theory and Practice – A Collaborative Project
• Brean Sands, A Leica M4-P and a Roll of Kosmo Foto Mono 100
• Sunrise On Lomography 800 & A Leica M6 – By Gavin Bain
• Connected – A Wet Plate Project about the Bonds of Friendship – By Markus Hofstätter
• Camping After The Bobcat Fire – Photographing Mt Pacifico – By Justin Aguirre
• Experiments in Film Soup – By Holly Gilman
• The Influence of Film on Film – ‘Preserve’ – By Lucinda Lewis
• Nikkor 20mm f/3.5 – Taming The Ultra-Wide – By Fernando Martins
• Photographing Little Things on Film – By Jordi Fradera
• In the Woods, in the Rain, with a Mirror and a Mamiya 645 1000s – by Brian Dolzani
• The 40th London Arba’een Procession 2020 (HP5+ @800) – by Simon King
• Analogue Portraits – Behind the Viewfinder – by Dila Binkanat
• Naniwa; A City Without a Face – By Akiti Dezem
• Girls’ Hostel – My Teenage and University Years (2005-2016) – By Sumaiya Tazin
• Exploring an Ice Factory in Mississippi with Panatomic-X Film in a Hasselblad – by Andrew Morang
• My Journey to Infrared Photography – By Markus Hofstätter
• Agricultural Landscapes Reloaded – by Christian Schroeder
• The Remains of the Abandoned Microscopy Lab – Shooting Expired Film – Pt 2 – by Ricardo Andrade
• The Remains of the Abandoned Microscopy Lab – Shooting Expired Film – Pt 1 – by Ricardo Andrade
• Shooting Diptychs with the Olympus Pen FT – by Noel Roque
• Using an Hybrid Camera to let Subjective & Objective Visions Coexist – By Mario Cipriano
• Lens versus Pinhole – Battle of the Isolettes – By Rock
• Zero 2000 Pinhole Camera, a Camel and an Elephant – By Scott Gitlin
• Better Together – A City with a Complicated Past – By Billy Stanford
• Experimenting with analog in Iran with an Olympus OM-2n – by Théo Lefort
• Seascapes and Stories You Can’t See
• A 4×5 Portrait with a Toyo 45A, Schneider 210mm f/5.6 & Fuji Acros – By Louis A. Sousa
• My Camera Goes Where I’d Rather Not – By Gerard Exupery
• Social Distance – A Covid Inspired Photography Project – By Mattias Johansson
• Through the (Looking) Glass – Photographing Portraits in the time of COVID-19 – By Carole Evans
• Nine Homemade Cameras: Pinhole Adventures Part 1 – by Sroyon
• A Spectacularly Failed Mui Wo Photo Trip – By Benoît Felten
• Analog Iran – A Project Shooting B&W Film Documenting Iran – By Ali MC
• Adding Color to Cyanotype – By John Isner
• Cyanotype Printing with Pre-Coated Paper – By Benoît Felten
• A Day Out with the Nikkor 50mm f/1.2 AIS and Nikon D850 DSLR – by Anil Mistry
• Shooting Three Kinds of Redscale Film – by Tobias Eriksson
• Photographing Concerts in the 1970s & ’80s – By Dan Cuny
• It’s All Done with Mirrors – A Tale of a Telescope Street Photo – By Tom Ace
• Shooting 4×5″ GAF Film Packs in the Mississippi Delta – by Andrew Morang
• LCKDN20 – Documenting the Abandoned City – By Giacomo Mantovani
• Evaluating and Choosing Half Frame – By Javier Martínez Delgue
• Behind the scenes at the East Lancashire Railway – By Phil Harrison
• Photographing An American Road Trip – by Daniel Sigg
• Mask portraits – Koniflex TLR and Portra 400 – by Peter Schafer
• 4 Decades of Panoramas – Analogue & Digital – By Jordi Fradera
• The Season of our Discontent – By Mark Seawell
• The Stay Home Project – By John Scott
• Reflections on the Covid-19 pandemic, through a single roll of film – by Pierre-Alix Favillier
• The #BlackLivesMatter Protests in NYC & a Canonet G-III QL17 – By Jive
• Black Lives Matter (through a Petzval 55mm f1.7 MKII Lens) – By Maxime Evangelista
• Fomapan 200 for my first Black and White slides – By Fred Baboulaz
• 3 Focal Lengths in Danish Marshland – by Sroyon Mukherjee
• Hunting Dinosaurs or: Photographing Abandoned Factories – by Christian Schroeder
• Documenting the #BlackLivesMatter Protests – Some Thoughts and Images – By Dan Shapiro
• Protestors, Allies, Fighters, Keep On – #BlackLivesMatter – By Eric Toribio
• Architectural photography with a 50mm lens (and some thoughts on minimalism) – By Daniel Sigg
• At the Machine Boneyard: 10 Frames of Scrap Metal – by Christian Schroeder
• Shooting 5×4 with Connie / Reminding myself how easy Large Format Photography is
• Lockdown Lumen Pt 2 – Artists around the World Printing with Sunlight
• Virus in Vicksburg – a quick overview by Andrew Morang
• Yet Another Night Shift: Long-Time Exposures on Kodak Portra – by Christian Schroeder
• Lockdown Lumen – Artists around the World Printing with Sunlight
• Zeiss Otus 55mm and 85mm Lenses on 35mm Emulsions – Owls on Film – By Bent_Brent
• Shooting Pentax Auto 110 Lenses (On film and Digital) – By Jason Foster
• The Craft Project – A New Direction – by Julian Higgs
• February Frames with Bernie, The Strokes, Nikon and Tri-X – By William Le
• Who Lost Their Shoe? – by Chris Colten
• Delving Deeper into Textured Double-Exposure – By Benoît Felten
• The Peat Bog, Impressions from Another World – by Christian Schroeder
• Rollei IR400 Infrared Film – First Roll – By Maxwell Wagner
• Zourkhane – a Traditional Sport in Iran – By Marc Wick
• Analogue Portrait Photography with Leica M rangefinder Cameras – by Marc Wick
• Easter Egg Hunting with the Fuji X100V
• Infrared Photography with an Unmodified Leica M240 and an R720nm filter – By Steven Bleistein
• Exploring Worcester’s Former Fire Station
• Travelling Light in Japan with Fujifilm X-Pro3 – By John Scott
• Las Luminarias – Spanish festival of horses and fire – By Tibor Budai
• Images from the Last Normal Thursday in Tokyo with Meg Hewitt – Steven Bleistein
• Fuji X100V – First Frames with and some thoughts on why I bought it…
• The Tsukiji Outer Market at Dawn with a Leica M3 and Roll of Kodak Tri-X – By Steven Bleistein
• A Heavy Visit – An Acount of Shooting an Emotive Subject – By Alex Kreisman
• Photographing Buildings and Places in Hannover – by Christian Schroeder
• A quick 3 frames of Kodak Aerochrome – By Mike Caputo
• Shooting Textured Double-Exposures with the Hasselblad XPAN – By Benoît Felten
• Shooting Star Trails with 120 Cinestill 800T – By Bill Thoo
• Pushing T-Max 400 to EI3200 with a Leica M3 Monochrom and First-Gen Summilux 35mm f/1.4 – Steven Bleistein
• How I Shot A Micro-Budget Feature Film for less than £4000 with Vintage Lenses and a Sony A7s – By Brenden Singh
• A Paxette Pinhole Conversion and a walk in the Countryside – By Rock
• Finding Subjects in Familiar Sights – by Chris Illing
• Travelling Myanmar Solo with Black & White Film – By Jelle Vonk
• Shooting Black & White Film at the Zoo – by Christian Schroeder
• Up Close and Personal with the Ricoh GR1s and Kodak T-Max P3200 at EI12,800 – By Steven Bleistein
• American Dream Colors: On US Roads with my Canon AE-1 – By J.M. Saponaro
• The London Arba’een Procession 2019 with Fujifilm C200 – by Simon King
• Kodak Ektar 25 – Urban/Rural Decay in the Texas Panhandle – by Andrew Morang
• 55 Frames with 55 Cameras of One Man at One Moment – By Mark van der Wal
• A Beginner’s Exploration of Documentary Photography – By Hugo Morgan
• Agricultural Landscapes – by Christian Schroeder
• Fuji Natura 1600 & Shooting Star Trails and at Night – By Bill Thoo
• Ilford HP5 Plus & The Yorkshire War Experience – By Phil Harrison
• Revisiting Bremen Ports – by Christian Schroeder
• Extreme GAS! I don’t need a new camera, I need a new Helicopter!
• One Rainy Night in SF – Nikon F3HP + Kodak TRI-X pushed to 3200 – By Benjamin Fargen
• Bremen Ports, a Playground for Photographing Industrial Architecture – by Christian Schroeder
• Kodak P3200 – A Lackadaisical Experiment Shooting for Fowey Shellfish
• My “Reason for Visit,” stage 3B cancer – By Nicolás Hagen
• Environmental Portraits on E6 – shooting transparency with available light – By David Hume
• The Nuclear Option – My Experiences in the Chernobyl Exclusion Zone – By Charlie Thom
• Ricoh GR Mini Review – On The Road – Morocco by Motorcycle – by Nick Holt
• My First Ever Roll of Film and My Love for Light – by Joshua Nutz
• Leica M10-P vs. Sony A7riii and Shooting the Simon and Garfunkel Story
• Kodak Ektar 25 – Living in the Past, a Hasselblad, and Flooding in Mississippi – by Andrew Morang
• Protest Photography – Composing and Shooting Hong Kong’s Mass Protests with a Konica Hexar RF and XPan
• Shooting Snowdon with a Fuji x100F – by Pierre-Alix Favillier
• My Dark Side: Night Photography with CineStill 800T Film – By Christian Schroeder
• A few frames with a Konica Hexar RF, Voigtlander 50mm f/1.2 and Kodak Portra 800
• 1960s New York. Dad’s slides scanned – by Charles Higham
• Cosmic 35 Review – and a multiple exposure project – By Dale Willetts
• A Portrait of a Violin Maker, and some reflections on shooting what I enjoy
• Long exposures with the Minolta Dynax 5 and a roll of Kodak ColorPlus 200 – By Robert
• The Making of the POLARACER project – Shooting the Custom Motorcycle Scene in Bali – By Carlos Albisu
• Fuji GW690II – Urban Decay in Vicksburg, Mississippi, with the Texas Leica – By Andrew Morang
• The Streets of Kuala Lumpur and Hat Yai with a Nikon 35Ti – by Nuraishah Shamsuddin
• Shooting in the Morgan Motor Company Factory
• Kodak Ektachrome E100 – A few Double Exposures – By Michael Turek
• Green Man Festival 2018 on Ten Rolls of Film, a Leica M4, and a Contax G1 – by Simon King
• Silver Springs and a Voigtländer Vitomatic I – By Anthony Rue
• Shooting a roll of Kodak HIE infrared film with a Nikon F-301 – by Charles Higham.
• A World Within a World, or: A Russian Lens for a Russian Circus – By Robert Poole
• Shooting a Polaroid 195 in Sudan – By Carlos Albisu
• An Instax Project And A Framing Challenge – by Aukje
• 24 Hour Project, London, 7/4/18: What (was) in my Bag & My Approach – by Simon King
• 5 frames with a Nikon F3 – by Eduardo Ribeiro
• Sansome Walk – The Silent Leisure Centre
• Beers & Cameras Birmingham – 24/03/18 – and, how we didn’t let the racists ruin our day…
• First roll with a Leica II – by KJ Vogelius
• 5 frames with Pentax SuperA – By Aivaras
• 5 Frames with the Lomography Minitar Art Lens – by Barnaby Nutt
• Reflecting on some analogue memories – by Rob MacKillop
• 5 Frames with a Leica M6 & Cinestill 800t – by Christoph Ackermann
• Photographing Punks on Polaroid – by Simon King
• A Few Frames More, with the Hasselblad XPan – by Simon King
• 80 Days Without Development: Describing Images I Have Not Seen – By Jordan Lockhart
• London Comic Con on Three Rolls of XP2 and a Leica CL – by Simon King
• ‘Unremarkable Architecture’ – Kicking of a photo project (with Kodak 400 TMAX)
• Surviving 365 Days on Film – by Ken Hindle-May
• Snapshots of a Commute – by Greg May
• Finding details in the city: part 2 – Georgetown – by Carlos Argott
• My First Roll of Film – Guest post by Eve North
• Finding details in the city: part 1 – International District – Guest post by Carlos Argott
• A Canon Prima BF-90, 3 Rolls of Agfa Vista 200 and a Trip to Japan – Guest post by Nuraishah Shamsuddin
• Leica M6 Street Photography – Tokyo Files – by Mark Forbes
• 35mm & (very) Large Format in Detroit – by Erik Henderson
• The St. Paul’s Hostel Ilford Photo HP5+ disposable camera project – an introduction to the project
• Nikonos V – Underwater Film Photography – by Aukje
• There’s a first time for everything… – by Joe Thomlinson
• My First Experience of Film – by Ross Gibson
• Day 1 in the Darkroom…
• County Enterprises at Work
• Pushing Tri-X To 3200, Or Shooting A Concert On Film – Guest Post by Aukje
• The Leica M3, Nikon 28Ti, and the Jurong Fishery Port – By Hern Tan
• #MCRWLK with a Lomo LC-Wide and a roll of JCH Streetpan 400
• A Disused Office Building
• A few more shots from the Leica M9
• Contact (Tango) Sheet – The photo and camera that won a Leica M4 – By Julián Péter
• Kodak Ektar 100 Vs Portra 400 In Greece – By Aukje
• And the winner of the M4 is Julián Péter
• First Shots with the Leica M9
• Leica M4 Competition Entries
• An afternoon and evening at Stroud Brewery
• KKE – Film photography for a local architects
• A few snaps with the Leica M8 and Zeiss 28mm ZM Biogon
• An evening of abusing the Leica M8 in low light
• Experiences with 35mm Ilford SFX – by Rob MacKillop
• First (digital) colour photos from the MS-optics converted Nikon L35 35mm f/2.8 Sonnar
• First colour photos from the MS-optics converted Nikon L35 35mm f/2.8 Sonnar
• An evening at home with a Leica M8(!)
• Birthday no.33
• Clee Hill in the Fog / 3rd roll with the Xpan II  
• First roll with the Hasselblad Xpan II & 45mm
• One camera, four conversations – Pieter Geloen
• A Birthday at the Birmingham German Christmas Market
• Carters Steam Fair
• F8 team head shots
• Wilces Cider – The start of a year long project
• A couple of rolls with the Leica M5
• The first 24hrs of Norah Dali Gill
• The 50mm Sonnar gets a workout in the Gym
• First Roll with the Zeiss 50mm ZM Sonnar
• First roll with Zeiss Ikon (ZM)
• A day in hospital – First roll with the Olympus mju-iii Wide 100
• First photos (/Gifs) from the Konica AiBORG
• Legoland Windsor & giving AG Photo Lab a go
• Cornwall 2015 – The last day – The Lost Gardens of Heligan
• Cornwall 2015 – Day 5 – Fun Park and Dunes walk
• Cornwall 2015 – Day 4 – Sunshine at last!
• Cornwall 2015 – Day 3 – Eden and the beach
• Cornwall – Day 2 – The beach and the fun park
• Cornwall 2015 – Holywell Bay in the Mist
• First shots with the Leica M Edition 60
• First shots with the Leica 90mm f/2.8 Elmarit-M
• Faye and Family – A Family shoot with a difference
• Ma Baker – Behind the scenes at a local bakery
• First roll from UK Film Lab
• A roll of XP2 through the Contax T3
• A pre-wedding shoot on a farm…
• First Roll with my Leica M-A – Lndnwlk 3.0
• Election Day 2015 – The final push of the Worcester Labour Party
• First roll with the Leica M3 DS and m-mount Leitz Elmar 50/3.5
• First roll with the Leica M-A and 50/2.5 Summarit-M
• First roll with a Leica M2 (and a recently serviced 50mm 1.5 Summarit)
• First roll with the Leica CL – Derelict barns
• Leica iiic Competition – Vote on the final 10
• Leica iiic Competition Entires (181-201)
• Leica iiic Competition Entires (161-180)
• Leica iiic competition entries (141-160)
• First Roll with the Rollei 35SE
• Leica iiic competition entries (121-140)
• Leica iiic competition entries (101-120)
• Leica iiic competition entries (81-100)
• Leica iiic competition entries (61-80)
• Leica iiic competition entries (41-60)
• Leica iiic competition entries (21-40)
• Leica iiic competition entries (1-20)
• First shots with the Leitz Elmar 50mm f/3.5 (and Leica iiic)
• First Roll with the Contax T3
• A lost roll from Christmas – 50mm V4 Summicron and XP2
• First roll with the Leica M3
• Low light fun with Ilford HP5+ at ei3200 and Ilfotec DD-X
• Christmas in colour – A few shots with the Voigtlander 50mm f/1.1
• Hartlebury Train Carriages – Cinestill 800T and 50mm Summicron
• Three Nights in Paris – And some reflections on my camera choices
• Breaking my Xpro Cherry
• Our Discovery of the Worcester Community Land Co-operative
• The Daughter’s 2nd Birthday – Shot with a mju-ii
• Water fight fun with a Canon Sureshot A1
• Ricoh GR1s – Shots from a lost weekend
• A Week in Wales – Part 2
• A Week in Wales – Part 1
• Trip 35 and some very cheap film… and Connie.
• First Shots from the Fuji Klasse W
• A selection of Yashica T5 shots.

5 Frames with

This is a series of articles that tell short stories of 5 frames taken with a camera, lens or film – sometimes all three.

• 5 Frames with a Pentax ME Super & Kodak Pro Image 100 – By Kyle Klain
• 5 Frames From the Washington Square Park Snowball Fight, January 2021 – by Simon King
• 5 Frames of the “Ihme-Zentrum” on Expired Film – by Christian Schroeder
• 5 Frames with the Canonet QL17 GIII and Kodak Porta 400 – By Brian Feld
• 5 frames walking around with Lomochrome Metropolis in a Pentax MX – By Ben Killian
• 5 Frames with Ricoh XR-2s and Kentmere 400 – By Mihai Sictir
• 5 Frames with the Cheapest Leica I Could Find & a Roll of HP5+ – By Lawrence Pitman
• 5 Frames of Dinosaurs with a Nikon F801 and Fomapan 400 – By Lukas Meekers
• 5 Frames with a Nikon FE and Ektar 100 (A Walk in Canadian Woods) – By Alex Vye
• 5 Frames with a Canon EOS 600 in the Gazometro Area – By Fabrizio Ferretti
• 5 frames with the Yashica 200 AF in 1990s Tijuana – By Mirko Karsch
• 5 Frames From 2020 – a More Personal Retrospective – by Simon King
• 5 frames with the MS-Optics 24mm 2.0 Aporia on a Leica M10 – Lonely Forests – by Bastian Kratzke
• 5 frames on a day trip to Berlin with an Olympus OM-2N – By Robert Mangelmann
• 5 (Vertical) Frames with a Minolta Riva Panorama and Kodak ProImage 100 – By Victor Lopez
• 5 Frames with an Olympus OM-1 taken back in the 80s – By Nik Stanbridge
• 5 Frames with a Yashica AF-J and Fujicolor C200 – By Andrew Bogard
• 5 Frames with a Voigtlander Bessa-R, 35mm f/1.7 & Ilford XP2 in Paris – by Mark Harrison
• 5 Frames with Ilford HP5 400 in a Canon Snappy LX II – By David Hume
• 5 Frames with the Argus C4 in Michigan – by Sean Benham
• 5 Frames with a Yashica FX-3 & Kodak Ektachrome 100 – By Floyd K. Takeuchi
• 5 Frames with Expired Portra 160 NC 220 in a Bronica ETRSi – By Robert Launder
• 5 frames with Fuji 800 Disposable Camera Film and a Canon EOS 650 – By Michael Boffey
• 5 Frames with a Nikon EL2 & Ilford PanF in Old Town Kenai, Alaska – By Dan Smouse
• 5 Frames with a GB Kershaw 630 from a Car Boot Sale – By Amy Gotto
• 5 Frames with a Canonet 28 and Fuji C200 – By Andrew Bogard
• 5 Frames with the Canon AF35ML & Konica VX100 in Mexico City – by Michael Kowalczyk
• 5 Frames with a Minolta XG-9 & Ilford HP5 in Howley – By Andrew Lodge
• 5 Frames with a Nikon F and Kodak Tri-X – By Ian Patton
• 5 frames with Pentax MZ-3, Voigtlander 20mm in Panorama Mode with pushed Tri-X – By Aivaras
• 5 frames with a Minox 35EL & Agfa APX400 – By Bob Janes
• 5 Frames Cut from The Summer of ’20 – by Simon King / New Exit Group
• 5 Frames with a Rolleiflex 2.8F and Ilford HP5+ – By Michael Jardine
• 5 frames with a Leica M-A, 35mm Summilux and Ilford Delta 400 – A Walk in the City in Crazy Times – by Marc Wick
• 5 frames by an almost 3 year old – By Holly Gilman
• A Few Frames with Nikon FE, Micro-Nikkor 55mm f/2.8 & expired Lomo 400 film – By Alex Vye
• 5 frames with an Agfa Optima 1535 Sensor – by Nathalie Porter
• 5 Frames with a Leica M6, 7Artisans 50mm f/1.1 and Fantôme 8 Film – Darkworld – By Marco Diaz
• 5 Frames with a Konica Genba Kantoku and Kodak Portra – by Christian Schroeder
• 5 Frames with a Revueflex AC2 – By Andrew Bogard
• 5 Frames on Ilford SFX 200, Fuji TX-1 and PC-Nikkor 35mm lens – by Noel Roque
• 5 Frames in the Ocean with a Nikonos V on Kodak Portra 400 – By Luis Ortega
• 5 Frames With an Olympus AM-100 and Kodak Ektar 100 – By Tim Jamieson
• 5 Frames with a Canon Prima Zoom 85 – By Andrew Bogard
• 5 frames with an Olympus XA, Kodak Gold 200 and COVID-19 – By Davis Poon
• 5 Frames with an Olympus XA3 from a Car – Felix Tanjono
• 5 Frames with a Minolta V2 & Kodak Portra 400 – By Nigel Haycock
• 5 Frames with the Pentax MG – Provence in Black & White – by Richard Wilford
• 5 Frames with the Fuji GW690 III – By Phil Steelandt
• 5 frames with a Rolleiflex 3.5F & Ilford FP4+ – By Matthew Bigwood
• 5 frames with a Nikon F2 on Fujifilm C200 – Phong Nguyen
• 5 Frames in Hamburg with Kodak Ektar 100 & A Canon A-1 – By Frank Sternisha
• 5 Frames with an Olympus XA2 and Fuji Superia 400 – By Sam Larson
• 5 Frames with Ilford FP4 & a Zeiss Ikon Box Tengor 56/2 – by John Carlson-Zizic
• 5 Frames of Agfa CT Precisa in low light in an OM10 and Cross Processed – By Robert
• 5 frames with the Film Ferrania P30 and Konica Hexar RF – By Max Khokhlov
• 5 Frames with Pentax 645 (Ultrafine Xtreme 100 & TMAX 400) – By Christoph Traugott
• 5 Frames with a Canon Canonet QL19 GIII and Cinestill 50D in Ilfosol 3 – by Sacha Cloutier
• 5 Frames, Scale Focusing and a Voigtländer Vito C – By Marcus Harris
• 5 (7) frames in New York on Kodak Gold – By Holly Gilman
• 5 Frames with a Yachica-Mat – by Phil Harrison
• 5 Frames with the Fujifilm X-E2 – The Hybrid Photographer – by Sean Benham
• 5 Frames / A Whole Roll of Agfachrome R100S in an Agfa Isolette III – #FullRollFriday – by David Hume.
• 5 Frames with a Leica M6, Lomochrome Purple, and a Lomography Minitar-1 Art Lens – By Marco Diaz
• 5 Fast-Paced Frames with the Nikon 70-210 f/4 Series E – by Simon King
• 5 Frames, 2 Rolls of Film, and 1 Mamiya Press Super 23 – By Floyd K. Takeuchi
• 5 Frames with a White Slim Angel – Then and Now – By DeeDee Yelverton
• 5 frames with a 360 degree Lens – By Dan Cuny
• 5 frames of St Ives with my Zeiss Ikon Nettar & Ilford FP4 – by Graham Spinks
• 5 Frames with Fujifilm Neopan 1600 – by Simon King
• 5 Frames Of Kodak Tri-X in An Empty West Edmonton Mall – By Nick Colburn
• 5 Frames with the Mamiya 6, 150mm F4.5 lens, and Fuji Provia – by Simon Foale
• 5 Frames with Konica Auto S2 and Ilford FP4+ – By Kevin Ortner
• 5 Frames with my Yashica Electro 35 GT – The Trials and Tribulations – by Sacha Cloutier
• 5 Frames with a Leica M2 & 35mm Summilux on Adox Silvermax – By Florian Schmidt
• 5 frames of Kentmere 100 on a Pentax P30n Developed in DF96 – By Mike Boffey
• 5 Frames with the Fujifilm X100V – By Thorsten Wulff
• 5 Frames with a Minolta Alpha Sweet – By Ian
• 5 Frames with Halina Pocket 2000 ‘Auto-Kameraset’ – By Jordi Fradera
• 5 Frames from a Night Shift Medic on Tri-X at 1600 in a Canon New F1 – By Cody Thompson
• 5 frames with a Minolta Hi-Matic 7S & Ilford HP5+ – By Steve Phillips
• 5 frames with Pentax MZ-3 and Voigtlander 20mm in Panorama Mode – By Aivaras
• 5 Frames in Porto with 1927 Leica 1A & Kodak Tri-X – By Ian Patton
• 5 Frames with Outdated Film and an Olympus XA From the Junk Drawer – By Vicky Ballas
• 5 Frames with the Zenit E – Built in the USSR – By Sacha Cloutier
• 5 (7) Frames with a Leica M6, Zeiss 35mm f/2 and Kodak Ultramax 400 – A Double First – By Benoît Felten
• 5 frames with the Kilfitt Makro Kilar E 40mm f3.5 Lens – By Nigel Haycock
• 5 Frames with an Olympus Trip 35 – Lockdown, Faces & Places – by Bertie Holloway
• 5 Frames with an Olympus OM-10 and Ilford HP5 Plus – By Sam Larson
• 5 frames with a Centon DF-300 & Miranda 24mm f/2.8 MC MACRO – by Charles Higham
• 5 frames with a Pax M4 and Fujicolor C200 – By Steve Phillips
• 5 Frames with (Early Version 24 exp) DubbleFilm BubbleGum and my Minolta X-700 – by Kate Johnson
• 5 Frames with a Leica M2, 50mm Summicron V5 and 35mm Zeiss Biogon f2 – By Giles Barratt
• Recreating the past: 5 frames with a Lomo LC-A – by Jamie Winder
• 5 Frames with Yashica Electro 35 GS & Kodak Gold 200 – By Salman Rameli
• 5 Frames at 5 in the Morning With Even More Ludicrously Pushed APX 100 – By Hern Tan
• 5 Frames with a Lomo LC-A & Ilford XP2 – Athens in the run up to lock-down – By Mark Harrison
• 5 Frames Locked-down and loaded – By Dave Whenham
• 5 Frames with a Zeiss 35mm f/2.8 C Biogon, Leica M6 and T-Max400 at EI400 – by Phil Harrison
• 5 Frames with a Nikon N90s and Cinestill BWXX – By Floyd K. Takeuchi
• 5 frames with a Leica M6 and an Elmarit 28mm on Kodak 400TX (at EI800) – By Michael Palmer
• 5 Frames with a Kodak Six-20 ‘Brownie’ C – By Dale Rogers
• 5 Frames with the Olympus OM-2N – by Matt Krajewski
• 5 Frames With a Pentax LX in New York – By Yohan Kim
• 5 Frames Composed in Layers, with a 35mm Lens – by Simon King
• 5 Frames with Ilford HP5+ developed in the Ars Imago Lab-Box – by Andrea Armando
• 5 Frames with an AGFA Isolette – By Rock
• 5 frames on the Anacapa Islands with the Nikon FM2 – By Srinidhi Aithal
• 5 Frames With a Leica M3 & 90mm f/2.8 Elmarit – By Wyatt Ryan
• 5 Frames with the Pentax 645N and Kodak T-MAX 100 – By Malcolm Myers
• 5 Frames with Minolta Dynax SPxi & expired Kodak Royal Gold 400 – by Matt Krajewski
• 5 Frames of Berlin in springtime (with a Nikkor 15mm and FM2) – By Thorsten Wulff
• 5 frames with a Ricoh Auto 35 – by Tobias Eriksson
• 5 frames with a Nikon FG & Fujifilm Pro 400H – By Ivan Mendez
• 5 Frames with the Fuji GW690ii – By Josh Sitoh
• 5 Frames With Mamiya C220: A Love and Loss Story – By Ivan Mendez
• Covid-19 Essential Services with a Kiev 10 and Mir 20 Lens – by Peter Schafer
• 5 Frames of North London Locked Down with a Voigtlander Bessa L- By Michael Scott
• 5 Frames in Barcelona with Leica M3 and Lomography Potsdam – By Steve Karsten
• 5 Frames with an Olympus OM2-N and Ilford HP5+ at EI1600 – By Marius Balayn
• 5 frames with Olympus AF-10 Super & Kodak Color Plus- By Maurizio Palumbo
• 5 Frames with Fuji Venus 800 and a Canon AE1-P – by Robert / London Camera Project
• 5 Frames with a Canon EOS Rebel XS and Kodak Ultramax – By Simone Kuo
• 5 Frames with Rollei Retro 100 Or Agfa APX 100 – By Rock
• 5 Frames With the Nikon 70-210mm f/4 Series-E – By Simon King
• 5 Frames with a 35mm Summicron-R Lens at the Botanical Garden – by Christian Schroeder
• 5 Frames with a Toyoca-S whilst moving country – By Shaz
• 5 Frames Shot From the Hip (with the 7artisans 35mm f/2) – by Simon King
• 5 Frames with a Rolleiflex 3.5F and Ilford XP2 film in a Quarantined San Francisco – By Dan Shapiro
• 5 Frames with a Yashica FX-3 Super 2000 (and an 8 year old) – By John Scott
• Leica 50mm f/2 Summicron DR – Plum Blossoms – By Steven Bleistein
• 5 Photos with the Cheapest Rollei TLR I Could Find – By Eric Norris
• 5 Frames With Kodak Gold 200 / My Analog Photography Process – By Leo Lukens
• 5 Portraits with Silvermax and the 60mm Leica Elmarit-R – by Michael Scott
• 5 Frames with a Leica M4 and Rollei Infrared 400 – by Steve Karsten
• 5 Frames with a Leica D-Lux 3: Paris on a small-sensor compact – By David Hume
• 5 Frames With Eastman 5222 at EI1600 – By Hern Tan
• 5 Frames With the 7artisans 35mm f/2 on the Leica M10, for Photojournalism – by Simon King
• 5 Frames with a Fuji XPro3 and 7Artisans 50mm f/1.1 – by John Scott
• 5 frames with Delta 400 and a circular polarizer – By Jim Sangwine
• 5 Frames with Ferrania P30 – By Peter Schafer
• 5 Land of the Dead frames with Portra 400 at EI1600 with a Maxxum 7 and a 85mm f/1.4 lens – By Victor Lopez
• 5 frames with a Voigtlander Color-Skopar 20mm f/3.5 SL Asperical for Pentax – By Aivaras
• 5 Frames with the Fuji GF670W from the Polynesian Islands – By Dominique Pierre-Nina
• 5 frames with Kodak Gold pushed to 400 – By Ivan Studynskyi
• 5 Frames With Fomapan 400 “Action” at EI1600, Developed as 3200 – by Simon King
• 5 frames with Pentax 110 and adox HR50 – By Victor Doroshenko
• Re-Acquainting with Adox Scala B&W Slide Film – By Ken Davis
• 5 Frames with an Olympus 35RC on Lomography 800 in Bogotá – by Bob Witteman
• 5 Frames with the “Last Roll” of Ferrania Solaris 100 – by Andrea Armando
• 5 Frames in hoarfrost wonderland with the Minolta XD-7 & Kodak Portra 160 – By Matthias Steck
• 5 frames with CineStill 800T at night in Taipei – By Jim Sangwine
• 5 frames with Santa Rae 1000 and a Nikon EM – by Charles Higham
• 5 frames in Winter Wonderland with a Leica 111F – by Michael Scott
• 5 Frames with a Contax T3 on Fuji Superia 400 – By David Marshall
• 5 Frames With Tri-X Pushed to 1600 – by Simon King
• 5 Frames with 5 Chinons and 5 Films in One Graveyard – By Rock
• 5 frames with a Fuji X100 / a reminder of an annoying conversation I had with some Fuji reps
• 5 Frames With CineStill 800T and a Yashica T5 – By Kevan Wilkinson
• 5 frames with an Asahi Pentax K1000 – By Oscar Capdevila
• 5 Frames With FujiFilm Venus 800 – By Simon King
• 5 frames with Kodak Vision3 in Medium Format – by Tim Lebedin
• 5 Frames with the Film Washi S – By Odair Fortes
• 5 frames with a Leica M5 and Zeiss Biogon C 35mm f/2.8 – By Charles Morgan
• 5 Frames with Nikon F2 + 50mm F2 Nikkor H-Auto – By Josh Sitoh
• 5 Frames with Kodak 2238 in a M4 with a Canon LTM 50/1.4 – By Bill Thoo
• 5 frames in London’s Docklands with a Voigtlander Bessa 1 – By Michael Scott
• 5 frames with a Kiev 4A and Lomography 400 – By Steve Phillips
• 5 Frames with a 35mm Curtagon Shift Lens – by Christian Schroeder
• 5 Frames with the Zeiss Ikon Super Ikonta 533/16 – By Eric Norris
• 5 Frames with the Yashica 635 and Kodak Portra 400 – By Lee Butterley
• 5 Frames with Fujifilm Neopan Acros 100 II, Minolta CLE & Leica Summicron-C 40mm f/2 – Steven Bleistein
• 5 Frames Skiing with a Zeiss Ikon Nettar – Andy Larner
• 5 Frames With the runt of the litter: The Olympus XA1 – Brian Nicholls
• 5 Frames by Candlelight: 0.5-4s Exposures on Ilford HP5+ at EI 800 – by Simon King
• 5 Frames With FPP Retrochrome 400 – by Simon King
• 5 frames of the Extinction Rebellion with a Leica R5 – by Michael Scott
• 5 Frames with Fomapan 400 “Action” at EI200, Developed Normally – by Simon King
• 5 Frames with the Pentax Spotmatic F and Kodak Gold 200 – By Jérémie Schuler
• (First) 5 Frames With Kodak Tri-x 400 – By Jake Yorath
• 5 Frames with the Nikon L35AF and Kodak Portra 800 in the german woods – By Martin Holman
• 5 Frames with the Bronica ETRsi + 500mm f/8 EII – By Wyatt Ryan
• Rolleiflex SL35 mini-review- A Gorgeous Under-The-Radar SLR – By Recky Reck.
• 5 frames with 5 cameras and 5 films in one graveyard – by Rock
• 5 frames with a Franka Solida IIE – by Michael Scott
• 5 Frames rediscovering film with a Nikon FE2 – By Shaz
• 5 Frames with Fomapan 400 “Action” (@ EI1600) – by Simon King
• 5 Frames with the Canon SureShot / Autoboy 2 – By Wyatt Ryan
• 5 Frames at an Airshow with the OM-1n and the Zuiko 300mm – By Ed Lara
• 5 frames with 5 Leicas – by Per Wilhelmsson
• 5 Frames with a 1950’s Envoy Wide Angle 6×9 – By Paul Elcock
• 5 Frames with the Nikon F100 and Kodak ColorPlus 200 – By Dhanesh R.
• 5 frames from Mo’orea with a Nikonos III – by Marc Gabor
• 5 Frames with an Olympus XA4 – with Wen Zeng
• Yashica Electro 35 – A mini review at The Mission Inn – By Eric Norris
• 5 Frames with a Nikon F4 (and lots of tears and too much booze) – By Luis Barros
• 5 Frames with a Nikon F80 from Eastern Europe – by Daniele “Cappe” Cappelletto
• 5 Frames with a Praktica FX3 – by Nathalie Porter
• 5 Frames with the Bronica SQ-A, my first (working) medium format camera – By Lukas Walter
• 5 Frames with an Olympus Trip 35 and expired Kodak 400 Ultramax – by Tiago Meirelles
• 5 Frames with Leica IIIg with Fuji Sensia 100 and Superia 400 – By Rob MacKillop
• 5 Frames with Rollei Infrared 400, a Leica M7 and Voigtlander Color Skopar 21mm f/4 – Steven Bleistein
• 5 frames with the Kodak 66 model III – by Michael Scott
• 5 Frames in Paris with an Agfa Half-Frame Flea Market Find – By Eric Norris
• 5 Frames with Kodak T-Max 400 – by Simon King
• (First) 5 Frames with the Leica Monochrom and 7Artisans 50mm f/1.1 – By Rob MacKillop
• 5 frames with an Olympus XA and XP2 Super at the Pet Parade – By Alex Solomon
• 5 Frames With An Olympus OM1 MD (Again) – By Julian Higgs
• 5 frames with Kodak Ektachrome E100 in low light – By David Narbecki
• 5 frames with the Mamiya 35 ‘Executive’ – By Nigel Haycock
• 5 Frames in My Garden with a Minolta XD-11 and Ilford HP5 ISO 400 – by Kate Johnson
• 5 Frames with a Wondering Mind and a Leica M3 – By Ong Sien Hong
• 5 Frames with Kodak Portra 400 on a Zorki 4. Or: Down a Rabbit Hole – By Lawrie Conole
• 5 Frames with Vivitar V3000s: A more-than-expected Result – By Ris Sukarma
• 5 frames with a Kodak Tele-Instamatic 608 – By Will Hopkins
• 5 Frames with a Holga 120 GFN and Ilford Delta 3200 – By Bill Thoo
• 5 Frames with the Mamiya 6 and the 75mm f3.5 – by Aloysius Chow
• 5 frames with a Canon Demi 28 – By Steve Karsten
• 5 Frames with a Hasselblad 503CX – By James Greenoff
• 5 Frames with a Nikkor 50mm F1.4 on the Olympus Pen-FT – By Tiffany Perez
• 5 frames with Kodak Instamatic 500 – By Sergio Palazzi
• 5 frames with an Industar-61 L/D 55mm f/2.8 – By Dan Dodd
• 5 frames of Cinestill 800t in Two Londons – By Robert
• 5 Frames With Far Too Much Alcohol (and a Lomo LC-A) – by Ken Hindle-May
• 5 Frames with the Olympus XA3 – By Martin Holmann
• 5 Frames and a Movie during the Morning Rush with a Leica M240 and First Generation Summilux 35mm f/1.4 – By Steven Bleistein
• 5 frames with a rather dumb push: FP4 @800 & Neofin Blau – By Virgil Roger
• 5 Frames from New York, on Cinestill 50D with the Olympus XA – by Simon King
• 5 Frames with the 7Artisans 75mm f/1.25 – By John Scott
• 5 Frames With the Konica Hexar AF – By Louis A. Sousa
• 5 Wider-Open Frames with the 7Artisans 75mm f/1.25 & a Leica M10-P
• 5 Rural Japan Frames with a Leica M6J, a Summilux 50mm f/1.4 pre-asph., on Kodak T-Max 100 – Steven Bleistein
• 5 Frames on the Beach with a Yashica Electro 35 GSN – by Lee Webb
• 5 Frames with an Ilford Obscura and Direct Positive Paper – By Ellsworth Bell
• 5 Frames (oops, 6) in Mississippi with 35mm Kodak Ektar 25 film in a Spotmatic by Andrew Morang
• 5 Frames from Dog Green, Omaha, and a Leica M6 – By Torsten Wulff
• 5 Frames with a Konica A4 and Expired film – By Florian Hofmann
• 5 Frames With EOS 3 and Kodak P3200 TMAX – By Matthew Harry
• 5 Frames on the Angels 5K with the Olympus XA – by Tiffany Perez
• 5 Frames with Fuji Velvia 100 (35mm / EI 100 / Nikon F4) – By David Hume
• 5 frames with a Meikai EL/Harmony – A 35mm box camera with a rangefinder face – by Tobias Eriksson
• 5 Frames with Ilford Pan F on the Olympus XA – by Tiffany Perez
• 5 Frames with Kentmere 400 – by Simon King
• 5 frames with a Pentax Auto 110 – by Martin Connolly
• 5 frames with Minox B and HR50 – by Victor Doroshenko
• 5 Frames with a Leica M6 and Pro Image 100 – By Greg May
• 5 Frames with a Hasselblad 500C and Kodak Portra 160 – By Christian Schroeder
• 5 Frames with a Canon EOS 1 – By James Greenoff
• 5 Frames with the Olympus XA2 – Wyatt Ryan
• 5 Frames with my new Zorki, pushing Ilford Delta 400 to 1600 – By Gavin Bain
• 5 Frames with a No.2 Kodak Hawkeye Folding Camera Model C – By Jochen Utecht
• 5 frames with a Yashica Mat 124 and Ektar 100 – by Hugo
• 5 Frames with Ilford Delta 3200 (at EI8000-ish) – by Simon King
• 5 Frames with the Olympus XA & Ektar 100 (at EI400) – by Simon King
• 5 frames with a Canonet QL17 G-III – by Gandhi Cabañas
• 5 frames with Kodak Ektar 100 and a Hasselblad 503cx – by Peter Samson
• 5 Frames With A Yashica 35 – By Nigel Cliff
• 5 Frames with a Leica M6 and Voigtlander 35mm f/1.4 – By Nigel Cliff
• 5 Candid Portraits in Paris with a Leica M3, Summicron 50mm f/2, and Kodak T-MAX 100 Film – By Steve Bleistein
• 5 Frames with a Ricoh FF90 Super and a TC-9 Teleconverter
• 5 Frames with Ricoh FZ-70 and Boots film – by Matt Krajewski
• Contax S2 – A mini-review – by Aivaras
• 5 Frames with a First-Gen Leica Summilux 35mm f/1.4 Wide Open and a Leica M240 – by Steven Bleistein
• 5 Frames with Kodak Ektar, My Dream Film, on the Nikon F3 – by Tiffany Perez
• 5 Frames with a 7Artisans 28mm f/1.4 – By John Scott
• 5 Frames with a Voigtlander Nokton Aspherical 40mm f/1.2 – By John Scott
• 5 Frames With Ilford Delta 100 (expired 2006) – by Simon King
• 5 Frames With CineStill 800T and Orange Filters on a Leica M6 – By Christian Schroeder
• Frames with the Mighty Hasselblad XPAN – By Yul Vazquez
• 5 Frames with Fuji Velvia 50 and an Olympus OM-1 – By Ben Kepka
• 5 Frames with Olympus IS-1000 and the film it came with – by Matt Krajewski
• 5 Frames with a Nikon FE (and a return to film photography) – By Thorsten Wulff
• 5 Frames with the Nikon One-Touch Zoom 90 – By Mike Caputo
• 5 frames with a Canon A-1 and TRI-X – By James Mitchell
• 5 Frames in Ferrari Heaven with an Leitz 50mm Elmar – By Terry B
• 5 frames with a Konica Auto S3 (And a tiny bit of a Tbilisi travelogue) – By Linda Terstad
• 5/10 Frames with my Olympus Pen-FT (Sophie) in the Poppy Fields – by Tiffany Perez
• Leica 35mm f/2 eight-element Summicron and Leica M240 – Candid Portraits – By Steven Bleistein
• 5 Frames With CineStill 800T and a Yashica T5 taken in Broad Daylight – By Kevan Wilkinson
• 5 Frames on the Run to Remember LA with the Olympus XA – by Tiffany Perez
• 5 Frames with a Pentax MX and SMC Pentax-M 50mm f/1.7 – by Andrea Armando
• 5 Frames with Kodak Ektachrome on the Nikon F3 – by Tiffany Perez
• 5 Frames with Minolta Dynax 500si Super – By Matt Krajewski
• 5 frames with a Canon Sure Shot Classic 120 – by Matt Evans
• 5 Frames with a Canon A-1 and Ilford FP4 – Alessia Becheri
• 5 Frames with a Konica K-Mini – By Dominic Leung
• 5 Frames with the new Ricoh GRIII – by Stuart Andrews
• 5 Frames with a 7Artisans 35mm f/2 Lens – By Ong Sien Hong
• 5 Five frames with a Canon EOS Rebel K2 – by Gandhi Cabañas
• 5 frames with Alfo 100 and the Fujifilm Zoom Date 1000 – by Ivan B. Palli
• 5 Frames With an Olympus XA – By Julian Higgs
• 5 Frames with Lomography 400 on the Nikon F3 – by Tiffany Perez
• 5 frames with a Leica M6 and Voigtlander 40mm f/1.4 – by Dean Vuksanovic
• 5 frames with a Minolta Dynax 7000 – By Dorian Farrimond
• 5 frames with the Olympus 35SP and Fomapan 200 (I have a lot to learn) – by Giacomo Zema
• 5 Frames With A Konica Auto S3 – By Marcus Harris
• 5 Frames with a Contax G1 – by Mitchel Gordon Brauns
• 5 Frames With Olympus AF10 (aka Infinity Jr) and the roll of film it came with – By Matt Krajewski
• 5 Frames with a Mamiya C220 and Portra 160 NC – By Trenton Trammell
• 5 Frames with an Olympus XA2 – By Filipa Leite Rosa
• 5 Frames with My Thrift Store Olympus XA – by Tiffany Perez
• 5 Frames with Film Never Die IRO200, a Leica M3, Leica Summicron-M 50mm f/2 – By Steven Bleistein
• 5 Frames with Kodak T-MAX P3200 (Pushed to 6400), a Leica M3 and v1 35mm Summicron – By Steven Bleistein
• 5 Frames on Skiddaw with an Olympus XA and T-MAX P3200 – By Chris Pattison
• 5 Frames with Canon F-1 – By Ben Kepka
• 5 Frames with Kodak Pro Image 100 – By James Greenoff
• 5 Frames with a Zorki, Industar-61 & Expired Kodak Gold – By Lori Brooks
• 5 frames with Minolta AF-S and well expired Kodak Ultra 400 – By Matt Krajewski
• 5 frames with a Fuji Discovery 90 – by Gandhi Cabañas
• 5 Frames With a Canon Sure Shot Sleek – By Charlie Thom
• 5 frames with Fuji HD-M and Cinestill 800t – By Linda Terstad
• 5 frames with a Chinon CG-5 and Vivitar 19mm & Ilford Delta 3200 – by Charles Higham
• 5 Frames with Kodak Ektachrome E100 in Morocco – by Simon King
• 5 frames with a Canon Prima AS-1 – By Linda Terstad
• 5 frames with an Olympus AF-1 & Revolog Snovlox – By Allysse Riordan
• 5 Frames with a Leica M4 – by Jochen Utecht
• 5 Frames With An Olympus OM1 MD & Ilford HP5+ – By Julian Higgs
• 5 frames with the Nikon FM2 & Agfa APX 400 in my Paris – By Martina Rigotti
• 5 Frames With an Aires 35-IIIL – By Arran Saunders
• 5 frames with a Minolta Weathermatic 35 and Portra 400 – By Linda Terstad
• 5 Frames with a Olympus Mju II DLX – By Howard Dale
• 5 Frames with a Fuji GX680 – By Sergio Moura
• 5 Frames with a Nikon L35AF – By Christian Diehlmann
• 5 Frames with the Voigtländer Vito C – By Nigel Haycock
• 5 frames in Kolkata with a Leica M3 and Voigtländer 28mm f/1.9 – by Sroyon Mukherjee
• 5 Frosty Frames with Vivitar 55mm 2.8 macro – By Kaare Lytsen
• 5 Frames with a Nikon FM2n and Ilford HP5+ 400 – By Cristian Geelen
• 5 Frames with the Olympus 35RC – by Barry Carr
• 5 Frames With A Rolleiflex 2.8F & Ilford Delta 3200 – by Floyd K. Takeuchi
• 5 Frames with the new Voigtlander Color-Skopar Vintage Line 21mm f/3.5 – By John Scott
• 5 Frames with FujiFilm Provia 100f, My First Roll of Slide Film – by Simon King
• 5 Frames with an Olympus XA Rangefinder – by Forrest Rogers
• 5 Frames With an Olympus OM10 and F.Zuiko 50mm 1.8 & Expired Fuji Superia Xtra – By Gavin Bain
• 5 Frames with a Voigtlander Bessa R2 – by David Marshall
• 5 Frames with a Ricoh TF-500 – By Adam Kendall
• 5 frames with a Yashica Electro 35 GS – By Gavin Bain
• 5 Frames with a Leica M4-2 and Zeiss ZM 50mm f2 Planar – By Thomas Inman
• 5 Frames With The Rollei XF35 and Agfa APX 400 – by Anil Mistry
• 5 Frames with the Konica C35 – By Sam Hainsworth
• 5 Frames with a Fuji DL-510P Date – By Ashley Hall
• 5 Frames with a semi-broken Contax T on Neopan 400 – By Xiaosu Han
• 5 Frames With A Contax G2 – By Floyd K. Takeuchi
• 5 Frames With An Olympus OM10 – Gavin Bain
• 5 Candid Portraits in Tsukiji Pushing T-Max 100 with a Leica M6J and Summicron 50mm f/2- By Steven Bleistein
• 5 Frames with a Canonet QL17 G-III – By Wen Zeng
• 5 frames with a Smena Symbol – by Matt Evans
• 5 Frames with a 90mm Summarit on a Leica M8 – By David Evans
• 5 frames with the Minolta TC1 – By Isa Maidan
• 5 frames with an Agfa Silette I and Ilford HP5+ – By James Mitchell
• 5 Frames With A Zeiss Ikon Nettar 517/16 6×6 Folding Camera – By Julian Higgs
• 5 frames from the first roll with Leica M4-P 7artisans 50 1.1 and Delta 100 – By Victor Doroshenko
• 5 frames with the Voigtländer Bessa R2M and 35mm f/2.5 Classic – by Andreas Kaczmarek
• 5 Frames with the Mamiya M645 1000s and Mamiya-Sekor C 55mm f/2.8 – By Wyatt Ryan
• 5 Frames With An Olympus OM2n SLR & Ilford HP5- By Julian Higgs
• 5 Frames with a Yashica Zoomtec 70 – By Daniel Kastner
• 5 frames with a Nikon Nikkor HC 5cm f/2 ltm on a Sony A7RII – By Aivaras
• 5 Frames with the Nikon F3HP & Minolta 55mm f/1.7 – by Simon King
• 5 Frames with a Contax 167MT & Carl Zeiss Planar 50mm f/1.7 – By Brett Franklin
• 5 Frames with the SureShot and Ektar 100 – by Nathanaël Fournier
• 5 Frames on Ferrania P30 Alpha (with a Leica M6 and Nokton 35mm) – By Son Pham
• 5 Frames with a Rollei B35 (and a little intro to “Analogue United”) – By Mariya Todorova
• 5 Frames with Konica Hexar AF – by Louis Sousa
• 5 Frames With A Yashica T5 and Ektachrome E100 – By Kevan Wilkinson
• 5 Frames with Minolta CLE and Rokkor 40mm f/2 – by Florent Pinsault
• 5 Frames with the Canon Rebel G and 50mm f/1.8 – by Wyatt Ryan
• 5 Frames With the Petri 7s – by Barry Carr
• 5 Frames with a Mamiya Sekor 45mm f/2.8 N & Mamiya 645 1000S – By Aivaras
• 5 frames with a Rollei 35SE – By Pierre-Alix Favillier
• 5 frames with my dear Nikon F and Nikkor 28mm f3.5 – by Jano Urda
• 5 Frames with an Olympus Zuiko 55mm f/1.2 – by Thomas Risberg
• 5 Frames travelling with a Mamiya 6 MF – By Faraz
• 5 Frames with the Olympus OM Zuiko 100mm f2.8 – By Sandeep
• 5 Frames with a Leica M4-P on a Whisky Pilgrimage – By Nick Holt
• 5 Frames with my Leica M2 and 7 Artisans 50mm f/1.1 – by Tim Dobbs
• 5 frames with a Canon 7, 35/2 lens and Rollei RPX400 – by Anthony Chatain
• 5 Frames with a Lomo LC-A – by Pjotr Eijkenboom
• 5 frames with a Minolta Panorama Zoom 28 – by Charles Higham
• 5 Frames with a Leica M5 – by Petros Katradis
• 5 Frames with the Minolta 24mm f/2.8 MD W.Rokkor – By Steven Starr
• 5 Frames with a Fed 50mm f/3.5 LTM lens (Industar-10) – By Christian Irving Cayetano
• 5 Frames with a Takumar 50mm f/1.8 on a Spotmatic (with 11 year old film) – By Nigel Cliff
• 5 Frames With A Leica Tele-Elmarit 90mm f/2.8 – by Aukje
• 5 Frames with a Mamiya Sekor 80mm f/1.9 and Mamiya 645 1000s – By Aivaras
• 5 Frames With a Fujica GL690 – by Denys Trofimchuk
• Konica Tomato – Five Frames – By Kevan Wilkinson
• 5 Frames with a Canon A-1 – By Ollie Lattin
• 5 Frames with a Leica R8 and 28mm f/2.8 – by Dominique Collard
• 5 Frames with a Leica M4 and Voigtlander 35mm f/2.5 – By Dan Smith
• 5 Frames With A Fed 4 Russian Rangefinder – By Julian Higgs
• 5 Frames with an Olympus 35RC, A Centon FG20 Flash, and a 24 Frame Roll of Kodak Gold Ultra 400 – By Toby Van De Velde
• 5 Frames with a Pinhole Works Driftwood Camera – by Amy Davis
• 5 Frames With a Hanimex 35FX – By Richard Williams
• 5 frames with a Steinheil 50mm f/2.8 Cassar S lens – by Tobias Eriksson
• 5 Frames With A Minolta 700si And A Roll Of Dubblefilm Monsoon – By Nigel Cliff
• 5 frames with the Canonet QL17 GIII in Glacier National Park – By Brady LaVigne
• 5 Frames with a Yashica T4 and a roll of Ilford FP4 – By Dave Donnelly
• 5 frames with a Praktica MTL5 – By Ioana Trifu
• 5 Frames with a Schneider-Kreuznach Xenar 50mm f/2.8 Lens – By Cheyenne Morrison
• 5 Frames with a Konica Big Mini F – By Kamburger
• 5 Frames with a Ricoh GR1s – by Steven Bleistein
• 5 Frames With An Olympus OM2 SP – By Julian Higgs
• 5 Frames with a Yashica Half Frame 17 Rapid – by Denis Savinov
• 5 frames with a Yashica Samurai X3.0 and Fuji Superia 400 – By Dan Marinelli
• 5 frames with a Fujica GW690 and a roll of Cinestill 50D – By Irv Bartlett
• 5 Frames with a Nikonos V – by Dirk Marwede
• 5 Frames from my First Roll of Kodak Portra 160 – By Stu Myers
• 5 Frames with a Smena Symbol – by Nathalie Porter
• 5 Frames With A Chinon 35EE – By Nigel Cliff
• 5 Frames with the Pentax 67 – By Louis Sousa
• 5 Frames with a Nikon F4S and Nikkor 35mm f/2.8 AI and Adox CMS II – By Toni Skokovic
• 5 Frames with a Konica Hexar AF – By James Nguyen
• 5 Frames with the Summishica – By Andy Karlson
• 5 Frames with an Olympus mju-i – By Gregoire Huret
• 5 frames with an Olympus XA1 – By Howard Hurd
• 5 Frames with an Olympus OM-2N – By Chris Johnson
• 5 frames with an Auto Yashinon 1:2 50mm lens – by Tobias Eriksson
• 5 Frames with a Nikon FE2 and a roll of Fuji Reala 500D – by Tim Dobbs
• 5 frames with an Olympus Infinity Stylus Zoom 140 DLX – by Kyle McMurphy
• 5 Frames With a Pentax Spotmatic F – By Ray Goodwin
• (A few more than) 5 frames with a Zeiss Ikonta B 522/24 – by Sergio Palazzi
• 5 Frames With A Voigtlander CLR Rangefinder Camera – By Julian Higgs
• 5 Frames With Fujifilm Klasse W – By Ricardo Kalaidjian
• 5 frames with a Canon P and Canon 50mm f/1.4 lens
• 5 Frames with a Ricoh 500G – by Martin Connolly
• 5 Frames with An Olympus 35SP Rangefinder – By Julian Higgs
• 5 Frames with an Agfa Optima 335 electronic – by Dave Donnelly
• 5 frames with a Kodak Retina IIIc – by Thomas Merk
• Shooting a roll of Kodak HIE infrared film with a Nikon F-301 – by Charles Higham.
• 5 Frames with a Leica M6 and Fuji Pro 400H – By Khalid Ibrahim
• 5 frames with a Konica C35 – by Dale Willetts
• 5 Frames With a Minolta Dynax 800Si – By Simon Forster
• 5 Frames with an Exa 500 – by Dale Willetts
• 5 Frames with a Nikon F100 by Adam Laws
• 5 Frames with a Sigma SD14 / Helios-44-2 – by Bernd Runde
• 5 frames with an Olympus 35 LE – By Tobias Eriksson
• 5 Frames with a Zeiss Otus 55mm and Canon EOS 1V – By Bent_Brent
• 5 frames with an Olympus Pen F – By Tobias Eriksson
• 5 Frames with a Zorki 4K – By Dale Willetts
• 5 Frames with a Pentax ME – By Oliver Clarke
• 5 Frames with a Zeiss Ikon Contessa – by Thomas Bell
• 5 Frames from My First Year as a Photographer [with a Leica M240] – by Simon King
• 5 frames with my Leica M6 & Zeiss 50mm f1.5 C Sonnar – By Rick Davy
• 5 Frames With A Holga 120FN – by Dev Samaddar
• 5 Frames With a Leica M6 and Kodak Portra 800 – By Martin Smith
• 5 Frames With Refilled Disposable Cameras – By Skyler Adams
• 5 Frames with a Nikon F80 – by Chris McPhee
• 5 frames on the road with expired film from 1998 – by J.F. Pritchard
• 5 Frames With An Olympus 35 RC – by Julian Higgs
• 5 frames with a Nikon F3 – by Eduardo Ribeiro
• 5 Frames with a Miranda Sensorex – by Nigel Haycock
• 7 Frames with a Ricoh GR Digital IV – By Yul Vazquez
• 5 Frames with a Kodak Vest Pocket – By Dan Smith
• 5 Frames with a Polaroid Originals One Step 2 – By Ed Worthington
• 5 frames with a Leica M6 TTL and 7artisans 35mm f/2 Sonnar – by EMULSIVE
• 5 Frames with the Minolta Maxxum 7000 – By Chris McPhee
• 5 frames with a Nikon FM3A and Nikkor 28-70mm 2.8 D – by John Whitmore
• 5 frames with Pentax SuperA – By Aivaras
• 5 Frames with a Contax G1 – by Carlos Albisu
• 5 Frames with the Lomography Minitar Art Lens – by Barnaby Nutt
• 5 Frames with the 7Artisans Prototype 35mm f/2 m-mount lens
• 5 Frames with a Kodak Retina IIc – By Howard Dale
• 5 Frames with The Contax RTSii – by Anil Mistry
• 5 Frames with a Leica M6 & Cinestill 800t – by Christoph Ackermann
• 5 Frames With An Olympus Trip 35 – By Julian Higgs
• 5 Frames with a Rolleicord IIA – by Tom O’Neill
• 5 Frames with an Olympus Trip 35 – By Huy Le
• 5 Frames with a Canon AT-1 and a Roll of Redscale – by Toby Van de Velde
• 5 Frames with an Olympus OM-2N – by Shameer Yaqin
• 5 (6) frames with a Hasselblad in Mississippi – by Andrew Morang
• 5 Frames with a Vivitar 35ES – By Howard Dale
• 5 Frames with a Nikon F80
• 5 Frames with a Fujica GS645 Pro by Son Pham
• 5 Frames with a Zenit EM – By Greg May
• 5 frames with a Canon AE-1 Program – By Greg May
• 5 Frames with a Nikonos IV-A – By Ivan Mendez
• 5 Frames with a Nikkormat – By Greg May
• 5 Frames with a Polaroid SX-70 – By Simon King
• 5 Frames with a Nikon F100 by Carlos Llamas
• 5 Frames with a Leica MP, Portra 400 & Lots of Sun – By Nelson M
• 5 Frames with a Olympus OM-1n – By Paulius Gailiunas
• 5 frames with a the Olympus mju-II – by Francisco Varone
• 5 Frames with a Leica Mini – By David Felix
• 5 frames with a the Minolta Dynax 3000i & Minolta AF Zoom 35-80mm f/4-5.6 – by Charles Higham
• 5 frames with a Bessaflex and CZJ Flektogon 2.4/35mm – by Son Pham
• 5 Frames With a Leica M7 – by Adam Laws
• 5 Frames with an Olympus E-M10 by Vlado Ondrejovic
• 5 Frames with Bell & Howell Fixed Focus Camera – By Howard Dale
• 5 Frames with a Samsung AF Slim
• 5 Frames with a Pentax Spotmatic – By Wesley Fortin
• 5 Frames With a Calumet C1 – BY Erik Henderson
• 5 Frames with a Samsung ECX-1
• 5 Frames with a Hasselblad XPan – By Simon King
• 5 Frames with a 7Artisans 50mm f/1.1 – Barnaby Nutt
• 5 (4 underexposed) frames with a Leica M-A and 7Artisans 50mm f/1.1
• 5 Frames with a 135 adapted Holga – By Lucas H
• 5 Frames with a Pentax Spotmatic and Kominar 28mm/3.5 – By Toni Skokovic
• 5 Frames with a Leica Standard & Voigtlander 28mm f/3.5
• 5 Frames with a Leica CL and Jupiter-8 – By Simon King
• 5 Frames with a Nikon FM3A and Nikkor 50mm f1.2 AIS – by Anil Mistry
• 5 Frames with a Leica M typ 262

The Whole Roll

A series of articles that show entire rolls of film; every image, warts and all. Authors who submit these articles often talk through the roll, where/why it was taken etc.

• Entering Solitude, or helping myself publish with a #FullRollFriday post – By Theo Swinscow
• 36 Frames / Whole Roll Tilting & Shifting with a Canon 24mm TS-E – #FullRollFriday – By Kevin Ortner
• 38 Frames / A Whole Roll of Rollei Retro 400S – #FullRollFriday – by Simon King
• 22 Frames / A Whole Roll(ish) 0f Kodak T-Max 100 – A Garbage Idea – #FullRollFriday – By Charlie Bierwirth
• Giving a “Faulty” Camera Another Chance – #FullRollFriday – by Holly Gilman
• 16 Frames / A Whole Roll of Ilford HP5+ in a Box Tengor 54 – #FullRollFriday – by Steve Phillips
• 36 frames / My 3rd Whole Roll of HP5 – #FullRollFriday – By Andrea Bevacqua
• 13 frames / My first self developed roll of 120 film – #FullRollFriday – By Holly Gilman
• 36 Frames / A Whole Roll Fujichrome Velvia 100 in an Olympus XA2 – #FullRollFriday – by David Hume.
• 9 frames / Or should it be 12? – #FullRollFriday – By Holly Gilman
• 5 Frames / A Whole Roll of Agfachrome R100S in an Agfa Isolette III – #FullRollFriday – by David Hume.
• 36 frames / My First Whole Roll of Film – #FullRollFriday – By Holly Gilman
• 39 Slides / A Whole Roll of Fujichrome Sensia 100 (expired 2006) – #FullRollFriday – by Simon King
• 32 Frames / A Whole Roll of Lomography 800 – #FullRollFriday – By Gavin Bain
• 25 frames / a whole roll developed by me for the first time in 30 years – #FullRollFriday – by Rock
• 36 Frames / A Whole Roll with a Leica iiif, Voigtlander Color Skopar 21mm f/4 ltm & Ilford FP4 Plus (metered at iso 400) – By Duncan Gruer
• 24 Frames / The Whole Roll of Ilford HP5+ in an Olympus Trip 35 – #FullRollFriday – By Hilary Clarke
• 34 Frames / A Whole Roll of Ilford HP5, Contax 139Q C/Y & Sonnar 85mm – #FullRollFriday – By Victor Doroshenko
• 23 frames / A Whole Roll of Fujifilm Superia 400 in a Vivitar Ultra Wide & Slim – #FullRollFriday – by Charles Higham
• 36 Frames / A whole roll of Fuji Neopan 400 – #FullRollFriday – By Sandeep
• 36 frames / A Whole Roll of Kodak Portra 400 – #FullRollFriday – by Lee Webb
• 23 frames / A Whole Roll of panoramic images with the Horizon 202 – #FullRollFriday – By Thodoris Markou
• 24 Frames / The Whole Roll of Expired Gold 200 in an Agfamatic 200 – #FullRollFriday – by Rock
• 29 Frames / A Whole Roll (Almost) of Rollei Retro 400s – #FullRollFriday – by Gary Quinn
• 36 Frames / A Whole Roll of Fomapan 100 (at EI400) – #FullRollFriday – By Anthony Chatain
• 25 Frames / A Whole Roll of Kodak Ultramax 400 in a Canon Snappy LXII – #FullRollFriday – by David Hume.
• 36 frames / A Whole Roll from the Early Days of my Film Photography – #FullRollFriday – By Ed Worthington
• 22 Frames / A whole roll of JCH400 shot on the Horizon 202 – #FullRollFriday – By Captain Badbeard
• 36 frames / A Whole Roll of Rollei RPX400 – The first #FullRollFriday – By Jeremy Strange

The Travelling Yashica

A project from the early days of 35mmc when I sent a Yashica T5 travelling around the world. You can find the posts from the people who got to use the camera here